HISTORICAL EDITIONS FROM THE CENTRE D’ÉDITION CONTEMPORAINE
Marie Angeletti, Monica Bonvicini, Costanza Candeloro, Trisha Donnelly, Giulia Essyad, Fabrice Gygi, David Hominal, Karen Kilimnik, Elke Krystufek, Erik van Lieshout, Christian Lindow, Tobias Madison, Victor Man, Florian Pumhösl, RM, Rosemarie Trockel
Opening, Thursday, November 13, 2025, from 5 to 9 PM (Nuit des Bains)
From November 14, 2025, to January 10, 2026
Exhibition view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejosMonica Bonvicini, ETERNMALE, CEC, 2025 ; RM, RM photographed by Mathilde Agius, 2023, CEC, 2025. Photo : Remy Ugarte VallejosInstallation view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejoExhibition view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejoInstallation view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejoInstallation view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejoExhibition view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejoExhibition view, The best years of our life, CEC, 2025. Photo : Remy Ugarte VallejoInstallation view, The best years of our life, CEC, 2025. Photo : Remy Ugarte Vallejos
Friday April 28th, 2023 – Jeffrey Vallance, The Gospel According to Jeffrey, video of the performance at the chapel of Saint-Léger, Geneva, 82’, sound, English, 2012
The CEC is launching a video production project, initiated as a consequence of the pandemic and the need to develop digital resources. The project will take place in several stages, most often in relation to the CEC’s programming. This series of short films will be posted regularly on our website. The videos will be divided into three chapters under the generic title “Films”: “Recent videos”, “Documents” and “Archives.” The “Documents” section will mainly present interviews with artists, critics or curators; the “Archives” section will make it possible to discover or rediscover some of the videos created in the context of exhibitions, events or editions from the 1990s onwards.
A group of four new videos, produced between 2022 and 2023, with Guillaume Dénervaud, Paul Paillet, Mai-Thu Perret and Matthew Lutz-Kinoy, as well as Paul Viaccoz, is now available on our modified and expanded website, thanks to Niels Wehrspann (graphic designer, Lausanne), and will be screened at the CEC, from March 16th to April 28th, 2023, with a private view on Thursday, March 16th, 2023, from 6 pm to 9 pm, as part of la Nuit des Bains.
Videos: new and revisited will open with Paul Paillet’s video, screened from March 16th to 24th, 2023, and Guillaume Dénervaud’s, from March 28th to 31st, 2023. These two artists exhibited at the CEC in 2020 and 2021, during the first two years of Covid-19.
For this invitation, Paul Paillet has directed a hypnotic and psychedelic video-clip, working from a series of collages with zingy colours. Handmade, these collages were then digitised and enhanced with special effects. Reminiscent of vertical smartphone screens, the ultimate symbol of the rapid and uncontrolled circulation of images taken on the fly, Surprise/Innocence is a mixture of low-tech and high-tech. The animation follows a filiform figure with aquatic movements, crossing a landscape of hills against a backdrop of a setting sun and more or less enigmatic architectures. This character moves to the rhythm of an increasingly frenetic live performance by the collectives Tamal Nuisances and Csters, recorded at the Teknival de Chambley in 2004. This Hardtek soundtrack is strangely linked to the album Wings (2016) by the South Korean interplanetary boy band BTS, whose members read extracts from the novel Demian.Die Geschichte einer Jugend by Hermann Hesse (1919). Paul Paillet intentionally takes up this sampling technique which is emblematic of electronic music, especially that of the Free Party movement. This film is a nod to the installation Tin Can BTS Radio (Wings), which was presented during the artist’s solo exhibition fascination for fire which opened at the CEC in September 2020.
AGLOROMONES is Guillaume Dénervaud’s first video. It presents a selection of images shot outdoors, embodying the research and concerns linked to the era of the Anthropocene, which underpin the artist’s entire body of work. Filmed on the route that separates Guillaume Dénervaud’s former residence in the 18th arrondissement of Paris from his studio in Saint-Denis, the images document the artist’s daily observations in this rapidly-transforming part of the city. AGLOROMONES presents a series of filmed scenes between abstraction and reality, a crossing of these interstitial and peripheral spaces, transit areas between the city and the countryside.
The programme will continue with the screening of two documents, directly related to the exhibitions of Paul Viaccoz, Mai-Thu Perret and Matthew Lutz-Kinoy, which took place in 2021, 2022 and 2018.
Recorded in January 2022 in Paul Viaccoz’ studio in Courroux, Murs chamaniques. Commentaires is an extension of his ESPRIT ES-TU LÀ ? exhibition. In the voice-over, the artist recounts his spiritual journey to encounter illness and death. The film also presents a visual journey, a tracking shot which encompasses his collection of objects, often linked to personal memories or mystical images, that make up the Murs chamaniques which the artist has been continuously developing in his house and studio for the past few years. Day after day, he assembles objects taken from nature or from everyday life, fetishes and talismans which are then juxtaposed or combined with photographs, drawings, screenshots of his videos, postcards, masks, musical instruments, skulls and crossbones, sabres, dried flowers, feathers, jewellery and pieces of embroidery. This collection of objects, images and texts forms a mural puzzle, rearranged according to the artist’s moods, reflections and lived experience.
The Conversation in English between Mai-Thu Perret and Matthew Lutz-Kinoy opens a series of filmed interviews, which will continue with the one recently recorded at the CEC between Liz Craft and Paul-Aymar Mourgue d’Algue. Conversation is an opportunity for the two artists to revisit the Scrolls in the Wind. A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad edition (2018) by Matthew Lutz-Kinoy, and Mai-Thu Perret’s My Sister’s Hand in Mine (2022), both produced by the CEC. This exchange reveals the complicity between two artists with unique backgrounds, but especially their shared interest in traditional craft practices and their curiosity about various techniques and trades, which they revisit regularly. They share this reflection and this blurring of the boundaries between arts and crafts.
