(INDEX)

P.A.G.E.S. 2024

Friday, February 2, 2024, from 4 pm to 9 pm
Saturday, February 3, 2024, from 12 pm to 7 pm
Sunday, February 4, 2024, from 12 pm to 5 pm

HEAD – Genève
Espace Hippomène
7 avenue de Châtelaine,
1203 Geneva, Switzerland

p-a-g-e-s.ch

The CEC at P.A.G.E.S. 2024

With publications and editions by Marie Angeletti, Artists’ Voices, Paul Bernard, Laurence Bonvin, Harry Burke, Yann Chateigné Tytelman, Liz Craft, Keren Cytter, Guillaume Dénervaud, Anne Dressen/Nick Mauss, Giulia Essyad, Mathis Gasser, David Hominal, Dorothy Iannone, Tobias Kaspar, Victor Man, Paul Paillet, Caroline Schattling Villeval, Susan Te Kahurangi King, Paul Viaccoz, Jean-Michel Wicker

Caroline Schattling Villeval
Carences et toute-puissance

From January 19 to March 1, 2024

Opening, Thursday, January 18, 2024, from 6 to 9 pm (Rentrée des Bains)

Finissage, Thursday, February 29, from 6 to 8 pm
Presentation of the exhibition by Caroline Schattling Villeval, 6:30 pm
At the bottom of an almost dry lake, frogs are gathered around a puddle. Their movements, slowed down and almost imperceptible, bring life to this deserted landscape. A dog appears. Imposing, his body extends beyond the frame. His walk sets off a panoramic, moving shot. 

Thus begins Caroline Schattling Villeval’s video When a frog meets a dog, produced for her exhibition Carences et toute-puissance1. This new piece functions as a continuation of her installation good boy (Hasch, Marseille, 2023) which revolved around the fictional text Vie/Chienne, that explores the question of domination arising from a non-consensual interaction between a person and a dog with a wandering tongue2. Once again, the animal is one of the main protagonists of Caroline Schattling Villeval’s video When a frog meets a dog, this time alongside a group of frogs. 

With his massive, slender body and golden fur, the dog, animated by Caroline Schattling Villeval, moves forward in a menacing manner. He appears to be indifferent to everything, including the amphibians which have come together to stop his march. Piled up in the shape of a column, they form a mass in front of this manifestation of almighty power. The counter-power embodied in the group’s strength is swept away, pushed aside by a paw. It’s not strong enough. A crushing failure even: it’s raining frogs. They splash into the exhibition space, contaminating the room. The almighty power triumphs over the collective strength. End of the story. However, in Caroline Schattling Villeval’s work, the power dynamics also manifest themselves in an underlying manner through the technical process. A dog, frogs, a 3D-modelled bestiary bought online like one would adopt a pet: an act of domination. Then comes the computer, far from functioning autonomously as the artist manipulates her virtual puppets through an animation software. Finally, the dog, never fully visible, dominates the frogs as well as the space. The dog, the first animal species domesticated by Man – its « best friend » –, that Caroline Schattling Villeval has trained to perform its own dance. The image is replayed in a loop, but who’s calling the shots? When a frog meets a dog is a canvas onto which power dynamics are superimposed in infinite layers.

When the dog and the frogs meet, bodies blend and collide. Objects of power, they gain, or attempt to gain, the upper hand over those who oppose them. In the video No, no no healthy trust, the question of the body remains, in this case individual as well as biological. The theme of power is approached through the topic of well-being. For Caroline Schattling Villeval, the interest in care as a concept emerged through the discovery of the feminist self-help movements of the 1970s. The movement was initiated on one hand as a reaction to the masculine domination in the health system, and on another hand as a set of contemporary artistic practices which were articulated around said movement. In Europe, the Feminist Health Care Research Group, formed in 2015 in Berlin by Julia Bonn, Alice Münch and Inga Zimprich took inspiration from the West German Health Movement in order to create spaces to welcome collective research around exhibitions, workshops or zines as tools to think about and construct a more radical health system. As an empowerment process, individual education notably revolves around learning DIY practices within a communal setting, as a way to propose a collective alternative to the dominant health system.

In the video No, no no healthy trust, a small green plant agitates itself in a jerky trance. Is it the result of drug consumption within a festive setting, or maybe dietary supplements consumed to provide a daily energy boost? Regardless of whether it’s one or the other, the specter of the neoliberal economy seems to loom large. Caroline Schattling Villeval’s characters are often offbeat, submerged by a world which overflows with possibilities to get better, always better. They seem to be in a perpetual well-being quest, an investigation of happiness. Happiness, as it was formulated by Martin Seligman, co-founder of positive psychology next to Mihaly Csikszentmihalyi, follows a hyper-individualist logic; To reach happiness depends on one’s will to undertake a series of important actions as a way to achieve a sustainable blissful state. How convenient for capitalism! Supported by the good vibes only slogan, the wellness industry takes off in the beginning of the 2000s: happiness can be bought. Yoga, pilates, diets, detoxes, miracle morning, beauty care, meditation, self-development, spiritual retreat: so many practices that guarantee a better life, evolving at the pace of supply and demand, standardising bodies and minds while detaching them from any kind of collective commitment. Health is no longer limited to fighting diseases, and now encompasses attempts to perform better, self-optimise, compensate hypothetical deficiencies3. For one’s own sake?

Last convulsions: a wellness overdose. Nothing left from the little plant in No, no no healthy trust but a glass skeleton, similar to a relic. A safety pin and chains are used to suture the wounds on this damaged body. The remains of a life in search of happiness.
Christine Glassey (trad. Flavia Vuagniaux)
1. In parallel with her exhibition at the Centre d’édition contemporaine, Caroline Schattling Villeval presents StéréoMimicryat the Salle Crosnier, Palais de l’Athénée, from January 12 to February 10, 2024.
2. Vie/Chienne was written by Caroline Schattling Villeval in 2023 for [SWISS] Weird & Magic #1, forthcoming publication by éditions Clinamen.
3. According to the WHO Constitution, which came into force in 1948, « health is a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity. »
Born in 1995 in Zürich, Caroline Schattling Villeval lives and works in Geneva. Her work has been exhibited in various venues in Switzerland and abroad in solo shows such as : StéréoMimicry, Salle Crosnier, Geneva (12.01–10.02.2024) ; good boy, Hasch, Marseille (2023) ; No firing, with Paul Paillet, Espace 3353, Carouge (2021) ; Chiara Chiara Chiara, Zabriskie Point, Geneva (2020) ; Being fucked, Lokal-int, Biel (2020). She has also taken part in several group exhibitions, including: Basel Social Club with Joyfully waiting, Basel (2023) ; MINIMIRACLES, Sonnenstube, Lugano (2023) ; Bourses déliées – Arts Visuels, Halle Nord, Geneva (2022); Prix Kiefer Hablitzel, Art Basel, Basel (2022) Esprit d’Escalier, with Paul Paillet, Centre d’édition contemporaine, Geneva (2022) ; Plaisirs Minuit, Forde as part of the Fesse-tival, Geneva (2022) ; Peeping through the looking glass, Set Space, London (2021) ; Fotoromanza, Le Commun, Geneva (2021) ; Silicon Malley, Prilly (2020) ; Weaving home, Limbo Space, Geneva (2020).
Caroline Schattling Villeval’s exhibition is supported by the Fonds cantonal d’art contemporain, DCS, Geneva, and the Office fédérale de la culture, de la République et canton de Genève.

VOLUMES – Art Publishing Days 2023

Saturday, November 18, 2023, from 12 to 8 pm
Sunday, November 19, 2023, from 12 to 7pm

Zentralwäscherei
Neue Hard 12
8005 Zurich

volumeszurich.ch

The CEC is at VOLUMES – Art Publishing Days 2023.

With publications and editions of Marie Angeletti, Artists’ Voices, Paul Bernard, Laurence Bonvin, Harry Burke, Yann Chateigné Tytelman, Liz Craft, Keren Cytter, Guillaume Dénervaud, Anne Dressen/Nick Mauss, Giulia Essyad, Mathis Gasser, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Victor Man, Paul Paillet, Mai-Thu Perret, Susan Te Kahurangi King, Paul Viaccoz

Gina Folly
Dolce Vita

From October 6 to December 8, 2023
Opening, Thursday, October 5, 2023, from 6 to 8 pm

Nuit des Bains, Thursday, November 9, 2023, from 6 to 9 pm
Gina Folly’s work focuses on everyday life, on the interactions between the private and public space, between the intimate and social realms. She takes a precise, ironic and subtly critical look at the objects, messages and situations that surround us on a daily basis, which she retains, photographs and isolates in order to modify them and transpose them into the field of art. This gesture of appropriation, transformation and exhibition questions their real function, their purpose and above all the epistemological impact that these ordinary materials can have on our lives. She dissects them in order to reveal their poetic and dramatic potential, and their psychological and political impact.

The objects chosen by Folly question our condition as human beings, catapulted into an often hostile and coercive society. She endeavours to highlight the intrinsic contradictions, the underlying and imperceptible violence, lurking in all the signs of power that flood the social and political space, and parasitise our lives.

Folly chooses a variety of seemingly banal objects, such as boxes, electrical circuits, chains, padlocks, light bulbs, fans, handles and locks, eyelets and pregnancy tests. She extracts them from their context, transforms or duplicates them, slightly modifying the materials, formats, colours or finish, and recombines them with other objects, accentuating the feeling of constraint, hindrance and confinement.

In 2019, she intervened in the public space for the Kunsthaus Baselland in Basel. Outside, Folly installed a large photograph of a bookshelf belonging to a friend she had stayed with. The title, Fashion, Sex and Death – Science – Sports, Gardens and Conspicuous Consumption, simply transcribes the labels that are stuck on the shelves, indicating the classification themes which group together the words “fashion” and “sex” with “death,” “sport” with “garden” and “conspicuous consumption.” Without alteration, this labelling already suggests a commentary and a political questioning. The framing of the photograph, a close-up on these few shelves, precludes an overall or interior view, accentuating the feeling of suffocation already induced by the themes chosen to arrange these books. This work is emblematic of that which underpins Gina Folly’s work and determines its critical scope.

On the occasion of this exhibition, she spoke about her work and her commitment in a discussion with Inès Goldbach, the director of the Kunsthaus Baselland and the curator of the exhibition, which appeared in the book Listening to Artists (published byédition VfmK Verlag für moderne Kunst, 2022):

“My works almost always generate from a photograph. I’m keeping a sort of diary, mostly taken with my phone. I document my daily life as an observer. They’re architectural structures, objects and social events that make our daily life easier, disrupt it, make it more complicated, or ones that I don’t understand. Especially because of that, it can become interesting to document them. These moments mostly vanish again in my archive. I go back to them when I’m working on a specific project. They result in mostly approbate objects that I reproduce and specify. These processes are about entering relationships. Be it getting to know the person who produced the object I’m attracted to, or who knows the reason of its existence, or to find the right producer to make exact replicas of the respective works.”

In 2023, for her series of photographs exhibited at the Kunstmuseum Basel | Gegenwart, Gina Folly opted for a simple medium-format film camera with which she photographed members of the Quasitutto association of retired people, which offers all kinds of day-to-day support services. For another project, also in Basel, she distributed small disposable cameras to a number of children, so that they could take photos of their favourite works on display at the Basel Social Club, the fair that took place during ArtBasel 2023. In these two projects, the shooting is simple, on a 1:1 scale, with no aesthetic overkill, be it in terms of the framing, image processing, gesture, intention, recording. All of these parameters remain the most important, with no stylistic effects, no aesthetic overkill, no technical, dramatic or sentimental effects. A simple document, like an image seen in “real life,” whose recording method perfectly reflects Folly’s desire to remain in the background.

This absence of pathos allows viewers to project their own feelings, memories or experiences onto these very neutral, open images. These “implicit” images create an open space for appropriation and projection. Paradoxically, they have a greater impact on viewers’ memories, making them more endearing.

The objects chosen by Folly are often not commercial products; they are made or transformed by their user for a very specific, functional, practical use; they are inexpensive, devoid of luxury or decoration. Like the fountains for refreshing coconuts that can be found on beaches. Built by the farmers themselves – a kind of DIY –, adapted to their use and made with “the means at hand.” The fountain exhibited in June 2023 at the entrance to the Basel Social Club, during ArtBasel, was the perfect replica of one them.