This first round of screenings will conclude with the presentation of four videos from the CEC archives, one per day for four days, from April 25th to 28th, 2023, some of which have been remastered and reformatted for our expanded website: Detroit on Circle by Alexandre Bianchini, Brave new world, March 2020 by Liz Craft, Cosmic Storm, Cern by Gianni Motti, The Gospel According to Jeffrey by Jeffrey Vallance.
In collaboration with Zsuzsanna Szabo, coordinator and production manager
The project Videos: new and revisited is supported by the Federal Office of Culture and the Republic and Canton of Geneva.
From May 13 to July 8, 2022
Continuation of the exhibition from August 9 to October 21, 2022
Marie Angeletti, Paul Bernard, Laurence Bonvin, Harry Burke, Liz Craft, Guillaume Dénervaud, Jason Dodge, Anne Dressen/Nick Mauss, Giulia Essyad, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Fabian Marti, Paul Paillet, Mai-Thu Perret, Caroline Schattling Villeval & Paul Paillet, Susan Te Kahurangi King, Paul Viaccoz
Presentation of Paul Bernard’s publication, « Guy would never have done that. » Debord Curator, as part of the Nuit des Bains, Thursday, September 15, 2022, at 7 pm.
The CEC takes part in the Nuit des Bains on Thursday May 12, 2022, from 6 to 9 pm (Vernissage)
The CEC takes part in Weekend GENEVE.ART on Saturday May 21 and Sunday May 22, 2022, from 11 am to 6 pm
Marie Angeletti, RAM, artist’s book, digital print, photocopies, black enamel on acrylic, silver paper, colors, 27,5 x 21 cm, 5 copies including 1 A.P., numbered. Edition of the Centre d’édition contemporaine, Geneva, 2022.
CHF 1’000.-
Marie Angeletti, RAM, fanzine, digital print, photocopies, silver paper, black/white, colors, 27,5 x 21 cm, slipped into a white paper slip cover, 100 g/m2, 20 copies including 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre d’édition contemporaine, Genève, 2022.
CHF 50.-
Paul Bernard, «Guy would never have done that.» Debord Curator, Before publication 9, brochure, 44 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022.
CHF 15.-
Giulia Essyad, Blueberry Studies, Before publication 8, brochure, colors, 32 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN : 978-2-9701369-6-5
CHF 15.-
Giulia Essyad, temple-piss19.psd, 2020, poster, offset, two colors, Algro Design glossy laminated paper 180 g/m2, 98.5 × 49 cm, 150 copies, 14 A.P. and 10 H.C. Edition of the Centre d’édition contemporaine, Geneva, 2022.
Edition offered to the members of the Centre d’édition contemporaine association for the year 2022.
Exhibition from May 6 till July 9, 2021
and from August 17 till September 10, 2021
Harry Burke, Timothée Calame, Liz Craft, Keren Cytter, Guillaume Dénervaud, Anne Dressen/Nick Mauss, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Fabian Marti, Paul Paillet, Susan Te Kahurangi King
The CEC opens during the Nuit des Bains on Thursday May 6, 2021, 12:00 to 21:00 and Thursday September 2, 2021, 18:00 to 21:00.
The CEC opens during Weekend GENEVE.ART on Saturday May 29 and Sunday May 30, 2021, 11:00 to 18:00.
A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson
Before publication 1
Brochure published in the Before publication collection, which will gather the pre-publications – unique notebooks of 4 to 24 pages, 17.2 x 23.5 cm, offset, black/white, stapled binding, 250 copies – of authors’ texts and artists’ inserts, which will appear regularly and in preview of their final edition in L’Effet papillon II (second volume of L’Effet papillon, 1989-2007, the catalog of the Centre d’édition contemporaine published in 2008).
Graphic design: Niels Wehrspann, Lausanne
Edition of the Centre d’édition contemporaine, Geneva, December 2019
OTHER RECENT EDITION
Susan Te Kahurangi King
Selected Works 1965–1980
Offset, colours, 20 pages, 16,5 x 23,6 cm. Coedition innen, Zurich and Centre d’édition contemporaine, Geneva, 2019.
Edition offered to the members of the Centre d’édition contemporaine association for the year 2019.
Selected Works 1965–1980 from Susan Te Kahurangi King is part of a series of three publications coedited with innen, Zurich of which Eros Paintings by Dorothy Iannone published in Spring 2019 and New York & Beyond 2017–2019 by Liz Craft (forthcoming).
Gerard Byrne, Valentin Carron, Marc Camille Chaimowicz, Keren Cytter, Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Matthew Lutz-Kinoy, Erik van Lieshout, Christian Lindow, David Maljkovic et Konstantin Grcic, Victor Man, Mélanie Matranga, Jonathan Monk, Olivier Mosset, Gianni Motti, Florian Pumhösl, Markus Schinwald, Oscar Tuazon, Jean-Michel Wicker, Heimo Zobernig
Cut-price %
Thursday March 14, 2019, 6-9 PM (Quartier des Bains common openings)
and
Saturday May 4 2019, 12-5 PM
Valentin Carron, Marc Camille Chaimowicz, François Curlet, Keren Cytter, Philippe Decrauzat, Jason Dodge, Trisha Donnelly, Sylvie Fleury, Mathis Gasser, Thomas Hirschhorn, David Hominal, Aaron Flint Jamison, Raphaël Julliard, Tobias Kaspar, Jakob Kolding, Elke Krystufek, M/M (Paris), Jonathan Monk, Oscar Tuazon, Jeffrey Vallance, Oriol Vilanova, Jean-Michel Wicker, Heimo Zobernig
From March 23 till May 5, 2018 Opening Thursday March 22 from 6 PM to 9 PM
Keren Cytter, The Brutal Turtle, Book, offset, colours, 40 pages, 15 x 15 cm, an edition of 500, text in English. Coedition Pork Salad Press, Copenhagen and the Centre d’édition contemporaine, Geneva, 2018.