Hans-Peter Feldmann, Jean-Frédéric Schnyder, Fischli and Weiss, and even Ed Ruscha have all worked in series, establishing a principle beforehand, a subject for collection, a pretext for repetition, multiplication of images or objects, made or appropriated, linked to everyday life. But whereas these artists practised a distancing, offering us a glimpse of our world through the prism a critical and necessary irony and scepticism, Gina Folly does not shy away from a compassionate dimension, in an inclusive gesture, never looking down on her subjects. By simply capturing everyday life, her environment and residual micro-events, however minute they may be, her works always bear witness to a society that is trying to maintain a precarious balance, a fairness and humanity that are so often abused. This empathy and awareness of otherness is the sign of a shift into another era.

As part of her exhibition project at the Centre d’édition contemporaine, Gina Folly will be producing an edition, a series of bouquets of preserved flowers presented in cardboard boxes coated with a varnish that protects against humidity and makes the boxes shiny. Each box bears an inscription, a very short phrase found randomly on a horoscope application that predicts the day ahead: slightly simplistic aphorisms, advice, judgements or trivial, absurd prophecies, whose meaninglessness and naivety create a poetic or downright comedic effect.

The process of preserving the flowers in this edition consisted of replacing the sap with glycerine, so that the plant retains a living appearance for many years, without the need for any special care. Once the bouquet has been preserved, no external intervention is required to ensure that the plants retain their original freshness. They are protected from wilting, frozen in a state of almost eternal flowering, but their colour is transformed: the petals take on a light grey-pink tint, almost black and white. A light, subtle, refined metaphor for the passage from life to art.

Gina Folly’s second project for her exhibition at the CEC will feature a frame containing a single sachet of seeds from the “Dolce Vita” flower mix – a reference to the title of the exhibition. The name of the mixture and the brand of these seeds, SELECT, allows Folly to intuitively and emotionally put this existential and philosophical question into perspective. What determines our choices, be they individual or collective? How does this infinite multitude of choices – from belief in chance, to the notion of the preconditioned unconscious, from chaos to consciousness and freedom of choice  – influence our paths and our lives?
Gina Folly was born in Zurich in 1983. She lives and works between Basel and Paris. In recent years she has presented several solo exhibitions, including: Autofokus. Manor Kunstpreis 2023, Kunstmuseum Basel | Gegenwart, Basel (2023); Solo presentation, Ermes Ermes, Paris Internationale, Paris (2019); Fashion, Sex and Death – Science – Sports, Gardens and Conspicuous Consumption, Kunsthaus Baselland, Basel (2019). Her work has also been shown in group exhibitions such as: CITY SALTS: THE GINA SHOW, Salts, Basel (2022); WHIMSIES, Essener Kunstverein, Essen (2022); THINK, AND THEN THINK AGAIN, Sgomento Zurigo, Zurich (2022); ORCA – Duo-Show with Philipp Timischl, Fondation Fiminco, Paris (2021); PRK-1U, Tonus, Paris (2021); A Part, Kunstkredit, Kunsthalle Basel, Basel (2020); Reality Companions, Motto Berlin, Berlin (2020); Groupshow, Bel Ami, Los Angeles (2019); life and limbs, Swiss Institute, New York (2019).
Gina Folly’s exhibition is supported by Ernst und Olga Gubler-Hablützel Foundation and Pro Helvetia, Fondation suisse pour la culture.

Book launch, Paradis

Wednesday, July 5th 2023
6 pm − 8 pm


Paradis


Published by Claude Balls Int.
Published by Claude Balls Int. in December 2022, Marseille
Edited with Gianmaria Andreetta, Marie Angeletti and Camilla Wills
21 x 28.5 cm, 416 pages, edition of 840
6:30 pm: Conversation with Gianmaria Andreetta and Marie Angeletti
Contributions from : Nicole-Antonia Spagnola, Georgia Sagri, John Kelsey, Matthew Pang, Cathy Wilkes, Sarah Rapson, Nick Irvin, Gene Beery, Anne Dressen, Anne Pontégnie, Jacqueline Mesmaeker, Sara Deraedt, Anne Rorimer, Kari Rittenbach, Olga Balema, Maria Nordman, Louise Lawler, Julie Ault, Martin Beck, Adrian Morris, Matt Browning, John Miller, Envers Hadzijaj, Enzo Shalom, Bedros Yeretzian, Morag Keil, Helmut Draxler, Gianna Surangkanjanajai, Steve Cannon, Rae Armentrout, Zoe Hitzig, CIPM, Pierre Guyotat, Lola Sinreich, Fanny Howe, Georgia Sagri, Hélène Fauquet, Marie Angeletti, Richard Hawkins, Andy Robert, Alexander García Düttmann, Daniel Horn, El Hadji Sy, Henrik Olesen, Aurélien Potier, John Miller, Richard John Jones, Stéphane Barbier Bouvet, Nora Schultz, Peter Fend, Megan Francis Sullivan, Jill Johnston, Sturtevant, Tonio Kröner, Bernard Bazile, Pierre Bal-Blanc, Jérome Pantalacci, Gérard Traquandi, Gladys Clover, Maria Wutz, Jimmie Durham, Richard Sides, Camilla Wills, Michael Callies, Steven Warwick, Matthew Langan-Peck, Dan Graham, Nina Könnemann, Hans Christian Dany, Valérie Knoll, Win McCarthy, Eleanor Ivory Weber, Anna Rubin, Heji Shin, Michèle Graf & Selina Grüter, Inka Meißner, Simone Forti, Morgan O’Hara, Angharad Williams, Ye Xe, Lily Van Der Stokker, Yuki Kimura, Peter Wächtler, Eva Steinmetz, Michael Van den Abeele, Marc Kokopeli, Bradley Kronz, Robert Grosvenor, Samuel Jeffery, Charlotte Houette, Adam Martin, Wade Guyton, Chloe Truong-Jones.

Presentation evening “Before publications”

Thursday, May 25th 2023, from 6:30 pm

Laurence Bonvin and Yann Chateigné Tytelman present their “Before publication”.
  • Evening presentation of "Before publications" by Laurence Bonvin and Yann Chateigné Tytelman, in collaboration with Joyfully Waiting
  • Evening presentation of "Before publications" by Laurence Bonvin and Yann Chateigné Tytelman, in collaboration with Joyfully Waiting
  • Evening presentation of "Before publications" by Laurence Bonvin and Yann Chateigné Tytelman, in collaboration with Joyfully Waiting
  • Evening presentation of "Before publications" by Laurence Bonvin and Yann Chateigné Tytelman, in collaboration with Joyfully Waiting
From 6:30 pm, presentation of the « Before publications » by


Laurence Bonvin
شالي (shali), Before publication 7, ed. of the CEC, 2022

Yann Chateigné Tytelman
Blackout, Before publication 10, ed. of the CEC, 2023


Interlude
Dirty dirty desire, RM, 2023, track by Pony Pride, released on activeRat


Followed by a listening session of Joyfully Waiting

I wanna say a word (extrait), 1:55’’, 2023, Maëlle Gross

Spiral Spirit (Série Moon Motet), 3:28, 2022, Galaxia Wang

Untitled (in rage), 10:45’’, 2021, Deborah Joyce Holman & Yara Dulac Gisler

Desert Wind, 2022, 4:25, Hélène Fauquet

Sand, 2020, 11:50, Alexandre Joly
This event is organized in collaboration with Joyfully Waiting

The evening presentation and the “carte blanche” for Joyfully Waiting are supported by the City of Geneva and the Nicati – de Luze Foundation.

RM
SOLO TÚ

From 12th May to 16th September 2023
Vernissage/Nuit des Bains, Thursday 11th May 2023, 6 pm – 9 pm

Guided tours of RM’s exhibition and presentation of recent editions and publications

Thursday 14th September 2023, 6:30 pm (Nuit des Bains)
Saturday 16th September 2023, 2 pm (Geneva Art Week)
The Art Spiel vs. the Real Madrid Deal

Biennale di Veneziá vs. Karim Benzema
Invited by Véronique Bacchetta vs. Federico Santiago Valverde Dipetta
Other People’s Clothes vs. Rodrygo Goes
Étudiants aux Beaux Arts vs. Eden Hazard
Uber Triennale Curatior vs. Vinicius Paixao de Oliveira Junior
Crits’n’Reviews vs. Toni Kroos
Caravaggio’s Chiaroscuro vs. Jesus Vallejo Lazaro
Your Artist Fee vs. Aurélien Tchouaméni
Mille Plateaux vs. Eder Gabriel Militão
RM’s Instagram Erotic vs. Luka Modric
Artistas Unidos Vámonos vs. Daniel Carvajal Ramos


Until the End, Come on Real.

A Play (Off) by Miriam Laura Leonardi, April 2023
SOLO TÚ
RM at CEC 2023

Until last summer we used to go by a name written Real Madrid, pronounced either rɪəl məˈdrɪd, or ře’al ma’ðrid. After legal threats by a namesake company we had to disown that moniker and disclose being unpatented knockoffs. It was a matter of ticking time, of who trademarked facts first and once – for the moment we use the shortened RM but pronunciation stays unaltered.
We want this show to be an unbaptism, a debut against copyrighted one-off geniuses, an and to a story, a stack of counterfeit merch and a spoonful of the shared minestrone of ideas, and also another unoriginal show about identity.

The b/w images you see have been taken by Mathilde Agius.

RM
The RM’s exhibition is supported by Ernst und Olga Gubler-Hablützel Foundation, Dr. Georg und Josi Guggenheim Foundation and the City of Geneva.

Videos: new and revisited

Projections

Paul Paillet, Guillaume Dénervaud, Mai-Thu Perret & Matthew Lutz-Kinoy, Paul Viaccoz, Alexandre Bianchini, Liz Craft, Gianni Motti, Jeffrey Vallance

From 16th March to 28th April 2023

Vernissage and launch on the website of CEC, Thursday 16th March 2023, 6pm – 9pm (Nuit des Bains)

  • Paul Paillet, Surprise/Innocence, animation video, 7′24′′, music, 2023
  • Guillaume Dénervaud, AGLOROMONES, video, 2’53’’, sound, 2022
  • Mai-Thu Perret & Matthew Lutz-Kinoy, Conversation, video, 38’20’’, sound, 2022
  • Paul Viaccoz, Murs chamaniques, Commentaires, video, 5’41’’, sound, 2022
  • Alexandre Bianchini, Detroit on Circle, digital transfer of Super 8 films, 12’24’’, music, 1996
  • Liz Craft, “Brave new world”, March 2020, video, 17’’, 2020 © Liz Craft
  • Gianni Motti, Cosmic Storm, Cern, video, 30’, sound, 2006
  • Jeffrey Vallance, The Gospel According to Jeffrey, video of the performance at the chapel of Saint-Léger, Geneva, 82’, sound, 2012

VIDEO PROJECTIONS PROGRAM PRODUCED BY THE CEC (2022/2023)

FROM 16TH TO 24TH MARCH 2023

Paul Paillet, Surprise/Innocence, animation video, 7′24′′, music, 2023
+
Guided tour with the artist, Thursday 16th March 2023, 6:30pm

FROM 28TH TO 31ST MARCH 2023

Guillaume Dénervaud, AGLOROMONES, video, 2’53’’, sound, 2022
+
Guided tour, Thursday 30th March 2023, 6:30pm

FROM 4TH TO 14TH APRIL 2023

Mai-Thu Perret & Matthew Lutz-Kinoy, Conversation, video, 38’20’’, sound, English, 2022
+
Guided tour, Thursday 13rd April 2023, 6:30pm

FROM 18TH TO 21ST APRIL 2023

Paul Viaccoz, Murs chamaniquesCommentaires, video, 5’41’’, sound, French, 2022
+
Guided tour, Thursday 20th April 2023, 6:30pm

FROM 25TH TO 28TH APRIL 2023
“ARCHIVES”  PROJECTION OF ONE VIDEO PER DAY FROM THE ARCHIVES OF THE CEC

Tuesday April 25th, 2023  Alexandre Bianchini, Detroit on Circle, digital transfer of Super 8 films, 12’24’’, music, 1996

Wednesday April 26th, 2023  Liz Craft, Brave new world, March 2020, video, 17’’, 2020

Thursday April 27th, 2023 Gianni Motti, Cosmic Storm, Cern, video, 30’, sound, 2006

Friday April 28th, 2023  Jeffrey Vallance, The Gospel According to Jeffrey, video of the performance at the chapel of Saint-Léger, Geneva, 82’, sound, English, 2012

The CEC is launching a video production project, initiated as a consequence of the pandemic and the need to develop digital resources. The project will take place in several stages, most often in relation to the CEC’s programming. This series of short films will be posted regularly on our website. The videos will be divided into three chapters under the generic title “Films”: “Recent videos”, “Documents” and “Archives.” The “Documents” section will mainly present interviews with artists, critics or curators; the “Archives” section will make it possible to discover or rediscover some of the videos created in the context of exhibitions, events or editions from the 1990s onwards.

A group of four new videos, produced between 2022 and 2023, with Guillaume Dénervaud, Paul Paillet, Mai-Thu Perret and Matthew Lutz-Kinoy, as well as Paul Viaccoz, is now available on our modified and expanded website, thanks to Niels Wehrspann (graphic designer, Lausanne), and will be screened at the CEC, from March 16th to April 28th, 2023, with a private view on Thursday, March 16th, 2023, from 6 pm to 9 pm, as part of la Nuit des Bains.

Videos: new and revisited will open with Paul Paillet’s video, screened from March 16th to 24th, 2023, and Guillaume Dénervaud’s, from March 28th to 31st, 2023. These two artists exhibited at the CEC in 2020 and 2021, during the first two years of Covid-19.

For this invitation, Paul Paillet has directed a hypnotic and psychedelic video-clip, working from a series of collages with zingy colours. Handmade, these collages were then digitised and enhanced with special effects. Reminiscent of vertical smartphone screens, the ultimate symbol of the rapid and uncontrolled circulation of images taken on the fly, Surprise/Innocence is a mixture of low-tech and high-tech. The animation follows a filiform figure with aquatic movements, crossing a landscape of hills against a backdrop of a setting sun and more or less enigmatic architectures. This character moves to the rhythm of an increasingly frenetic live performance by the collectives Tamal Nuisances and Csters, recorded at the Teknival de Chambley in 2004. This Hardtek soundtrack is strangely linked to the album Wings (2016) by the South Korean interplanetary boy band BTS, whose members read extracts from the novel Demian.Die Geschichte einer Jugend by Hermann Hesse (1919). Paul Paillet intentionally takes up this sampling technique which is emblematic of electronic music, especially that of the Free Party movement. This film is a nod to the installation Tin Can BTS Radio (Wings), which was presented during the artist’s solo exhibition fascination for fire which opened at the CEC in September 2020.

AGLOROMONES is Guillaume Dénervaud’s first video. It presents a selection of images shot outdoors, embodying the research and concerns linked to the era of the Anthropocene, which underpin the artist’s entire body of work. Filmed on the route that separates Guillaume Dénervaud’s former residence in the 18th arrondissement of Paris from his studio in Saint-Denis, the images document the artist’s daily observations in this rapidly-transforming part of the city. AGLOROMONES presents a series of filmed scenes between abstraction and reality, a crossing of these interstitial and peripheral spaces, transit areas between the city and the countryside.

The programme will continue with the screening of two documents, directly related to the exhibitions of Paul Viaccoz, Mai-Thu Perret and Matthew Lutz-Kinoy, which took place in 2021, 2022 and 2018.

Recorded in January 2022 in Paul Viaccoz’ studio in Courroux, Murs chamaniques. Commentaires is an extension of his ESPRIT ES-TU LÀ ? exhibition. In the voice-over, the artist recounts his spiritual journey to encounter illness and death. The film also presents a visual journey, a tracking shot which encompasses his collection of objects, often linked to personal memories or mystical images, that make up the Murs chamaniques which the artist has been continuously developing in his house and studio for the past few years. Day after day, he assembles objects taken from nature or from everyday life, fetishes and talismans which are then juxtaposed or combined with photographs, drawings, screenshots of his videos, postcards, masks, musical instruments, skulls and crossbones, sabres, dried flowers, feathers, jewellery and pieces of embroidery. This collection of objects, images and texts forms a mural puzzle, rearranged according to the artist’s moods, reflections and lived experience.

The Conversation in English between Mai-Thu Perret and Matthew Lutz-Kinoy opens a series of filmed interviews, which will continue with the one recently recorded at the CEC between Liz Craft and Paul-Aymar Mourgue d’Algue. Conversation is an opportunity for the two artists to revisit the Scrolls in the Wind. A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad edition (2018) by Matthew Lutz-Kinoy, and Mai-Thu Perret’s My Sister’s Hand in Mine (2022), both produced by the CEC. This exchange reveals the complicity between two artists with unique backgrounds, but especially their shared interest in traditional craft practices and their curiosity about various techniques and trades, which they revisit regularly. They share this reflection and this blurring of the boundaries between arts and crafts.

This first round of screenings will conclude with the presentation of four videos from the CEC archives, one per day for four days, from April 25th to 28th, 2023, some of which have been remastered and reformatted for our expanded website: Detroit on Circle by Alexandre Bianchini, Brave new world, March 2020 by Liz Craft, Cosmic Storm, Cern by Gianni Motti, The Gospel According to Jeffrey by Jeffrey Vallance.

In collaboration with Zsuzsanna Szabo, coordinator and production manager

The project Videos: new and revisited is supported by the Federal Office of Culture and the Republic and Canton of Geneva.

artgenève 2023
Editions and Before publications

From January 26th to January 29th, 2023
Preview, January 25th, 2023
Booth A43, hall 2, Palexpo, Geneva
The CEC at artgenève 2023
Recent « Before publications » of Paul Bernard and Giulia Essyad
With Marie Angeletti, Paul Bernard, Laurence Bonvin, Harry Burke, Liz Craft, Guillaume Dénervaud, Anne Dressen/Nick Mauss, Giulia Essyad, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Paul Paillet, Mai-Thu Perret, Susan Te Kahurangi King, Paul Viaccoz, Niels Wehrspann

Liz Craft
Ms. America

From November 5th, 2022, to February 3rd, 2023

Vernissage, Saturday November 5th, 2022, 11:00 – 18:00
Week-end GENEVE.ART, Saturday November 5th & Sunday November 6th, 2022, 11:00 – 18:00

Rentrée du Quartier des Bains, Thursday January 12, 2023, 18:00 – 21:00

In 2021, the Centre d’édition contemporaine published New York & Beyond, 2017-2019, which brings together a selection of the artist’s works presented in the United States or Europe, as well as photographic memories of lived situations, encounters and intimate family moments. So many memories captured by Liz Craft and her entourage between 2017 and 2019. The 40-page brochure, a kind of diary in images, covers the three years that the artist spent in New York.

Liz Craft, New York & Beyond, 2017 – 2019, publication, digital printing, colour, 40 pages, 15 x 21.2 cm, 500 copies, stapled binding. Text: Paul-Aymar Mourgue d’Algue (English). Graphic design: Niels Wehrspann, Lausanne. Edition by the Centre d’édition contemporaine, Geneva, 2021.

As a follow-up to the publication, the CEC has invited Liz Craft to create a new exhibition, which will take place from November 5th, 2022, to February 3rd, 2023.

For this exhibition, Ms. America, Liz Craft will be creating a new installation composed of a group of about twenty figurines of different sizes, in the image of Pac-Man, the character from the Japanese video game created in 1980. Probably inspired by the smileys of the 60s, it was used in the 90s by rave culture, including Aphex Twin aka Power-Pill, which is just as yellow as our contemporary emoji’s. If video games like “Space Invaders”, which involved killing aliens and aggressive invaders in a warlike atmosphere, Pac-Man, invented to attract women and increase the number of players, features a small, seemingly harmless, bright yellow glutton in the shape of a pizza missing a slice, who continuously devours small lozenges whilst being stuck in a maze and attacked by relentless ghosts. But what are we to make of this hero, who met with phenomenal success in the West, and especially in the United States, by being constantly hungry, insatiable, permanently dissatisfied and condemned to a state of perpetual failure? How to interpret this voracious little being, endlessly consuming, a non-stop seeker of instant gratification, experiencing short phases of pleasure thanks to a magic gum, forever forced to start over in its crazy consumer race, in a never-ending acceleration? And thus, our cute Pac-Man is turned into a compulsive consumer, totally addicted to sugar, pharmaceuticals, and drugs, caught in the net of the “always more” proposed by the great capital, be it legal or illegal.

The Pac-Man of Liz Craft and Ms. America have fittingly big yellow heads adorned with big red bows and are wrapped in a big black tunic. Presented as a group, they oscillate between a howling choir and a cult of furious, grotesque, and menacing madmen, begging to be released from this hell.

Liz Craft (1970, Los Angeles) lives and works in Berlin. Her exhibitions have included those at the Real Fine Arts Gallery, New York, Truth and Consequences, Geneva, Jenny’s, Los Angeles, and at the Neue Alte Brücke, Frankfurt between 2015 and 2022. Her work has been presented in various solo exhibitions, such as: Cavern, at the Neue Alte Brücke, Frankfurt (2022); Do You Love Me Now? at the Kunsthalle und Kunstmuseum, Bremerhaven (2022); Escape From New York at the baby Company, New York (2019); QUERELA at the Galeria Zé dos Bois, Lisbon (2019); Watching You Watching Me at Jenny’s Gallery, London (2018). She has also taken part in numerous group exhibitions: Kreislaufprobleme at Croy Nielsen, Vienna (2019), Tranted Loveat Confort Moderne, Poitiers (2018); Sueurs Chaudes at South Way Studio, Marseille (2017); Medusa. Bijoux et tabous at the Musée d’Art Moderne de la ville de Paris, Paris (2017).


L’esprit d’escalier

Before publications and recent editions

From May 13 to July 8, 2022
Continuation of the exhibition from August 9 to October 21, 2022
Marie Angeletti, Paul Bernard, Laurence Bonvin, Harry Burke, Liz Craft, Guillaume Dénervaud, Jason Dodge, Anne Dressen/Nick Mauss, Giulia Essyad, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Fabian Marti, Paul Paillet, Mai-Thu Perret, Caroline Schattling Villeval & Paul Paillet, Susan Te Kahurangi King, Paul Viaccoz

Presentation of Paul Bernard’s publication, « Guy would never have done that. » Debord Curator, as part of the Nuit des Bains, Thursday, September 15, 2022, at 7 pm.
The CEC takes part in the Nuit des Bains on Thursday May 12, 2022, from 6 to 9 pm (Vernissage)
The CEC takes part in Weekend GENEVE.ART on Saturday May 21 and Sunday May 22, 2022, from 11 am to 6 pm
NEW EDITIONS

Marie Angeletti, RAM, artist’s book, digital print, photocopies, black enamel on acrylic, silver paper, colors, 27,5 x 21 cm, 5 copies including 1 A.P., numbered. Edition of the Centre d’édition contemporaine, Geneva, 2022.
CHF 1’000.-
Marie Angeletti, RAM, fanzine, digital print, photocopies, silver paper, black/white, colors, 27,5 x 21 cm, slipped into a white paper slip cover, 100 g/m2, 20 copies including 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre d’édition contemporaine, Genève, 2022.
CHF 50.-
Paul Bernard, «Guy would never have done that.» Debord Curator, Before publication 9, brochure, 44 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022.
CHF 15.-
Giulia Essyad,  Blueberry Studies, Before publication 8, brochure, colors, 32 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN : 978-2-9701369-6-5
CHF 15.-
Giulia Essyad, temple-piss19.psd, 2020, poster, offset, two colors, Algro Design glossy laminated paper 180 g/m2, 98.5 × 49 cm, 150 copies, 14 A.P. and 10 H.C. Edition of the Centre d’édition contemporaine, Geneva, 2022.
Edition offered to the members of the Centre d’édition contemporaine association for the year 2022.
CHF 150.-

Paul Bernard
“Guy would never have done that.” Debord Curator

Thursday, 15th September 2022, 7pm

Paul Bernard presents his publication at the CEC as part of the Nuit des Bains (6-9pm).
Paul Bernard, «Guy would never have done that.» Debord Curator, Before publication 9, éd. du CEC, 2022. © Sandra Pointet
Paul Bernard,
«Guy would never have done that.» Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, brochure, 44 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN: 978-2-9701369-7-2
Paul Bernard is director of Kunsthaus Pasquart, Biel/Bienne.
In 2018, the Musée d’art moderne et contemporain de Genève (MAMCO) presented Die Welt als Labyrinth, an exhibition devoted to the early years of the Situationist International (S.I) and the various movements it derived from. Conscious of the complexity of such a project, we began to work on it a year earlier, setting up a curatorial committee (composed of Lionel Bovier, Gérard Berréby, Julien Fronsacq, John M Armleder, Mai-Thu Perret, Swana Pilhatsch-Morenz and Luca Bochicchio) which enabled us to quickly get in touch with a network of specialists. For my part, I was able to travel to Paris, Albissola, Prato, Venice, Berlin, Amsterdam, Copenhagen and Silkeborg in the space of a year to meet collectors, historians, curators and artists who were more or less directly related to the S.I. Nearly all of these meetings were fascinating, supportive and even downright enjoyable. But there were a few condescending grimaces from people who found our project to be deplorable. How indeed to conceive an exhibition about the Situationists without distorting the meaning of their action? 
From the first paragraph of Paul Bernard’s text, “Guy would never have done that.”  Debord Curator, Before publication 9, ed. CEC, 2022