Keren Cytter, The Furious Hamster, Book, offset, colours, 56 pages, 15 x 15 cm, an edition of 500, text in English. Coedition Pork Salad Press, Copenhagen and the Centre d’édition contemporaine, Geneva, 2018.
Exhibition October 13 – November 25, 2017
Opening October 12, 2017 from 2:30 PM
Editions by Valentin Carron, Marc Camille Chaimowicz, François Curlet, Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Mélanie Matranga, Giuseppe Penone, Oscar Tuazon, Oriol Vilanova, Jean-Michel Wicker, Susanne M. Winterling, Heimo Zobernig
Focus: Mélanie Matranga
View of the exhibition Edited by the CEC! Focus: Mélanie Matranga, CEC, 2017
View of the exhibition Edited by the CEC! Focus: Mélanie Matranga, CEC, 2017
View of the exhibition Edited by the CEC! Focus: Mélanie Matranga, CEC, 2017
Mélanie Matranga’s artistic approach is crossed by stories that infiltrate a production of objects, installations, films, and even pieces of furniture and reconstructions of interiors that are loaded with signifying signs, texts and images: drawings, photographs, prints, projections. These combined elements propose “situations” that interrogate intimacy and seem to be filled with sensations and residual feelings, receptacles where real life experience and imagination, the document and the scenario meet. Continue reading “Edited by the CEC! Focus: Mélanie Matranga“
From 6 PM Presentation of Jean-Michel Wicker’s edition, Belle étiquette, woven flyer taking the form of a mini carpet functioning as an advertisement object, polyester, black and white, high definition weaving, heat cut with fray out edges, 92 × 140 mm, edition of 1000, unsigned, weaving Bornemann-Etiketten GmbH, Wuppertal. Edition of the Centre d’édition contemporaine, Geneva, 2016.
This edition is accompanied by a publication bearing the same title, Belle étiquette, publication, 16 pages, black/white, colours, offset on Magno Satin 130 g/m2 paper, 26,8 × 20,5 cm, 250 copies. Graphic design : Marietta Eugster and Jean-Michel Wicker. Edition of the Centre d’édition contemporaine, Geneva, 2016.
Edition offered to the 2016 members of the Centre d’édition contemporaine association.
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Mathis Gasser
In the Museum 1 2 (3), Regulators 1 2 n, artist’s book, 448 pages in black and 128 pages in colour, 17 × 22,8 × 3,5 cm, offset, on Arctic Volume White 1.12 paper 100 g/m2, cover in Arctic Volume White 1.2 paper 300 g/m2, 300 copies. Graphic design: Niels Wehrspann, Lausanne with Mathis Gasser. Print : La Buona Stampa, Lugano. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2016.
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Artists’ Voices
Triple LP with sound pieces by Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim, 3 picture discs in a two-piece box, 310 × 310 × 15/15 mm, 350 copies. Sound engineer: Ladislav Agabekov, Caduceus Mastering, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition du Centre d’édition contemporaine, 2016.
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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad (ceramic) and Sabrina Röthlisberger (bench and book), Solar Lice (double LP, Power Station, Dallas, 2013) and David Knuckey (sculptures)
David Knuckey, Crest, 2016. John M Armleder, Sans titre, 1992. Rosemarie Trockel, Sans titre, 1996.
David Hominal, Through the Windows, 2013. David Knuckey, Crest, 2016. Andreas Dobler, Under Fire, 2007.
From 6 PM Presentation of Mathis Gasser’s book In the Museum 1 2 (3), Regulators 1 2 n, artist’s book, 448 pages in black and 128 pages in colour, 17 × 22,8 × 3,5 cm, offset, on Arctic Volume White 1.12 paper 100 g/m2, cover in Arctic Volume White 1.2 paper 300 g/m2, 300 copies. Graphic design: Niels Wehrspann, Lausanne with Mathis Gasser. Print: La Buona Stampa, Lugano. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2016.
David Knuckey, Crest, 2016
From 7 PM Readings by Marie Angeletti, Samuel Luterbacher, Marta Riniker-Radich and Angharad Williams
Until March 11, 2017 John M Armleder, Valentin Carron, Marc Camille Chaimowicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad, Sabrina Röthlisberger, Solar Lice (double LP, Power Station, Dallas, 2013)
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Artists’ Voices
Triple LP with sound pieces by Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim, 3 picture discs in a two-piece box, 310 × 310 × 15/15 mm, 350 copies. Sound engineer: Ladislav Agabekov, Caduceus Mastering, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition du Centre d’édition contemporaine, 2016.
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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad (ceramic) and Sabrina Röthlisberger (bench and book), Solar Lice (double LP, Power Station, Dallas, 2013) and David Knuckey (sculptures)
From 6 PM Presentation of the sound edition Artists’ Voices, with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim (triple LP, ed. CEC, 2016)
7 PMRamaya Tegegne, Version #19: Judy Chicago, 2016 (reading/performance)
7:30 PMGiulia Essyad, Poetry ReadingDecember 2016 (reading) et Salamander Said, 2016 (ceramics) with Sabrina Röthlisberger, En Attendant Antarah, guerrier poète, 2015, (bench)
8 PMHAGGARD CARAVAN, composed by Stefan Tcherepnin, with recordings by Solar Lice (Jeanne Graff, Tobias Madison, Flavio Merlo, Emanuel Rossetti, Gregory Ruppe, William Z. Saunders & Stefan Tcherepnin), mixed in York House Hotel, Wakefield, 2014 (sound installation, 44’30’’)
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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC)
Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. Continue reading “Artists’ Voices Prolongation”
Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. Continue reading “Artists’ Voices“
Jason Dodge, David Hominal, Raphaël Julliard, David Maljkovic with Konstantin Grcic, Victor Man
With the new editions offered to the members of the CEC association:
David Hominal, Détail, silk screen print, edition of the Centre d’édition contemporaine, 2015 (edition offered to the 2014 members )
and
Jason Dodge, edition of 120 (edition offered to the 2015 members)
WINTER SALE Tuesday December 16, 2014, 6 PM – 9 PM Saturday December 20, 2014, 12 PM – 5 PM
ALPHABET EDITIONS Exhibition of CEC’s editions (1989—2014) December 12, 2014 — February 28, 2015
View of the exhibition ALPHABET EDITIONS
View of the exhibition ALPHABET EDITIONS
View of the exhibition ALPHABET EDITIONS
View of the exhibition ALPHABET EDITIONS
View of the exhibition ALPHABET EDITIONS
View of the exhibition ALPHABET EDITIONS
View of the exhibition ALPHABET EDITIONS
ALPHABET EDITIONS is an alphabetical display of the CEC’s editions (1989-2014), a possibility to see again everything or to purchase a book, a print or a multiple during this “winter sale”. WINTER SALE is neither a sale nor an auction or a sale, but simply the presentation of the still available editions, a new display, a Christmas market and above all a support for the CEC. Continue reading “WINTER SALE AND ALPHABET EDITIONS“
Alexandre Bianchini, Gerard Byrne, Jeremy Deller & Karl Holmqvist, Andreas Dobler, Vidya Gastaldon & Jean-Michel Wicker, Fabrice Gygi, Klat, Jakob Kolding, Elke Krystufek, Claude Lévêque, Fabian Marti, M/M
1 concert
6 evenings about contemporary editions
1 critical presentation of films
1 evolutive exhibition
An idea of Véronique Bacchetta, Donatella Bernardi, Boutheyna Bouslama, Noémie Étienne and Petra Krausz. A collaboration between Centre d’édition contemporaine and Eternal Tour
With Bertrand Bacqué, Daphné Bengoa, Donatella Bernardi, Laurence Bonvin, Jacques Borel, Thomas Boutoux, Rudy Decelière, Stéphane Degoutin, Noémie Etienne, Valeria Graziano, Tamar Halperin, Beat Lippert, Morad Montazami, Enrico Natale, Romolo Ottaviani, Marc Ruchmann, Denis Schuler et Frank Williams. Continue reading “Salon des Dames“
Oscar Tuazon, Fabian Marti and editions of Gerard Byrne, Philippe Decrauzat, Andreas Dobler, Aaron Flint Jamison, Adrien Missika, Gianni Motti Continue reading “Nouvelles éditions“
From October 8 until October 23, 2011
Opening on October 7, 2011, from 6pm
View of the exhibition Abstractions sentimentales et quelques éditions
With Gerard Byrne (IE), Raphaël Julliard (CH), Jakob Kolding (DK), Fabian Marti (CH), Adrien Missika (FR), Florian Pumhösl (A), Benjamin Valenza (FR), Susanne M. Winterling (DE).
Presented by Véronique Bacchetta and the Centre d’édition contemporaine, Geneva
At the Cneai de Paris, 20 rue Louise Weiss, 75013 Paris
Project realized for the « carte blanche » given by CNEAI DE PARIS – 2011 Continue reading “Abstractions sentimentales et quelques éditions, Cneai, Paris”
"Encadrées", Centre d’édition contemporaine, 2010″ width=”1200″ height=”783″> View of the exhibition “Encadrées”
with Olivier Mosset, Gianni Motti, Florian Pumhösl, Jean-Michel Othoniel, Christophe Rey and Susanne M. Winterling.
Susanne M. Winterling, Dynamique de réflexion (2010)
Florian Pumhösl, Etudes abstraites (2004)
Jean Michel Othoniel, La Grande Lèvre (1991)
Gianni Motti, Sans titre (2006)
Olivier Mosset, Sans titre (1994)
Christophe Rey, Washington (2005)
Exhibition at the gallery Parrotta Contemporary Art (Stuttgart, Germany)
From February 13 until March 27, 2010
Opening on February 12, 2010 at 7pm
Sans titre, 1996″ width=”755″ height=”1000″> Heimo Zobernig, Sans titre
In a momentary community, free and polyphonic, the gallery Parrotta Contemporary Art in Stuttgart presents a series of editions of the Centre d’édition contemporaine chosen by Véronique Bacchetta : Andreas Dobler, Elke Krystufek, Erik van Lieshout, Florian Pumhösl, Markus Schinwald, Benjamin Valenza, Emmett Williams, Heimo Zobernig. Continue reading “Fröhliche Gesellschaft, Parrotta Contemporary Art, Stuttgart”
Pierre Bismuth, François Curlet, Fabrice Gygi, Karl Holmqvist, Angela Marzullo, Mai-Thu Perret, Benjamin Valenza, Jeffrey Vallance et Erik van Lieshout Continue reading “Editions vs. objets“
Exhibition from May 8 to June 13, 2009 Opening : Thursday, May 7, 2009, from 6 pm
View of the exhibition T. Quelques possibilités de textes
View of the exhibition T. Quelques possibilités de textes
View of the exhibition T. Quelques possibilités de textes
T like text, of course, or temporary, tentative, turn of phrase, trove, trouble, tension… tea time and T. Rex.
T is an exhibition which offers several possibilities of texts. Artists’ texts that can be images, signs or also an abstract, a description, an explanation, a manifesto, a recollection, a quotation, a poem, a story…
T is a round-trip from text to work, from work to text: a new exercise.