I Never Read, Art Book Fair Basel 2022

From June 15 to June 18, 2022
Kaserne
Klybeckstrasse 1b
4057 Basel
ineverread.com

The CEC at I Never Read, Art Book Fair Basel 2022.
With publications and editions of Laurence Bonvin, Harry Burke, Liz Craft, Keren Cytter, Guillaume Dénervaud, Anne Dressen/Nick Mauss, Giulia Essyad, Mathis Gasser, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Victor Man, Paul Paillet, Mai-Thu Perret, Susan Te Kahurangi King, Oscar Tuazon, Paul Viaccoz, Jean-Michel Wicker

Paris Ass Book Fair 2022

From June 3 to June 5, 2022
Lafayette Anticipations
9 rue du Plâtre, 75004 Paris
parisassbookfair.fr

The CEC at Paris Ass Book Fair (PABF).
Artists’ Voices, Laurence Bonvin, Harry Burke, Liz Craft, Keren Cytter, Guillaume Dénervaud, Anne Dressen/Nick Mauss, Giulia Essyad, Mathis Gasser, David Hominal, Dorothy Iannone, Victor Man, Paul Paillet, Susan Te Kahurangi King, Paul Viaccoz, Jean-Michel Wicker

Mai-Thu Perret
My sister’s hand in mine

Exhibition from March 18 to April 29, 2022
Opening, Thursday March 17, 2022, from 6 to 8 pm
Nuit des Bains
Thursday March 24, 2022, from 6 to 9 pm

Continue reading “Mai-Thu Perret
My sister’s hand in mine

artgenève 2022
Before et publications

Before et publications

From March 3 to March 6 2022
Booth A43, hall 2, Palexpo, Geneva

 

The CEC at artgenève 2022.
Marie Angeletti, Laurence Bonvin, Harry Burke, Liz Craft, Guillaume Dénervaud, Anne Dressen et Nick Mauss, David Hominal, Susan Te Kahurangi King, Dorothy Iannone, Paul Paillet, Paul Viaccoz

Paul Viaccoz
ESPRIT ES-TU LÀ ?

From October 1st to November 12, 2021
Opening Thursday September 30, 2021, 2 PM – 8 PM

« … Souvent, il séjournait dans cet espace pour trouver le calme et l’inspiration. Dans un carnet, il prenait des notes accompagnées de croquis et de plans pour de futurs projets. Les murs blancs de la maison, la vue sur le jardin et les arbres étaient propices à la méditation et parfois à la lecture. Il pensait qu’un moine jardinier aurait pu se retrouver dans la même situation que lui, à l’écart du monde, du vacarme et des brutales réalités de la vie. Ces murs laiteux ressemblaient à ceux d’une chapelle. Par un jour de printemps, il décida de peindre de petites saynètes et des paysages directement sur ces parois immaculées. … »

Extract from the text by Paul Viaccoz, ESPRIT ES-TU LÀ ?, published in Before publication 5, éd. CEC, 2021.

Continue reading “Paul Viaccoz
ESPRIT ES-TU LÀ ?


Bridge the gap

Exhibition from May 6 till July 9, 2021
and from August 17 till September 10, 2021
Harry Burke, Timothée Calame, Liz Craft, Keren Cytter, Guillaume Dénervaud, Anne Dressen/Nick Mauss, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Fabian Marti, Paul Paillet, Susan Te Kahurangi King

The CEC opens during the Nuit des Bains on Thursday May 6, 2021, 12:00 to 21:00 and Thursday September 2, 2021, 18:00 to 21:00.
The CEC opens during Weekend GENEVE.ART on Saturday May 29 and Sunday May 30, 2021, 11:00 to 18:00.

Guillaume Dénervaud
Surv’Eye

Exhibition from March 19 till April 23, 2021
Opening March 18, 2021 (Nuit des Bains)

Constellations

By Dean Kissick

During the Nineties, when Elise was at school in the English countryside, there was a constant flow of UFO sightings and crop circles, in which complicated but harmonious patterns of spiralling orbs would appear cut into wheat fields overnight, and reports of ethereal abductions on lonely country roads. These abductions were usually in the United States, and again happened overnight. Aliens would come down and snatch American men and sodomize them, for their experiments. The Nineties were fantastic, she thought. Now that old sense of excitement about and openness to the cosmos was gone. There were no more lights in the sky, no more encounters of any kind. No more geometry appeared on the farms. Steel monoliths sometimes arrived on Romanian hillsides and deserts. But no one thought about space anymore. What was space good for now?

Continue reading “Guillaume Dénervaud
Surv’Eye

Printed Matter’s Virtual Art Book Fair 2021

Monica Bonvicini, Harry Burke, Guillaume Dénervaud, Anne Dressen/Nick Mauss, Liz Craft, Keren Cytter, Mathis Gasser, Dorothy Iannone, Matthew Lutz-Kinoy, Victor Man, Paul Paillet, Susan Te Kahurangi King, Oscar Tuazon, Jeffrey Vallance, Jean-Michel Wicker and Artists’ Voices
Opening Wednesday February 24, 2021
from February 25 till February 28, 2021
3 PM – 6 PM (CET)
pmvabf.org

Paul Paillet
Fascination for fire

Exhibition from September 18 till December 12, 2020
Opening Thursday September 17, 2020, 2 PM – 8 PM

Paul Paillet’s solo exhibition at the Centre d’édition contemporaine was intended to open in March 2020, but was postponed due to lockdown until September 2020. For this exhibition, Paul Paillet has developed a proposal drawing on numerous references that insect and overlap, creating an ensemble of several pieces: sculptures and a mural work in porcelain, a newspaper, a radio and a publication. Each of these elements contains various cultural and personal indices that construct a kind of staged presentation. The theme of fascination for fire is partly autobiographical, linked to a reflection on a return to the artist’s adolescence, his adventures and darker moments in his past, which result in semantic shifts, from the private sphere to more critical and committed societal and political implications. Continue reading “Paul Paillet
Fascination for fire

Metallica

From June 9 to September 4, 2020
New show with editions by Trisha Donnelly, Vidya Gastaldon & Jean-Michel Wicker, Fabrice Gygi, Sylvie Fleury and Fabian Marti

The CEC open during the Nuit des Bains on Thursday September 3, 2020, from 2 p.m. to 9 p.m.

artgenève 2020

The CEC at artgenève 2020
Artists’ Voices, Harry Burke, Timothée Calame, Liz Craft, Keren Cytter, Dorothy Iannone, Matthew Lutz-Kinoy, Victor Man, Fabian Marti, Jonathan Monk, Susan Te Kahurangi King
Thursday January 30
12PM – 7PM
Friday January 31
12PM – 8PM
Saturday February 01
12PM – 8PM
Sunday February 02
12PM – 7PM
Palexpo, Geneva
Booth A43

Fabian Marti
Such a Good Girl

Exhibition from January 17 till March 7, 2020
Opening on Thursday January 16, from 6 PM, Rentrée du Quartier des Bains

Fabian Marti sees his artistic work as a chance to explore ideas about the place of the artist and the individual in society and in the field of production. This type of questioning, which brings him closer to conceptual art, allows Marti to view his practice as a way of challenging the divides between traditional techniques, conventional modes of creation, customary terms of exchange right through to the artist’s status. He goes back to more archaic technical choices, and the handmade in particular, reappropriating craft skills such as ceramics. As for the shift in the artist’s function, Marti is involved and participates in the creation of exhibition spaces, artists’ studios and publishing houses. The Zurich space Hacienda, TwoHotel, Marti Collection, Marti Ceramics and FM Studio Chairs are simultaneously both art objects and small “companies”, places or structures that facilitate production projects, both for Fabian Marti himself and for invited artists. Continue reading “Fabian Marti
Such a Good Girl

P.A.G.E.S. 2019

The CEC at P.A.G.E.S. Salon du livre d’artiste et de l’imprimé contemporain, Genève
Friday December 6, 2019
4 PM – 9 PM
Saturday December 7, 2019
10:30 AM – 7 PM
Sunday December 8, 2019
10:30 AM – 5 PM
HEAD – Genève
Bâtiment H
Av. de Châtelaine 7
1203 Geneva

Timothée Calame, Keren Cytter, Philippe Decrauzat, Jason Dodge, Mathis Gasser, Thomas Hirschhorn, David Hominal, Dorothy Iannone, Matthew Lutz-Kinoy, Victor Man, Susan Te Kahurangi King, Oscar Tuazon, Jeffrey Vallance, Jean-Michel Wicker

Open accrochage, editions
of

Timothée Calame, Keren Cytter, Dorothy Iannone, Matthew Lutz-Kinoy, Fabian Marti, Jonathan Monk, Susan Te Kahurangi King, Jean-Michel Wicker
The CEC participates in Week-end GENEVE.ART, Saturday and Sunday, November 16 and 17, 2019, 11 AM – 6 PM
Exhibition from November 16, 2019 till December 20, 2019

New edition
Harry Burke
A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson
Before publication 1

Brochure published in the Before publication collection, which will gather the pre-publications – unique notebooks of 4 to 24 pages, 17.2 x 23.5 cm, offset, black/white, stapled binding, 250 copies – of authors’ texts and artists’ inserts, which will appear regularly and in preview of their final edition in L’Effet papillon II (second volume of L’Effet papillon, 1989-2007, the catalog of the Centre d’édition contemporaine published in 2008).
Graphic design: Niels Wehrspann, Lausanne
Edition of the Centre d’édition contemporaine, Geneva, December 2019
OTHER RECENT EDITION
Susan Te Kahurangi King
Selected Works 1965–1980
Offset, colours, 20 pages, 16,5 x 23,6 cm. Coedition innen, Zurich and Centre d’édition contemporaine, Geneva, 2019.
Edition offered to the members of the Centre d’édition contemporaine association for the year 2019.
Selected Works 1965–1980 from Susan Te Kahurangi King is part of a series of three publications coedited with innen, Zurich of which Eros Paintings by Dorothy Iannone published in Spring 2019 and New York & Beyond 2017–2019 by Liz Craft (forthcoming).

TIMOTHÉE CALAME
ALTERA

Opening Thursday May 16, 2019, 6-9 PM (Quartier des Bains common openings)
Exhibition from May 17 till September 28, 2019
Exhibition extended till October 26, 2019

Continue reading “TIMOTHÉE CALAME
ALTERA

LA Art Book Fair 2019

April 12-14, 2019
Opening Night Avril 11, 2019
Booth G07, The Geffen Contemporary at MOCA, Los Angeles

View of the CEC’s stand at LAABF 2019
View of the CEC’s stand at LAABF 2019

Keren Cytter, Mathis Gasser, Thomas Hirschhorn, Katie Holten, Aaron Flint Jamison, Mads Ranch Kornum, Matthew Lutz-Kinoy, Victor Man, Josef Strau, Oscar Tuazon, Jeffrey Vallance, Jean-Michel Wicker

Spring Sale Time

From February 19 till May 4, 2019

Gerard Byrne, Valentin Carron, Marc Camille Chaimowicz, Keren Cytter, Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Matthew Lutz-Kinoy, Erik van Lieshout, Christian Lindow, David Maljkovic et Konstantin Grcic, Victor Man, Mélanie Matranga, Jonathan Monk, Olivier Mosset, Gianni Motti, Florian Pumhösl, Markus Schinwald, Oscar Tuazon, Jean-Michel Wicker, Heimo Zobernig
Cut-price
%
Thursday March 14, 2019, 6-9 PM (Quartier des Bains common openings)
and
Saturday May 4  2019, 12-5 PM

artgenève 2019
ground

January 31-February 3, 2019
Preview: 30 janvier 2019
stand D4, halle 1, Palexpo, Genève

ground

(edited and curated by Harry Burke and Marlie Mul)
Khairani Barokka
Simnikiwe Buhlungu
Amy DG & Samantha Dick (Where People Sleep)
Marlie Mul
Precious Okoyomon
Kirsten Pieroth
Linda Stupart
The Gate
WAGES FOR WAGES AGAINST
Jean-Michel Wicker
+

Editions of the CEC

Matthew Lutz-Kinoy
Jean-Michel Wicker
Presentation of the new edition of Matthew Lutz-Kinoy
Scrolls in the Wind
A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad
Edited by Matthew Lutz-Kinoy

 

ground

Curators : Harry Burke and Marlie Mul

Presentation of the zine ground – first edition launched in 2018 ­– edited by Harry Burke (writer, critic, editor, and indepndant curator) amd Marlie Mul (artist, born in 1980 in Utrecht, lives and works in Berlin) with contributions by The Gate, Linda Stupart, Jean-Michel Wicker, Khairani Barokka, Reader’s Digestion, Sorryyoufeeluncomfortable et Marlie Mul.