T, it’s some simple sheets of A4 paper, several proposals of printed matter (tracts or small posters), but also a letter, a recording, a distribution or even a republishing, the publication of a work already completed or the layout of a future publication; a model. Continue reading “T. Quelques possibilités de textes“
With Olivier Bardin, Gianni Motti, Florian Pumhösl, Anne-Julie Raccoursier and Markus Schinwald.
Presentation of editions of the Centre d’édition contemporaine, with Gianni Motti, Sans titre, 2006 and CMS, Compact Muon Solenoid experiment, Cern, 2006; Florian Pumhösl, Etudes abstraites, 2004; Anne-Julie Raccoursier, Remote viewer 2, 2007; and Markus Schinwald, Les Boîtes, 2007
Presentation of the Centre d’édition contemporaine’s editions, with Olivier Bardin, You belong to me I belong to you, 2008; Gianni Motti, Cosmic Storm, Cern, 2006 and Sans titre, 2006 ; Florian Pumhösl, Etudes abstraites, 2004 ; and Markus Schinwald, Les Boîtes, 2007.
From June 21 until September 13, 2008
Opening on June 20, 2008, from 6pm
View of the exhibition L’Effet papillon, 1989-2007
View of the exhibition L’Effet papillon, 1989-2007
View of the exhibition L’Effet papillon, 1989-2007
Catalogue, in French, introduction by Véronique Bacchetta, texts by Véronique Bacchetta, Sylvie Boulanger, Lionel Bovier, Brian D. Butler (English and French), Philippe Cuenat, Thomas Hirschhorn, Christoph Keller (German and French), Hans Ulrich Obrist and Alexis Vaillant. 432 pages, 17,5 x 23,5 cm, offset printing on Munken Print Premium White paper, 115 g/m2, offset printing and hot gold foil stamping on Munken Print White paper, 300g/m2, for the cover, 61 color ill., 278 b/w ill. Graphic design : Schönwehrs, Geneva. Printing : Musumeci S.p.A., Quart (Aosta Valley), Italy. Publisher : Centre d’édition contemporaine, Geneva, June 2008. Distribution : JRP|Ringier, Zurich. Continue reading “L’Effet papillon, 1989-2007“
From December 14, 2007, until March 15, 2008
Opening on December 13, from 6pm
Editions récentes, Centre d’édition contemporaine, Genève, 2008″ width=”1200″ height=”800″> View of the exhibition Editions récentes
François Curlet, Jérôme Leuba, Anne-Julie Raccoursier et Markus Schinwald
Presentation of recent editions of the CEC, in particular those realized as gifts for the 2006 and 2007 members of the association of the Centre d’édition contemporaine: François Curlet, PUB-UP (mini portfolio of five facsimile), 2007 and Jérôme Leuba, battlefield#39 (colour poster), 2007
Exhibition andedition From June 23 toSeptember 2, 2007
View of the exhibition, CEC, 2007
With Sean Snyder (Berlin), Jeremy Deller (Londres), Karl Holmqvist (Stockholm/Berlin), Bernadette Corporation (Paris/Berlin), Artemio (Mexico), Reena Spaulings (New York), Bruno Serralongue (Paris), Claire Fontaine (Paris), Jennifer Allora-Guillermo Calzadilla (San Juan), Jay Chung & Q Takeki Maeda (Berlin/Düsseldorf), Mario García-Torres (Los Angeles/Mexico) et Minerva Cuevas (Mexico).
From June 23 until September 2, 2007
Opening on June 22, 2007, from 6pm
Symposium: Saturday, June 23, 2007, from 2 to 7 pm, directed by the architect Juan Herreros
Upon invitation of the Centre d’édition contemporaine and of the Centre d’Art Contemporain at BAC – Bâtiment d’art contemporain, Geneva
View of the exhibition Habitat/Variations
View of the exhibition Habitat/Variations
View of the exhibition Habitat/Variations
View of the exhibition Habitat/Variations
View of the exhibition Habitat/Variations
Where to live, and how? This exhibition offers a reflection on projects by artists and architects who think about living conditions and challenge this question in their work. These projects come from various contexts that, for the major part, are situated at the junction of architecture and art, Utopia and reality, individual and collective space. Some of these projects document very active emerging urban forms and ask complex economical, political, and social questions which traditional notions of urbanism disregard.
If we think of the city as “a series of strata and styles, of icons and cultural practices which bring together constructions from the past, tradition, as well as these new projects and ideas for the future”1, can the different projects that will be presented really transform, or at least question, the way specialists, the State and users tackle the problem of living conditions? Continue reading “Habitat/Variations, BAC, Genève”
Exhibition from May 26 to September 17, 2006
Opening on Thursday May 25 (Ascension Day), from 6 pm
View of the exhibition The Missing Evidence
John M Armleder, Marcel Broodthaers, François Curlet, Trisha Donnelly and Pierre Vadi
« Fiction can help to fin both the truth and what if hides. »
Marcel Broodthaers
The Missing Evidence is an exhibition aiming to explore strategies of mystification towards which tend certain artists, playing of their status of creators. It takes to witness the emblematic figure of Bas Jan Ader (1942-1975). The artist, mysteriously gone missing at sea at age of 33, during his performance-trip entitled In the Search of the Miraculous.
This conceptual Dutch artist, whom art was a voyage just as real as metaphorical, chose to cross the Atlantic alone on a sailboat from the United States. Upon his arrival, an exhibition was planned at the Groninger Museum (Holland) to present works realized during his voyage. Continue reading “The Missing Evidence“
Olivier Mosset (1995) : Sans titre, engravingchisel, black / white;
Fabrice Gygi (1996) : Sans titre, displays, screen color;
Elena Montesinos (1997) : Love it, blotter,plastic bag;
Elke Krystufek (1998) : Economical Love, poster,offset color;
Klat (1999) : EVIL TALK, affiche, sérigraphie noir/blanc;
Alexandre Bianchini (2000) : Sans titre, displays, serigraphyblack/ white;
Jakob Kolding (2001) : Sans titre, displays, offset black / white;
Karl Holmqvist (2002) : CECI N’EST QU’UNE ILLUSION, plastic bag, screen;
Mai-Thu Perrret (2003) : Sculptures of Pure Self-Expression, seriesoffiveceramics; No More Lights on My Starguitar (2004) : compilationrock ‘n’ roll performed byBrunoDürr, vinyl, 33 rpm;
et Christophe Rey (2005) : Washington, color photography.