“In collaboration with Centre d’edition contemporaine for artgenève, Harry Burke and Marlie Mul, the editors of ground, will curate a selection of prints and editions by artists featured in both their recently published first zine and in their forthcoming second publication. ground is an independently distributed zine that aims to look beyond institutions, in their current form, as the dominant spaces and frameworks in which to present and deal with artistic production, and instead explore grassroots political and aesthetic alternatives. The presentation at artgenève will highlight the ways that artists are using publishing and printmaking to achieve these aims, and will involve work by artists who are often underrepresented in international commercial presentations such as artgenève.” (Harry Burke)

 

Talk by Marlie Mul, presentation of the zine ground, art talks & performances, Saturday, February 2, 2019, artgenève 2019

Matthew Lutz-Kinoy
What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches ! “A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations”

Presentation of the edition offered to the members of the Centre d’édition contemporaine association for the year 2018
Thursday, January 17, 2019, 6 – 9 PM (Common openings of the Quartier des Bains)

 

Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations »
Silkscreen print on raw cotton, 36 × 48 cm, safety pins, postcard, 150 copies, edition of the Centre d’édition contemporaine, Geneva, 2019. Edition offered to the members of the Centre d’édition contemporaine association for the year 2018.

Matthew Lutz-Kinoy
The Meadow

 Exhibition from October 12 till February 8, 2019 Opening Thursday October 11, 2018 from 6 PM to 9 PM (Nuit des Bains)
Week-end Genève Art Contemporain : Saturday 17 and Sunday 18 November from 11 AM till 6 PM
Common openings of the Quartier des Bains : Thursday, January 17, 2019, from 6 PM till 9 PM

 

Matthew Lutz-Kinoy’s primary medium might be painting, but it often goes beyond two-dimensional space to extend to its surroundings, becoming decor or pieces of furniture. This expansion of the pictorial space is seen both in the choice of subjects and in the enlarged and repeated stylized motifs. His large format paintings, often installed like decorative tapestries, wall panels or suspended ceilings, stages the exhibition space in which viewers are physically immersed. This highly spatial and physical approach to painting expresses Lutz-Kinoy’s special relationship with the body and gesture, and explains the extension of his work into dance and performance. For his recent exhibition at Le Consortium, Dijon, a vast system of murals, inspired by François Boucher’s painted panels that once decorated a boudoir and are now displayed at the Frick Collection in New York, entirely covered the walls of this white cube. This fascination with the refined, sophisticated and carnal painting of the 18th century brought out its erotic and transgressive nature against a backdrop of sensual and sexual liberation.

Continue reading “Matthew Lutz-Kinoy
The Meadow

Salon MAD#4 (Multiple Art Days)
Paris 2018

14 – 16 september 2018 from 11 AM to 7 PM
Preview : 13 september 2018 from 4 PM to 7 PM
Monnaie de Paris, Paris

View of the CEC’s stand at MAD#4, 2018

The CEC participates in the Salon MAD#4 (Multiple Art Days)

With the editions of Victor Man, Keren Cytter, Jean-Michel Wicker, Mathis Gasser, Artists’ Voices (triple vinyle) and Valentin Carron

Entrelacs
Victor Man invites Navid Nuur

From May 18 till September 15, 2018
Opening Thursday May 17, 2018 from 6 PM to 9 PM (Common openings of the Quartier des Bains)

For his exhibition at the CEC, Victor Man invites Navid Nuur not so much to create a common work but rather to establish a dialog and to underline a certain kinship between their artistic practices: their use of traditional and handcrafted techniques – watercolour for the one and ceramics for the other -, their common references to materials that bear strong symbolic and poetic meaning – minerals, water, fire -, their personal and artistic background, but also their ties to childhood, to memory and perhaps to nostalgia. A shared way of revisiting the significant initiatory stages that rendered this duo possible and natural, offering an installation alternating the watercolours of Victor Man and the ceramics of Navid Nuur. Continue readingEntrelacs
Victor Man invites Navid Nuur”

Valentin Carron, Marc Camille Chaimowicz, François Curlet…

Valentin Carron, Marc Camille Chaimowicz, François Curlet, Keren Cytter, Philippe Decrauzat, Jason Dodge, Trisha Donnelly, Sylvie Fleury, Mathis Gasser, Thomas Hirschhorn, David Hominal, Aaron Flint Jamison, Raphaël Julliard, Tobias Kaspar, Jakob Kolding, Elke Krystufek, M/M (Paris), Jonathan Monk, Oscar Tuazon, Jeffrey Vallance, Oriol Vilanova, Jean-Michel Wicker, Heimo Zobernig

 

From March 23 till May 5, 2018
Opening Thursday March 22 from 6 PM to 9 PM
 
New Editions:
Keren Cytter,  The Brutal Turtle, Book, offset, colours, 40 pages, 15 x 15 cm, an edition of 500, text in English. Coedition Pork Salad Press, Copenhagen and the Centre d’édition contemporaine, Geneva, 2018.
Keren Cytter, The Furious Hamster, Book, offset, colours, 56 pages, 15 x 15 cm, an edition of 500, text in English. Coedition Pork Salad Press, Copenhagen and the Centre d’édition contemporaine, Geneva, 2018.
 

artgenève 2018
Keren Cytter

February 1 – 4, 2018 from 12 PM – 8 PM
Preview: Wednesday, January 31, 2018 2 PM – 8 PM
Booth D23, Palexpo, Geneva

The CEC at artgenève 2018

Keren Cytter

Presentation of three small children books, The Curious Squirrel (2015), The Brutal Turtle (2018) and The Furious Hamster (2018), of recent drawings and three objects on wheels

For the CEC booth at artgenève, Keren Cytter presents a little reading room for children with a series of recent drawings and three volumes on wheels: a red ball, a yellow pyramid, a blue cube, objects that are between mobile shapes and children seats. This childlike environment will serve as a display for the book, The Brutal Turtle and The Furious Hamster, both coproduced by Jacob Fabricius, artist director at Kunsthal Aarhus, who runs Pork Salad Press, Copenhagen and the Centre d’édition contemporaine, Geneva. Continue reading “artgenève 2018
Keren Cytter

Jonathan Monk
Directional Advice

Presentation December 8, 2017 – March 3, 2018
Preview opens Thursday, 7 December 2017 at 6 PM

Presentation of the edition offered to the 2017 members of the Centre d’édition contemporaine association

Jonathan Monk, Directional Advice, one colour silkscreen print with clear varnish coating, Algro Screen cardboard 1260 g/m2, Ø 40 cm, edition of 150, signed and dated on the reverse, printed by Christian Humbert-Droz, Geneva, die-cut by Decoform, Geneva. Edition of the Centre d’édition contemporaine, 2017. Edition offered to the members of the Centre d’édition contemporaine association for the year 2017.

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Editions by Valentin Carron, Marc Camille Chaimowicz, François Curlet, Jason Dodge, Sylvie Fleury, Mathis Gasser, Thomas Hirschhorn, David Hominal, Tobias Kaspar, Jakob Kolding, Oscar Tuazon, Oriol Vilanova, Jean-Michel Wicker, Heimo Zobernig

Thomas Hirschhorn
Flashforward

The CEC at week-end
Genève Art Contemporain

Saturday and Sunday November 11 and 12, 2017
11 AM – 6 PM

Itinerant presentation of the facsimile of the publication Les plaintifs, les bêtes, les politiques

Signing session in the presence of Thomas Hirschhorn

Saturday November 11, 2017 from 1 PM
Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, offset printed brochure, CMYK color model, glossy coated paper, 80 g/m2, 231 × 24 cm, 208 pages. Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017.

Edited by the CEC!
Focus: Mélanie Matranga

Edited by the CEC!

Exhibition October 13 – November 25, 2017
Opening October 12, 2017 from 2:30 PM
Editions by Valentin Carron, Marc Camille Chaimowicz, François Curlet, Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Mélanie Matranga, Giuseppe Penone, Oscar Tuazon, Oriol Vilanova, Jean-Michel Wicker, Susanne M. Winterling, Heimo Zobernig

Focus: Mélanie Matranga

Mélanie Matranga’s artistic approach is crossed by stories that infiltrate a production of objects, installations, films, and even pieces of furniture and reconstructions of interiors that are loaded with signifying signs, texts and images: drawings, photographs, prints, projections. These combined elements propose “situations” that interrogate intimacy and seem to be filled with sensations and residual feelings, receptacles where real life experience and imagination, the document and the scenario meet. Continue readingEdited by the CEC!
Focus: Mélanie Matranga

Presentation of the edition
Jean-Michel Wicker
#picturebook1

Thursday, June 1, 2017

From 6 PM Presentation of Jean-Michel Wicker’s edition, #picturebook1, artist’s book, offset, 27 × 28.5 cm, 396 pages, including 360 pages in colour and 36 pages in black on LuxoArt Silk 150 g/m2 paper, glossy colour cover, LuxoArt Silk 350 g/m2, 10 inserts, colours, 26.5 × 28 cm, LuxoArt Silk 130 g/m2, publication of an arbre de vie produced by Jean-Michel Wicker in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker (French), English, an edition of 500. Graphic design: Maximage Société Suisse, London. Printing: DZA Druckerei zu Altenburg, Altenburg. Edition of the Centre d’édition contemporaine, Geneva, June 2017.

Jakob Kolding
The Outside or the Inside of the Internalised Externalised

Exhibition 19 May – 30 September 2017
Exhibition preview opens Thursday, 18 May 2017 at 6 PM (Nuit des Bains)

For this exhibition, Jakob Kolding will be proposing a scenography reminiscent of 19th century dioramas or the photomontages of the Théâtre Alfred Jarry, a small theatre that will fill all our exhibition spaces and be visible from outside, both as an installation and a public artwork. Several scaled up or down “standing” silhouettes will be grouped on this stage set, creating an interplay of juxtapositions and gaps. Each figure suggests a historical or anonymous person, illustrative of Jakob Kolding’s extended vocabulary of literary, philosophical, artistic or personal references, and encouraging a sociological, cultural and aesthetic interrogation of the use of space. While in his earlier works this critical research was more closely linked to the phenomena of the transformation of urban space and gentrification, Kolding has more recently approached different concepts of space in a broader, more open and ambivalent way, as areas where questions of identity are simultaneously complex, shifting and multiple. Continue reading “Jakob Kolding
The Outside or the Inside of the Internalised Externalised

Jean-Michel Wicker
BBiblioteca ffanafffantastica

Opening Thursday March 23, 2017 from 6 PM till 9 PM
Exhibition from March 24 to May 6, 2017

Jean-Michel Wicker’s exhibition BBiblioteca ffanafffantastica brings together several works involving the medium of print for which the artist has worked out a number of iterations, including fanzines, scrapbooks, antibooks, book-objects, and flyers. The display will also feature supports, both literal and figurative, that have something to do with books, and other elements that extend the gesture of consultation, reading and writing, even the function of storage. This includes bookcases, display stands, showcases, tables and chairs. Other objects or useful ordinary materials like electric wires, clothing, key rings, neon lights, lamps and tarps will be transformed, cobbled together, and combined with a wide range of supports in their usual and unsurprising form or reappropriated and put to other uses. Those supports include paper, cardboard, plastic, papier-mâché, and shells. Continue reading “Jean-Michel Wicker
BBiblioteca ffanafffantastica

artgenève 2017
Inside the Bubble-Booth

January 26 – 29, 2017 12 PM – 8 PM
Preview: Wednesday, January 25, 2017, 2 PM – 8 PM
Booth D25, Palexpo, Geneva

Centre d’édition contemporaine at artgenève
International art fair

Inside the Bubble-Booth
With Timothée Calame, Valentin Carron, Jakob Kolding, Matthew Langan-Peck, Matthew Lutz-Kinoy and Mélanie Matranga

For artgenève 2017 the CEC proposes a group show, Inside the Bubble-Booth, that evolves around the idea of organs and the corps morcelé. The booth of the CEC will be transformed this year into an intimate and organic space. This proposition is also a pretext for improvising on a proposed theme such as desire, intuition or a lead for a work. Each invited artist was chosen on the base of this postulate, without their works being literally an illustration of this theme, they suggest or make allusion to it.

Presentation of the edition
Jean-Michel Wicker
Belle étiquette

Thursday January 19 2017

From 6 PM Presentation of Jean-Michel Wicker’s edition, Belle étiquette, woven flyer taking the form of a mini carpet functioning as an advertisement object, polyester, black and white, high definition weaving, heat cut with fray out edges, 92 × 140 mm, edition of 1000, unsigned, weaving Bornemann-Etiketten GmbH, Wuppertal. Edition of the Centre d’édition contemporaine, Geneva, 2016.

This edition is accompanied by a publication bearing the same title, Belle étiquette, publication, 16 pages, black/white, colours, offset on Magno Satin 130 g/m2 paper, 26,8 × 20,5 cm, 250 copies. Graphic design : Marietta Eugster and Jean-Michel Wicker. Edition of the Centre d’édition contemporaine, Geneva, 2016.

Edition offered to the 2016 members of the Centre d’édition contemporaine association.

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Mathis Gasser

In the Museum 1 2 (3), Regulators 1 2 n, artist’s book, 448 pages in black and 128 pages in colour, 17 × 22,8 × 3,5 cm, offset, on Arctic Volume White 1.12 paper 100 g/m2, cover in Arctic Volume White 1.2 paper 300 g/m2, 300 copies. Graphic design: Niels Wehrspann, Lausanne with Mathis Gasser. Print : La Buona Stampa, Lugano. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2016.

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Artists’ Voices

Triple LP with sound pieces by Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim, 3 picture discs in a two-piece box, 310 × 310 × 15/15 mm, 350 copies. Sound engineer: Ladislav Agabekov, Caduceus Mastering, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition du Centre d’édition contemporaine, 2016.

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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad (ceramic) and Sabrina Röthlisberger (bench and book), Solar Lice (double LP, Power Station, Dallas, 2013) and David Knuckey (sculptures)

Until March 11, 2017

Presentation of the book
Mathis Gasser
In the Museum 1 2 (3),
Regulators 1 2 n

Thursday December 15 2016

From 6 PM Presentation of Mathis Gasser’s book In the Museum 1 2 (3), Regulators 1 2 n, artist’s book, 448 pages in black and 128 pages in colour, 17 × 22,8 × 3,5 cm, offset, on Arctic Volume White 1.12 paper 100 g/m2, cover in Arctic Volume White 1.2 paper 300 g/m2, 300 copies. Graphic design: Niels Wehrspann, Lausanne with Mathis Gasser. Print: La Buona Stampa, Lugano. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2016.

David Knuckey, Crest, 2016

From 7 PM Readings by Marie Angeletti, Samuel Luterbacher, Marta Riniker-Radich and Angharad Williams

Until March 11, 2017 John M Armleder, Valentin Carron, Marc Camille Chaimowicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad, Sabrina Röthlisberger, Solar Lice (double LP, Power Station, Dallas, 2013)

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Artists’ Voices

Triple LP with sound pieces by Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim, 3 picture discs in a two-piece box, 310 × 310 × 15/15 mm, 350 copies. Sound engineer: Ladislav Agabekov, Caduceus Mastering, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition du Centre d’édition contemporaine, 2016.

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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad (ceramic) and Sabrina Röthlisberger (bench and book), Solar Lice (double LP, Power Station, Dallas, 2013) and David Knuckey (sculptures)

Until March 11, 2017

Presentation of the edition
Artists’ Voices

Thursday December 8 2016

From 6 PM Presentation of the sound edition Artists’ Voices, with Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim (triple LP, ed. CEC, 2016)

7 PM Ramaya Tegegne, Version #19: Judy Chicago, 2016 (reading/performance)

7:30 PM Giulia Essyad, Poetry Reading December 2016 (reading) et Salamander Said, 2016 (ceramics) with Sabrina Röthlisberger, En Attendant Antarah, guerrier poète, 2015, (bench)

8 PM HAGGARD CARAVAN, composed by Stefan Tcherepnin, with recordings by Solar Lice (Jeanne Graff, Tobias Madison, Flavio Merlo, Emanuel Rossetti, Gregory Ruppe, William Z. Saunders & Stefan Tcherepnin), mixed in York House Hotel, Wakefield, 2014 (sound installation, 44’30’’)

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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC)

Until March 11, 2017

Valentin Carron
Deux épaisseurs un coin

Opening Thursday September 15, 2016, 6 PM – 9 PM
Exhibition September 16 – November 26, 2016

Valentin Carron explores the principle of reality through acts of appropriation, replicating almost identically elements from popular culture, the practice of monument-making, daily life and his immediate environment. The shift in meaning is probably due more to the choice of referents than to their mere displacement in the field of art. Carron conceals the function, blunts the decorative aspect and revisits the craftsmanship-like manufacturing of these objects that oscillate between irony, affection and fascination and seem to densify as entering in contact with art, endorsing themselves with a common acknowledgement and with the nostalgia of a forgotten story. Continue reading “Valentin Carron
Deux épaisseurs un coin

Mathis Gasser
Sept sont tombés vers le ciel
Works on paper

Opening Thursday May 19, 2016, 6 PM – 9 PM
Exhibition May 20 – September 3, 2016

Mathis Gasser draws upon and combines thousands of images that he patiently gathered and arranged in a personal archive. Their references come from the arts, architecture, cinema, comics, science fiction, magazines or from current events. In a very elaborated practice of collage, thousands of signs collide and are multiplied in an explosive combination, in a mirror or imbricating effect, diffracted by the immateriality of the digital world and by the invasion of information. The impact that Gasser seeks for through this body of reappropriated, reassociated images that are frequently reworked through drawing and painting, and caught in a sustained and invasive turnover. They oscillate between a nihilistic vision and an interrogation of the limits of a world undermined by temptations of archaism and the resurgence of primal fears, sectarian deliriums, theories of conspiracy and hyper technological and futuristic extravaganzas and other prophecies. Continue reading “Mathis Gasser
Sept sont tombés vers le ciel
Works on paper”

artgenève 2016

January 28 – 30, 2016 12 PM – 8 PM
Preview: Wednesday, January 27, 2016, 2 PM – 8 PM
Booth D19, Palexpo, Geneva

View of the CEC’s booth, 2016. Photo © Sandra Pointet
View of the CEC’s booth, 2016. Photo © Sandra Pointet

Centre d’édition contemporaine at artgenève
International art fair

With the editions of Jason Dodge, David Hominal, Tobias Kaspar, David Maljkovic with Konstantin Grcic

Artists’ Voices
Prolongation

Sound exhibition from December 11, 2015 till March 26, 2016
Opening Thursday December 10, 2015, 6 PM – 9 PM

Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. Continue readingArtists’ Voices
Prolongation”

Artists’ Voices

Sound exhibition from December 11, 2015 till March 26, 2016
Opening Thursday December 10, 2015, 6 PM – 9 PM

Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. Continue readingArtists’ Voices

Extract

Exhibition from September 18 till November 14, 2015
Opening Thursday September 17, 2015, 6 PM – 9 PM

Jason Dodge, David Hominal, Raphaël Julliard, David Maljkovic with Konstantin Grcic, Victor Man

With the new editions offered to the members of the CEC association:

David Hominal, Détail, silk screen print, edition of the Centre d’édition contemporaine, 2015 (edition offered to the 2014 members )
and
Jason Dodge, edition of 120 (edition offered to the 2015 members)

I Never Read, Art Book Fair Basel 2015

June 18-19, 2015,4 PM – 10 PM
Juin 20, 2015, 12 PM – 6 PM
Preview: Wednesday June 17, 2015, 6 PM – 10 PM

With editions by Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Katie Holten, David Hominal, Aaron Flint Jamison, Raphaël Julliard, Mads Ranch Kornum, Erik van Lieshout, Victor Man, Christophe Rey, Joseph Strau, Oscar Tuazon, Jeffrey Vallance, Oriol Vilanova

Jason Dodge

Preview: Thursday May 28, 2015, 6 PM – 9 PM
(on the occasion of the Nuit des Bains)
From May 28th until September 5th, Jason Dodge will present shoes that have been made for someone with three legs.

Conference I want to talk again about the birds That are deaf from fireworks. In collaboration with the HEAD-Genève Wednesday, May 27, 2015 at 18pm.

David Maljkovic
with
Konstantin Grcic
Negatives

Exhibition from March 20 to May 16, 2015

For his exhibition at the CEC, David Maljkovic will create, in collaboration with the German designer Konstantin Grcic, a series of works called Negatives. The “negatives” began with Maljkovic’s Temporary Projections in 2011. For this project, the artist created a fictional studio as a projection and one of the elements in the studio was a ‘fake’ working table. In collaboration with Grcic, the table is now an actual object, and what was once a secondary element becomes a model and the focus of the work. The “negatives”, then, are tables designed by Grcic that Maljkovic transforms by using as a work surface. As the artist cuts into paper with a blade, he leaves slashes and marks on the soft surface of the table top. The result is a group of intersecting lines and marks that combine to make a geometric abstraction. Red ink is then applied to this surface, and paper applied, in a process that resembles printmaking, leaving the table top marks filled with a vibrant red. The ‘negative’ is this structure that provided a space for the edition-making process. Continue reading “David Maljkovic
with
Konstantin Grcic
Negatives

artgenève 2015

January 29 – February 1, 2015 from, 2 PM – 9 PM
Preview: Wednesday, January 28, 2015, 2 PM – 8 PM
Booth D18, halle 1, Palexpo, Geneva

 

With the editions of Sylvie Fleury, David Hominal, Raphaël Julliard, Erik van Lieshout, Victor Man, Olivier Mosset, Oscar Tuazon, Jeffrey Vallance, Oriol Vilanova

WINTER SALE
AND
ALPHABET EDITIONS

WINTER SALE Tuesday December 16, 2014, 6 PM – 9 PM Saturday December 20, 2014, 12 PM – 5 PM
ALPHABET EDITIONS Exhibition of CEC’s editions (1989—2014) December 12, 2014 — February 28, 2015

ALPHABET EDITIONS is an alphabetical display of the CEC’s editions (1989-2014), a possibility to see again everything or to purchase a book, a print or a multiple during this “winter sale”. WINTER SALE is neither a sale nor an auction or a sale, but simply the presentation of the still available editions, a new display, a Christmas market and above all a support for the CEC. Continue readingWINTER SALE
AND
ALPHABET EDITIONS

Raphaël Julliard
Chromozone

Opening Thursday September 18, 2014 from 6 PM
on the occasion of the Nuit des Bains
Exhibition from September 19 till November 29, 2014

Exhibition of an installation of large pencil drawings on paper scroll and mobile wire sculptures, and the edition of an artist’s book entitled RREPTILES produced and edited by the CEC.

Raphaël Julliard is a polygraphic artist. Whether it be drawing, painting, installation work, video or performance, his work, rather than departing from a predefined idea or concept, stems from an initial impulsion that is as free and autonomous as possible, in order to arrive at the configuration induced by that same idea and its process of realisation. His work sometimes also questions the works of other artists, may them be central figures or lesser known. However, he seems to be inspired by everyday banal little things, whose existence is, in theory, considered to be insignificant. Like so, he had proceeded to the making of a classical ham-butter sandwich, from the planting of the seeds to the devouring of the sandwich, including the slaughtering of the pig and the churning of the butter (Mon Sandwich, HD video, 2010). Continue reading “Raphaël Julliard
Chromozone

Oriol Vilanova
Renoncer à te décrire

Opening during the Nuit des Bains, Thursday May 22, 2014, from 6 AM
Exhibition from May 23 till July 11, 2014

The artist as collector, Oriol Vilanova is a collector of postcards, this touristy and obsolete medium of communication that contains within itself traces of individual and collective memory. Images d’Epinal, pictures of monuments, of iconic and historical places, printed on a simple card, thus offering an idealised vision of the world, filled with nostalgia, and unchanging subjects, yet they testify of a time hopelessly lost. Oriol Vilanova often works with notions of individual and collective memory, of lost time, of the immortality of the iconic and heroic figure, of monuments and stereotypes re-enacting through writing, performance or installation an extensive visual documentation—films, publications, printed matter, postcards—and thus creating a collision and a temporal coming and going between past, present and future. Continue reading “Oriol Vilanova
Renoncer à te décrire

artgenève 2014 FILMS – CORRIDOR

january 30 – February 2, 2014
Preview: 29 january

Centre d’édition contemporaine at artgenève
international art fair

FILMS – CORRIDOR
Valentin Carron, Philippe Decrauzat, David Hominal, David Maljkovic, Fabian Marti, Adrien Missika, Jonathan Monk, Laurie Vannaz, Oriol Vilanova

During the preview, january 29th, 2014:
Izet Sheshivari, Poster Stories
Performance with typewriter and posters

Artissima 2013

8 – 10 november, 2013
Preview & opening: November 7th
The CEC's stand, Artissima, 2013
The CEC’s stand

w/Monica Bonvicini, Gerard Byrne, Philippe Decrauzat, Trisha Donnelly, Sylvie Fleury, David Hominal, Aaron Flint Jamison, Jakob Kolding, Erik van Lieshout, Fabian Marti, Jonathan Monk, Oscar Tuazon, Jeffrey Vallance

Oval – Lingotto Fiere
Art Editions, Stand AE1
www.artissima.it

David Hominal
Through The Windows

Exhibition June 7 – October 19, 2013
Opening June 6, 2013 from 6 pm

An installation of four silkscreen prints and a sound piece, as well as a new publication, Through the Windows.