Party March 3, 2005 at 18:00 Exhibition from March 4 to April 30, 2005
No More Lights On My Starguitar, vue de l’exposition, CEC, 2005
No More Lights On My Starguitar, vue de l’exposition, CEC, 2005
No More Lights On My Starguitar, vue de l’exposition, CEC, 2005
No More Lights On My Starguitar, vue de l’exposition, CEC, 2005
Presentation of No More Lights On My Starguitar, vinyl, 33 rpm , 12 soundtracks from Albert Angelo (GB), John Armleder (GE), Ana Axpe (GE), Kim Sop Boninsegni (GE), Bruno Dürr (GE), Mossuraya (GE), Yanick Fournier (D), Benoit Guignat (FR), Baron Samedi (Elena Montesinos, C. Daesen and S. Mercier) (CH), Reynols (AR), SPLITt (Jacques Julien & Hugues Reip) (FR), Uusi Fantasia (FI), 1000 copies, edited by Made at Home Records and the Centre d’édition contemporaine, Geneva, 2005. This compilation of soundtracks (music, audio pieces) rock’n’roll inspired, gathered by Bruno Dürr, wants to prove wrong the idea always updated and outdated that rock is dead.
On this occasion, the vinyl will be offered to the 2004 members of Cec association.
Exhibition from October 31, 2003 to January 17, 2004
Opening Thursday October 30, 2003, from 6 PM
View of the exhibition Paper field – exhibition Field
In order to pursue our investigation into the field of the multiple and to consider it as a field of experimentation and test site, this year we have chosen to shift our perspective towards objects that straddle the border between the artistic and commercial systems. Throughout 2003 we have been showcasing publications that operate outside the constraints of traditional channels of distribution and communication, with multiples such as posters and portfolios, fanzines, Xerox books, newspapers and free magazines, distributed – before or after the exhibition – by hand, through the mail, or in public places such as bars, stores, galleries, art centers and museums, … Continue reading “Filière papier – Filière expo“
Exhibition at the centre d’édition contemporaine (cec), from May 23 to July 19, 2003
Opening Thursday, May 22, 2003, from 6 pm
View of the exhibition Finger No. 12 conventions/Konventionen/conventions
A collaboration between finger (artist collective based in Frankfurt-am-Main, Germany) and three graduating students – Aurélien Gamboni, Sloane Huguenin and Marion Ronca – from the CCC critical curatorial cybermedia postgraduate program of the Ecole supérieure des beaux-arts HES-Genève, and the centre d’édition contemporaine.
finger was founded in 1998. The group, composed today of four artists, Martin Brandt, Florian Haas, Claudia Hummel and Andreas Wolf, aims to undertake research in the form of “fieldwork”: mediating actions and alternative realizations which are later regularly documented in their eponymous publication.
A platform for discussion and exchange between artists and authors, finger deals with exhibitions, conferences and publications touching on the new phenomena, whether unconscious, popular, individual or more general which traverse contemporary society, at the level of the everyday, the local and the city, but also through larger economic, social and cultural movements: globalization, immigration, political and social conflicts, new technologies… Continue reading “Finger No. 12 conventions/ Konventionen/ conventions“
One video every week, 7 days a week, 24 hours a day, visible from the street
With videos by Knut Åsdam (NO), Jonas Dahlberg (SE), Esra Ersen (TR), Vidya
Gastaldon (FR), Tommi Grönlund (FI), Elke Krystufek (AT), Olivier Nottellet
(FR), mvrdv (NL), Amy O’Neill (US), Pia Rönicke (DK), Markus Schinwald (AT),
Mika Taanila (FI), Pablo Vargas Lugo (MX), Paul Viaccoz (CH). Continue reading “Animation: Vidéos“
KIOSK (V), Centre d’édition contemporaine, Genève, 2002″ width=”1200″ height=”960″> View of the exhibition KIOSK (V)
Group exhibition of a collective we are part of, with about 30 independent editors and alternative magazines gathered together by the editor Christoph Keller / Revolver – Archiv für aktuelle Kunst, Frankfurt.
The Centre d’édition contemporaine presents the Genevan session, after the ones in 2001 in Hamburg, Vienna, Düsseldorf, Berlin, and before the one in Frankfurt for Manifesta 4.
For the occasion, the CEC becomes a salon for reading, open for every reader, for consultation, with a subjective and instructive selection of independent, alternative and contemporary projects, editions, magazines, video and sound projects
A non-representational and informative selection
of independent publishing projects, alternative magazines,
and audio works on contemporary art,
compiled by Revolver – Archiv für aktuelle Kunst, Frankfurt,
with the help of many friends. Continue reading “KIOSK (V)“
Posters: Jakob Kolding, Alexandre Bianchini, Vidya Gastaldon & Jean-Michel Wicker, KLAT, Elke Krystufek, Fabrice Gygi, Claude Lévêque
Books: Elke Krystufek, Alex Baladi, Thomas Hirschhorn, Claude Closky, Sigurdur Arni Sigurdsson, Stephan Landry, Marie Sacconi, Anne Pesce, Emmett Williams
Exhibition from September 13, 2001 till November 11, 2001
Opening September 12, 2001, 6 PM
View of the exhibition Social Hackers
Two exhibitions on communication and power structures and nine free handouts available to the public in dispensers throughout the city of Geneva.