David Hominal manipulates images that often come from his personal archive, from the press or more largely images with historical or political references. He proceeds by free associations that mix flashbacks that are as much linked to current events as to intense personal experiences or to his literary and cinematographic keenness. He makes freely figurative or abstract painting. The subjects are treated in a graphical manner, in a rapid and immediate style that borrows more from photography, advertisement and the press than from painting itself. Continue reading “David Hominal
Through The Windows

Jonathan Monk
Egg

Exhibition from February 21 until April 27, 2013
Opening on February 20, 2013

JM: « For a little book that I just made with Galerie Yvon Lambert, The Making of Ten Posters, Ten Languages, Ten Colours, Ten Words, Ten Euros, we asked the printers if they would photograph their process. Actually, it started with a poster project that we had printed in Riga. Without us asking anything, the printers sent us photographs of the posters coming out of the press and of the printers holding them up. Upon seeing these pictures, we thought it would be perfect to make a book out of them. It’s really simple, basically to just show how the printers made the posters. But then we decided to ask the printers of the book, in Montreuil, to take pictures. We sent them a Polaroid camera and they agreed to document their whole process of making the book.» Continue reading “Jonathan Monk
Egg

artgenève 2013

January 31st – February 2nd
stand A60, hall 1, Palexpo, Genève

Centre d’édition contemporaine at artgenève
International art fair

Gerard Byrne, Philippe Decrauzat, Trisha Donnelly, Sylvie Fleury, Oscar Tuazon, Jeffrey Vallance

Posters

November 13th,2012 – February 1st, 2013

Jakob Kolding, Sans titre, 2002
Jakob Kolding, Sans titre

Alexandre Bianchini, Gerard Byrne, Jeremy Deller & Karl Holmqvist, Andreas Dobler, Vidya Gastaldon & Jean-Michel Wicker, Fabrice Gygi, Klat, Jakob Kolding, Elke Krystufek, Claude Lévêque, Fabian Marti, M/M

Salon Light #9, Paris

View of the CEC's stand, Salon Light #9, Paris, 2012
View of the CEC’s stand

Organized by Cneai

w/ Pierre Bismuth, Monica Bonvicini, Philippe Decrauzat, Aaron Flint Jamison, Jakob Kolding, Erik van Lieshout, Christophe Rey, Oscar Tuazon, Jeffrey Vallance

Palais de Tokyo, Paris

NY Art Book Fair 2012

From September 28 to 30, 2012
Preview: September 27

View of the CEC's stand, NY Art Book Fair, 2012
View of the CEC’s stand

 

With Monica Bonvicini, Philippe Decrauzat, Trisha Donnelly, Aaron Flint Jamison, Jakob Kolding, Elke Krystufek, Erik van Lieshout, Oscar Tuazon, Jeffrey Vallance

MoMA PS1, New York
organized by Printed Matter Inc.

Oscar Tuazon

Exhibition from June 22 until October 27, 2012
Opening on Thursday, June 21, 2012, from 6pm

Oscar Tuazon or the liberating potential of construction

The work of Oscar Tuazon seems to be a natural extension of childhood, as obvious as building a wooden hut or exploring the forest. Tuazon never goes into architecture, he always stays below construction rules, safeguarding the freedom of building, by instinct, for the pleasure of taking possession of a place that would become for a while his living space, his home. Building as an extension of one’s self, of one’s body and movements. The gesture and the process of assembling are part of his pieces that must be understood as forms of appropriation, of experimentation, of « real-life » experiences. In an interview published in his catalogue I can’t see, Tuazon explains: « I want to make something with its own life, its own needs, a living thing. » Continue reading “Oscar Tuazon”

Salon des Dames

From May 13 until June 2, 2012

1 concert
6 evenings about contemporary editions
1 critical presentation of films
1 evolutive exhibition

An idea of Véronique Bacchetta, Donatella Bernardi, Boutheyna Bouslama, Noémie Étienne and Petra Krausz. A collaboration between Centre d’édition contemporaine and Eternal Tour

With Bertrand Bacqué, Daphné Bengoa, Donatella Bernardi, Laurence Bonvin, Jacques Borel, Thomas Boutoux, Rudy Decelière, Stéphane Degoutin, Noémie Etienne, Valeria Graziano, Tamar Halperin, Beat Lippert, Morad Montazami, Enrico Natale, Romolo Ottaviani, Marc Ruchmann, Denis Schuler et Frank Williams. Continue readingSalon des Dames

artgenève 2012

From April 25 until April 29, 2012
Opening on April 24, from 6pm

View of the CEC's stand at artgenève, 2012. Photo: © Sandra Pointet
View of the CEC’s stand at artgenève

With Pierre Bismuth, Philippe Decrauzat, Aaron Flint Jamison, Erik van Lieshout, Fabian Marti, Oscar Tuazon, Benjamin Valenza, Jeffrey Vallance, Heimo Zobernig
stand A31, halle 2, Palexpo, Geneva

Jeffrey Vallance
The Vallance Bible

Exhibition from March 30 until May 5, 2012
Opening on Thursday, March 29, 2012, from 6 pm
Performance on Thursday, March 29, 2012 at 8 pm, Chapelle de Saint-Léger, 20 rue Saint-Léger, 1204 Geneva

Coming from the counterculture, Jeffrey Vallance (born in 1955, lives and works in Reseda/Los Angeles)is a Californian artist who revisits religious rituals, folklore and fetishist practices. While he slips in turn into the clothes of an ambassador, an anthropologist, an explorer, a writer, a professor or an investigator in paranormal phenomena, Vallance remains a compulsive collector whose stock-in-trade is nourished by personal and collective mythologies. Influenced by his forebear Emil Knudsen (1872–1956), famous Norwegian medium, he strongly believes in the part inspiration plays in his work, often perceived as a conversation with the hereafter. He thus turns his everyday life into an enchanted world, open to acts of faith, mysteries and revelations.

Continue reading “Jeffrey Vallance
The Vallance Bible

Oscar Tuazon
Book Launch c/o Galerie Eva Presenhuber, Zürich

Opening on Thursday, January 12, 2012, from 6 to 8 pm
Oscar Tuazon talks to Giovanni Carmine, at 6.30 pm
Reading by American poet Cedar Sigo, at 7.15 pm
Exhibition from January 13 to February 18, 2012

Oscar Tuazon, Working Drawing, 2012. Photo: © Sandra Pointet
Oscar Tuazon, Working Drawing

Book published by the Centre d’édition contemporaine, Geneva
c/o Galerie Eva Presenhuber, Zurich

Oscar Tuazon, Working Drawing
Book, reproduction of 210 drawings and a text by Oscar Tuazon, 19 x 23 cm, 256 pages, black photocopy, on Condat matt Périgord, cover in clear glass, covered in linen cloth, Texlibris GTI, colour: steel 564, square spine, sewn and glued, wrapped in a sheet of ribbed Pop’Set Perle, edition of 130, numbered and signed on the colophon inserted at the end of the book. Original drawings are included in the first 20 copies, starting from page 229. In addition, 20 A.P. signed and numbered from I to XX, have been printed. Binding and assemblage are the work of the atelier Philippe Martial, Paris. Designed by Pierre-François Letué, Paris, for the artist. Printed by Tracts, Paris.
This book is published by the Centre d’édition contemporaine, Geneva, January 2012.

Book Launch of Working Drawing
On the occasion of Oscar Tuazon’s exhibition, Manual Labor
at the Galerie Eva Presenhuber, Zurich.

Galerie Eva Presenhuber
Diagonal Building, Maag Areal
Zahnradstrasse 21
8040 Zurich
www.presenhuber.com

Aaron Flint Jamison

From December 9, 2011 to february 11, 2012
Opening on December 8, 2011

Aaron Flint Jamison is an artist particularly engaged in the field of edition. His artistic work comes as a wide range of reflections on the book and the object. He can be printer, typographer, editor and of course artist at the same time.
He often works by assemblage and combinations: a piece of furniture, a poster or a publication which all push the link between representation, production, functionality, presentation and distribution to the edges of its simplicity, its obviousness and its impact. Each object merges technical and aesthetic potential and conceptual accuracy. Aaron Flint Jamison is between the artist and the technician, between the craftsman and the inventor. Continue reading “Aaron Flint Jamison”

Philippe Decrauzat
Book Launch c/o Motto Zürich

November 5, 2011, at 6.30pm

View of the installation, Centre d'édition contemporaine, Genève, 2011
View of the installation

Philippe Decrauzat, Trois films photographiésA Change of Speed, a Change of Style, a Change of Scene – After Birds – Screen O Scope

Discussion around the book with Philippe Decrauzat and Véronique Bacchetta, director of the CEC
and presentation of a selection of editions of the Centre d’édition contemporaine, with the artists’ books of Sigurdur Arni Sigurdsson, Thomas Hirschhorn, Elke Krystufek, Monica Bonvicini, Jakob Kolding, Roman Ondák, Mads Ranch Kornum, Céline Duval, Katie Holten, Josef Strau, Christophe Rey, Erik van Lieshout; the catalogues Marcel Broodthaers, l’oeuvre graphique, essais; L’Effet papillon 1989-2007; Sgrafo vs Fat Lava and the multiples of François Curlet and of Pierre Bismuth Continue reading “Philippe Decrauzat
Book Launch c/o Motto Zürich”

Abstractions sentimentales et quelques éditions, Cneai, Paris

From October 8 until October 23, 2011
Opening on October 7, 2011, from 6pm

View of the exhibition <em>Abstractions sentimentales</em> et quelques éditions, Centre d'édition contemporaine, Genève, 2011
View of the exhibition Abstractions sentimentales et quelques éditions

With Gerard Byrne (IE), Raphaël Julliard (CH), Jakob Kolding (DK), Fabian Marti (CH), Adrien Missika (FR), Florian Pumhösl (A), Benjamin Valenza (FR), Susanne M. Winterling (DE).
Presented by Véronique Bacchetta and the Centre d’édition contemporaine, Geneva
At the Cneai de Paris, 20 rue Louise Weiss, 75013 Paris
Project realized for the « carte blanche » given by CNEAI DE PARIS – 2011 Continue readingAbstractions sentimentales et quelques éditions, Cneai, Paris”

Philippe Decrauzat
NYSTAGMUS

Exhibition: september 23-novemeber 20

Like the spectator of a 3D cinema, Philippe Decrauzat’s work slides with mastery from one dimension to another. With wallpaintings and floorpaintings, shaped canvases, installations and light displays, we sway between scientific rigour and the vibrant effect of the red-blue spectacles. Whilst encompassing the legacy of abstraction as in Contructivism and Suprematism, in Op Art and its games of illusion as well as in Minimalism, his work shows a much wider interest for the origins of abstraction. Continue reading “Philippe Decrauzat
NYSTAGMUS

Gerard Byrne
For example; a sketch of Five Elevations, 1971-72

Exhibition from May 5 – July 16, 2011
Opening on Wednesday, May 4, from 6pm.

Gerard Byrne, view of the exhibition <em srcset=
For example; a sketch of Five Elevations, 1971-72, Centre d’édition contemporaine, Genève, 2011. Photo: © Sandra Pointet ” width=”1200″ height=”800″> Gerard Byrne, view of the exhibition For example; a sketch of Five Elevations, 1971-72

Gerard Byrne’s work is structured around documents – advertisements, daily papers, specialized magazines – dating from after the Second World War, generally from the 1960s and 1970s. After researching archives, Byrne uses these often fragmented and forgotten documents, transforms them and gives them a second life. The new images and settings that emerge from the joined processes of critical deconstruction and reconstruction, often dramatized, examine the codes of artistic or media images and those of representation. Continue reading “Gerard Byrne
For example; a sketch of Five Elevations, 1971-72

Presentation of the book
Sgrafo vs Fat Lava

January 20, 2011, from 6pm

Sgrafo vs Fat Lava, 2011
Sgrafo vs Fat Lava

Book, French, bound, 105 x 165 mm, 64 pages, 22 colour pictures. Summary : Nicolas Trembley (ed.), Madeleine de Proust et Fat Lava (introduction); text by Horst Makus, Formes, couleurs et décors. Un survol; Interview of Ronan Bouroullec by Nicolas Trembley. Graphic design : Gavillet & Rust / Eigenheer, Geneva. Publisher : JRP|Ringier (Hapax collection), Zurich, 2011. ISBN 978-3-03764-163-7.

Présentation de l’édition de Pierre Bismuth Something Less, Something More – DIY

Presentation from December 16, 2010

Pierre Bismuth, view of the installation, Centre d'édition contemporaine, Genève, 2010. Photo: © Olivier Pasqual
Pierre Bismuth, view of the installation

Something Less, Something More – DIY
Triple groove corrugated cardboard plate with seven pre-cut discs, 37 x 50 cm, a metal stick and instructions for use, offset, black and one colour, front and back, French/English, 74 x 50 cm, on Keaykolour nature quartz mat 150g/m2 paper, folded in two, all elements in a coloured plastic envelope (green, blue, yellow or clear) closed by a folded cardboard as colophon, digital print, one colour, 180 copies, edition of the Centre d’édition contemporaine, Geneva, 2009.

Sgrafo vs Fat Lava
Céramiques et porcelaines Made in West Germany, 1960-1980

From November 5, 2010, until February 5, 2011
Opening on November 4, 2010, from 6pm

Céramiques et porcelaines Made in West Germany, 1960-1980
With a sound piece by Seth Price

For the beginning of the month of November 2010 with the exhibition of a collection of historical ceramics from the 1960s – 1980s, we will be crossing from the field of art into the field of the object, nevertheless not fully abandoning the first one to the second. Almost a hundred pieces covering different styles and production processes will let us discover through a utilitarian and decorative object the different aesthetic variations of a prolific and stylistically free period, when common taste allowed itself to be kitsch and delirious. An era before the supremacy of design that is going to format most of our daily objects.
The exhibition, entitled « Sgrafo vs Fat Lava, Ceramics and Porcelains Made in West Germany, 1960-1980 », is accompanied by a little book published for the occasion by JRP/Ringier (Zurich) in its « Hapax » series : Sgrafo vs Fat Lava. Continue readingSgrafo vs Fat Lava
Céramiques et porcelaines Made in West Germany, 1960-1980″

“Encadrées”

From July 13 until September 17, 2010
View of the exhibition <em srcset=
"Encadrées", Centre d’édition contemporaine, 2010″ width=”1200″ height=”783″> View of the exhibition “Encadrées”

with Olivier Mosset, Gianni Motti, Florian Pumhösl, Jean-Michel Othoniel, Christophe Rey and Susanne M. Winterling.

Susanne M. Winterling, Dynamique de réflexion (2010)
Florian Pumhösl, Etudes abstraites (2004)
Jean Michel Othoniel, La Grande Lèvre (1991)
Gianni Motti, Sans titre (2006)
Olivier Mosset, Sans titre (1994)
Christophe Rey, Washington (2005)

Susanne M. Winterling
They Called Each Other Horses

April 23 – June 26, 2010
Opening on April 22, 2010, 6pm

Susanne M. Winterling likes revisiting different figures of Art History, architects or intellectuals of the 20th century, mostly from its beginning. She admires and is inspired by the work of artists such as Berenice Abbott, Eileen Gray, Edward Krasinski, Le Corbusier or Annemarie Schwarzenbach, artistic fiction-figures from another world, a world that witnessed the birth of modernity.
As Mark Prince states in his Frieze article [n° 126, October 2009, …of Mice and Blood, (for E.K.), review of the Berlin exhibition at the gallery Lüttgenmeijer, where Susanne M. Winterling pays tribute to the Polish artist Edward Krasinski (1925-2004) with a display of objects and an environment inspired by a series of photographies taken in his atelier, preserved in its last state by the Warsaw Foksal Gallery (that Edward Krasinski cofounded in 1966)] : « Where the installation is more than the sum of its allusions, it manages to translate the irreducible particularities of another artist’s life and work into Winterling’s own language, like a dreamy adolescent who absorbs the image of a pop star into the private universe of her bedroom. » Continue reading “Susanne M. Winterling
They Called Each Other Horses

Fröhliche Gesellschaft,
Parrotta Contemporary Art, Stuttgart

Exhibition at the gallery Parrotta Contemporary Art (Stuttgart, Germany)
From February 13 until March 27, 2010
Opening on February 12, 2010 at 7pm

 Heimo Zobernig, <em srcset=
Sans titre, 1996″ width=”755″ height=”1000″> Heimo Zobernig, Sans titre

In a momentary community, free and polyphonic, the gallery Parrotta Contemporary Art in Stuttgart presents a series of editions of the Centre d’édition contemporaine chosen by Véronique Bacchetta : Andreas Dobler, Elke Krystufek, Erik van Lieshout, Florian Pumhösl, Markus Schinwald, Benjamin Valenza, Emmett Williams, Heimo Zobernig. Continue readingFröhliche Gesellschaft,
Parrotta Contemporary Art, Stuttgart”

Editions vs. objets

From November 3, 2009, until January 22, 2010

Pierre Bismuth, François Curlet, Fabrice Gygi, Karl Holmqvist, Angela Marzullo, Mai-Thu Perret, Benjamin Valenza, Jeffrey Vallance et Erik van Lieshout
Continue readingEditions vs. objets

Erik van Lieshout
The Assistant

Exhibition from June 19 to October 10, 2009
Opening: Thursday, June 18, 2009, from 6 pm

Erik van Lieshout is one of Holland’s most prominent artists and is best known for his installations and videos. Nevertheless, he regularly paints and above all draws. He finds his inspiration in urban culture, its sociocultural melting-pot and its violence and has no qualms about immersing himself for long explorations into non-place zones – like the outer suburbs and frontiers with no real identity – and losing himself, setting himself adrift in unrestrained, openly depressed self-scrutiny verging at times on the morbid and a state of crisis. These overplayed, uninhibited and often provocative autobiographical events are put across with humour and intensity in a continuous, inextinguishable production, punctuated by drawings and collages, which represents the free, direct expression of repressed feelings and holds up an emancipating mirror for all our introspection and past experience. Continue reading “Erik van Lieshout
The Assistant

T. Quelques possibilités de textes

Exhibition from May 8 to June 13, 2009
Opening : Thursday, May 7, 2009, from 6 pm

T like text, of course, or temporary, tentative, turn of phrase, trove, trouble, tension… tea time and T. Rex.

T is an exhibition which offers several possibilities of texts. Artists’ texts that can be images, signs or also an abstract, a description, an explanation, a manifesto, a recollection, a quotation, a poem, a story…

T is a round-trip from text to work, from work to text: a new exercise.

T, it’s some simple sheets of A4 paper, several proposals of printed matter (tracts or small posters), but also a letter, a recording, a distribution or even a republishing, the publication of a work already completed or the layout of a future publication; a model. Continue readingT. Quelques possibilités de textes

EDITIONS (suite…)

Alternately and until April 30, 2009

Gianni Motti, <em>CMS, Compact Muon Solenoid experiment, Cern</em>, 2006
Gianni Motti, CMS, Compact Muon Solenoid experiment, Cern

With Olivier Bardin, Gianni Motti, Florian Pumhösl, Anne-Julie Raccoursier and Markus Schinwald.
Presentation of editions of the Centre d’édition contemporaine, with Gianni Motti, Sans titre, 2006 and CMS, Compact Muon Solenoid experiment, Cern, 2006; Florian Pumhösl, Etudes abstraites, 2004; Anne-Julie Raccoursier, Remote viewer 2, 2007; and Markus Schinwald, Les Boîtes, 2007

 

 

Présentation du catalogue
L’Effet papillon, 1989-2007,
castillo/corrales, Paris

January 23, 2009, at 8pm
Section 7 Books bookshop presented by castillo/corrales, rue Rébeval 65, 75019 Paris

<em>L'Effet papillon, 1989-2007, 2008</em>. Photo: © Sandra Pointet
L’Effet papillon, 1989-2007

On the occasion of the presentation of L’Effet papillon, 1989-2007, Véronique Bacchetta (director of CEC) will read the chapter « Marketing as social project » from Philippe Cuenat’s text A Fifty-cent Item: Maciunas’ marketing of Fluxus published in this book.
and Benjamin Valenza (born in 1980 in Marseille, lives and works in Lausanne) will give a lecture of the poem Maintenant c’est après le succès les temps changent/Now he following the success of changing times, freely inspired by Ms Leokadija Maciunas’ comments about the commercial initiatives of her son (see Philippe Cuenat, A Fifty-cent Item: Maciunas’ marketing of Fluxus). Benjamin Valenza will play his sculpture Don Quixote’s hip (2009, painted brass and aluminium, 100 x 35 cm).

EDITIONS (2004-2008)

From December 11, 2008

View of the exhibition <em>EDITIONS (2004-2008)</em>, Centre d'édition contemporaine, Genève, 2008
View of the exhibition EDITIONS (2004-2008)

Presentation of the Centre d’édition contemporaine’s editions, with Olivier Bardin, You belong to me I belong to you, 2008; Gianni Motti, Cosmic Storm, Cern, 2006 and Sans titre, 2006 ; Florian Pumhösl, Etudes abstraites, 2004 ; and Markus Schinwald, Les Boîtes, 2007.

Presentation of
L’Effet papillon, 1989-2007
at Maison de la poésie, Basel

View of the installation, Maison de la poésie, Basel, 2008
View of the installation

Zone papillons (Butterflies Area)
Two readings and two anthologies/panoramas in French, in the frame of the fair BucH.08, and a presentation of the Centre d’édition contemporaine, Geneva, in Basel:
L’Effet papillon, 1989-2007, Centre d’édition contemporaine, Geneva, 2008, presented by Véronique Bacchetta and her guest, Philippe Cuenat
« This publication retraces through its archives the history and evolution of a particular place – the Centre d’édition contemporaine –, its productions and artistic choices. It defines its place, its position and engagement in the field of contemporary art. » Véronique Bacchetta, director of the CEC, Meret Oppenheim Prize 2007. Continue reading “Presentation of
L’Effet papillon, 1989-2007
at Maison de la poésie, Basel”

Trisha Donnelly

Opening : Thursday October 9, 2008, from 6pm
Exhibition from October 10 to December 4, 2008
Finissage (with the presence of the artist) : Thursday, December 4, 2008, from 6pm

While Trisha Donnelly produces drawings, photographs, videos as well as sound pieces and performances, she doesn’t just decline techniques. Instead, the different mediums she uses are reservoirs of reflections. Even the space and time of the exhibition are seen by the artist as receptacles of references – historical, geographical, symbolical and spiritual -, of associations of ideas and reminiscences.
Rather than thinking of Trisha Donnelly’s works as mysterious and impenetrable, one should see them as attempts to escape the constraints of the production and materialisation of any object and to go beyond the spatial and temporal limitations of the exhibition. Maybe Trisha Donnelly is just not where we think she is? Continue reading “Trisha Donnelly”

L’Effet papillon, 1989-2007

From June 21 until September 13, 2008
Opening on June 20, 2008, from 6pm

Catalogue, in French, introduction by Véronique Bacchetta, texts by Véronique Bacchetta, Sylvie Boulanger, Lionel Bovier, Brian D. Butler (English and French), Philippe Cuenat, Thomas Hirschhorn, Christoph Keller (German and French), Hans Ulrich Obrist and Alexis Vaillant. 432 pages, 17,5 x 23,5 cm, offset printing on Munken Print Premium White paper, 115 g/m2, offset printing and hot gold foil stamping on Munken Print White paper, 300g/m2, for the cover, 61 color ill., 278 b/w ill. Graphic design : Schönwehrs, Geneva. Printing : Musumeci S.p.A., Quart (Aosta Valley), Italy. Publisher : Centre d’édition contemporaine, Geneva, June 2008. Distribution : JRP|Ringier, Zurich. Continue readingL’Effet papillon, 1989-2007

Olivier Bardin
You belong to me I belong to you

Exhibition from March 28 to May 24, 2008
Opening on Thursday March 27, from 6 pm

Olivier Bardin’s exhibitions challenge the image of the person. Visitors are invited into an empty exhibition space, and the show really commences as the artist asks them to become the only pictures to be seen. Thus, the self-image is the real object of the exhibition. The apparatus reveals the way this image is built up from the other people’s perception; spectators, at the same time, are watching and being watched. Eventually, they constitute a community based on mutual confidence, where perception acts as a self-balancing device. Continue reading “Olivier Bardin
You belong to me I belong to you