Artists: Jeremy Deller (GB) / Karl Holmqvist (SE)
Matthieu Laurette (F) / Gunilla Klingberg (SE)
Plamen Dejanov & Swetlana Heger (AT) / Jarno Jokinen & Katja Valanne (FI)
Claude Closky (F) / Tuomo Tammenpää (FI) and KLAT (CH)
Organised by NIFCA, FRAME and the Centre d’édition contemporaine in collaboration with Forde, Geneva. Curated by Cristina Ricupero (NIFCA) andb Paula Toppila (FRAME) Continue reading “Social Hackers“
First exhibition in the new venue: Presentation of older and new editions, of which the 2000 editions:
– Alexandre Bianchini
– Laurence Huber and Marie-José Blanquet
– Sidney Stucki
And the older ones: Claude Closky – Jérôme Hentsch and Alain Julliard – Elke Krystufek – Stephan Landry – Elena Montesinos – Giuseppe Penone – Anne Pesce – Marie Sacconi – Roman Signer – Sigurdur Arni Sigurdsson – Rosemarie Trockel – …
On May 19, 2000, on the occasion of the opening,ElenaMontesinosaka DJGo Homeand GregorVonSchönbornaka DJCrowdpleaserproposed aperformancefollowed by a partyBackstageon Fire.
TommiGrönlundandPetteriNisunen, MikaVainioandIlpoVäisänen, Carl Michael vonHausswolff On a proposal byCristinaRicupero(curator, Paris)
Beforethe Centremovesand to honorone last timethe villa of17Malagnou, we chose a project thatwould leave only soundsoccupy all thespacesof the house, erasing the distinction betweenshowroomsand the restof the building…
Exhibition of the winners of the 1997-99 CGGC Prize
1997: Roland Herzog and Olaf Probst
Olaf Probst (born in 1962, lives and works in Munich)
Roland Herzog (born in 1967, lives and works in Zurich)
1998: Marieke Palocsay-Degaïchia and Tony Morgan
Marieke Palocsay-Degaïchia (born in 1970, lives and works in Geneva)
Tony Morgan (born in 1938, lives and works in Geneva)
1999: Delphine Kreuter
Delphine Kreuter (born in 1973, lives and works in Paris)
Exhibition of the Centre genevois de gravure contemporaine editions 1986 – 1998
The CGGC artistic program reflects the CGGC productions from 1986 to 1998: engraving, lithography, offset, multiple and artist book. Among the artists who previously collaborated with the Centre and whose works were exhibited on this occasion, particularly be mentioned the names of Ian Anüll, John M. Armleder, Alex Baladi, Alexandre Bianchini, Marcel Broodthaers, Stéphane Brunner, Mourad Cheraït, Claude Closky, Philippe Favier, Nicolas Fernandez, Claude Gaçon, Fabrice Gygi, Alex Hanimann, Jérôme Hentsch et Alain Julliard, Thomas Hirschhorn, Andreas Hofer, Karen Kilimnik, Elke Krystufek, Simon Lamunière, Stephan Landry, Claude Lévêque, Christian Lindow, Henri Michaux*, Elena Montesinos, Olivier Mosset, Kristin Oppenheim, Giuseppe Penone, Anne Pesce, Marie Sacconi, Roman Signer, Sigurdur Arni Sigurdsson, Rosemarie Trockel, Emmett Williams, Heimo Zobernig.
Exhibition from 10 to 14 June 1998
Opening June 9, 1998
Alexandre Bianchini et Yves Levasseur, Sans titre, 1998
Luc Tuymans, Le Verdict, Alex Baladi, Une fille et un être qui n’existent pas, Thomas Hirschhorn, Über Katalog. Text, Edition, 1998
Vidya Gastaldon & Jean-Michel Wicker, Détail, Luc Tuymans, Le Verdict, Elena Montesinos, Sincerly Yours, 1998
Claude Closky, 12 heures = 10 heures, Jakob Gautel, Rendez-vous !, Thomas Hirschhorn, Über Katalog. Text, Edition, 1998
One Step Backwards: Books, prints, videos, 1998
One Step Backwards: Books, prints, videos, 1998
Collective manifestation – exhibition with works , editions , installations , performances and video screenings or dias from Alex Baladi, Alexandre Bianchini, Cosima von Bonin, Mourad Cheraït, Claude Closky, Adam Dant, Alain Declercq, Jeremy Deller, Andreas Exner, Nicolás Fernández, Claude Gaçon, Vidya Gastaldon & Jean-Michel Wicker, Jakob Gautel, Fabrice Gygi, Mathilde ter Heijne, Thomas Hirschhorn, Laurence Huber, Klat, Koo Jeong-A, Elke Krystufek, Yves Levasseur, Claude Lévêque, Elena Montesinos, Gianni Motti, Honoré d’O, Kristin Oppenheim, Anne Pesce, Christophe Rey, Allen Ruppersberg, Alain Séchas, Luc Tuymans, Heimo Zobernig.
Exhibition fromOctober 31 toNovember 30, 1997 OpeningOctober 30, 1997 On 30 October 1997, conference–meeting with VéroniqueBacchetta.
Presentation of the editions of John Armleder, Nicolás Fernández, Thomas Hirschhorn, Karen Kilimnik, Claude Lévêque, Olivier Mosset, Kristin Oppenheim, Jean-Michel Othoniel, Giuseppe Penone, Marie Sacconi, Sigurdur Arni Sigurdsson, Rosemarie Trockel. École des Beaux-Arts de Metz.
Exhibition from September 26 to December 13, 1997
Opening September 26, 27, 28 during the day and evening
Urs Fischer, Sans titre, Marie Sacconi, Emplois du troisième type et jours fériés, 1997
Olafur Eliasson, By Means of Your Sudden Feature, 1997
Olafur Eliasson, By Means of Your Sudden Feature, 1997
Thomas Hirschhorn, Mondrian-Autel, 1997
Mathilde Ter Heijne, You Still Haunt Me, 1997
Continuously event over three days and exhibition of works, installations, performances and video projections and films. With Alexandre Bianchini, Henry Bond, Mourad Cheraït, Claude Closky, Jeanne Dunning, Olafur Eliasson, Andreas Exner, Urs Fischer, Mathilde ter Heijne, Jérôme Hentsch, Thomas Hirschhorn, Laurence Huber, Fabio Jaramillo et Sidney Stucki, Karen Kilimnik, Elke Krystufek, Yves Levasseur, Aernout Mik, Kristin Oppenheim, Alix Pearlstein, Lisa May Post, Marie Sacconi, Hinrich Sachs et Marylène Negro (as surprise guest), Rosemarie Trockel, Carl Emanuel Wolff, Heimo Zobernig. Video on request : Jeanne Dunning, Nicolás Fernández, Gianni Motti, Jean-Michel Othoniel, Alix Pearlstein, Christophe Rey, B. Toguo Tamokoué, Luc Tuymans, Anne Pesce.
Exhibition from April 18 to May 31, 1997
Opening April 17, 1997
Hinrich Sachs – B. Toguo Tamokoué, view of the exhibition, 1997
The next exhibition of the Centre genevois de gravure contemporaine will be dedicated to two young artists: Toguo Tamokoué (born in 1967 in Cameroon, lives and works in Grenoble, Düsseldorf and Abidjan) and Hinrich Sachs (born in 1962 in Osnabrück, lives and works in Hamburg) who received both the purse of CGGC / 1996, giving them the opportunity to produce an edition in engraving or in any technical feasible in our workshops. This exhibition is the result of several coincidences, among others, the choice of our jury that focused on two artists who wanted to meet and who, further to their meeting, projected a common journey in Ivory Coast. This project was developed on the basis of their respective personal experiences and their linguistic and artistic journey: each of them lived the experience of immigration and had to leave a native language to a foreign language. Thus, their history and their artistic practice led them to end up in Europe today, and maybe tomorrow in Africa.
Exhibition from January 25 to March 29, 1997
Opening January 25, 1997
Presentation of the editions of Alexandre Bianchini, Claude Closky , Nicolás Fernández, Fabrice Gygi , Alex Hanimann Jérôme Hentsch and Alain Julliard, Thomas Hirschhorn, Karen Kilimnik , Stephan Landry, Claude Leveque, Olivier Mosset , Kristin Oppenheim, Jean- Michel Othoniel , Giuseppe Penone Anne Pesce , Marie Sacconi, Roman Signer , Sigurdur Arni Sigurdsson , Rosemarie Trockel , Luc Tuymans , Emmett Williams.
Exhibition from June 21 to September 21, 1996
On 20 June 1996 , on the occasion of the opening,
projection of super 8 film of Alexander Bianchini, Detroit is Circle in one of artist workshops of the Centre.
Jerome Hentesch et Alain Julliard, view of the exhibition, 1996
Alexandre Bianchini, view of the exhibition, 1996
Nicolas Fernandez, view of the exhibition, 1996
If Alexandre Bianchini, Nicolás Fernández, Jérôme Hentsch and Alain Julliard are not part of a group, they participate in a joint discussion where the questioning of art and function play an important part. (Véronique Bacchetta , extract from the press release)
Alexandre Bianchini, Le Théâtre de la nature d’Oklahoma, installation.
Nicolás Fernández, Ils nous ont vendu,Table, Tu es entré et tu es sorti. Maman, Ils nous ont vendu, Ils nous ont acheté, Ils nous ont donné, Tu m’as donné, Je t’ai donné, Vos mères se souviendront de vous, Banc, Embrasure and Ils nous ont écrit, installation with woodcuts, cardboard and other materials.
Jérôme Hentsch et Alain Julliard, Conte d’auteurs, two projections Super 8 films ,facing and show on a loop in a specially space made for that purpose, objects and text.
On the occasion of this exhibition, each artist has produced an edition :
Alexandre Bianchini, Detroit on Circle, super 8 mm films, colour, 3’, 24 im/sec, edition of 12 plus 2 A.P. and 2 H.C., numbered. Sound: Minus, Robert Hood / Maurizio 05, basic channel / Vertical, Jeff Mills, Axis 008 / Growth, Jeff Mills, Axis 10 / Detroit on circle, Robert Hood / Internal empire, Robert Hood / Mike Inke, Studio 1 / Version, Hubert Mean / DJ Sid, MG 004 / (excerpts). Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed. Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Jérôme Hentsch and Alain Julliard, Un bateau en papier, offset print on Zerkall-Bütten Ingres champagne vergé 90 g/m2 paper, 29.7 × 21 cm, in a cardboard jacket Invercote GX white 340 g/m2, 29.8 × 21.1 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Alain Julliard and Jérôme Hentsch, Fond de commerce, silkscreen print on acetate, 45.5 × 21 cm, in a cardboard jacket Invercote GX blanc 340 g/m2, 46.5 × 42.4 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Présentation of the éditions of John Armleder, Marc-Camille Chaimowicz, Claude Closky, Alex Hanimann, Stephan Landry, Claude Lévêque, Christian Lindow, Olivier Mosset, Jean-Michel Othoniel, Giuseppe Penone, Marie Sacconi, Sigurdur A. Sigurdsson, Emmett Williams. Bibliothèque de la Part-Dieu, Lyon.
Presentationof works byJean-Marc Bustamante, Photographs1977-1982, 1993; RodneyGrahamInteriors.The BerlinStudies ofJacob andWilhelm Grimm, 1993; Thomas Schütte, United Enemies:APlay intenscenes, 1994;Jan Vercruysse, Neuf projets pour la couverture d’une revue en huit plus une livraison, 1991.
