Yann Chateigné Tytelman,
Blackout, Before publication 10, ed. of the CEC, 2023 © Sandra Pointet
Yann Chateigné Tytelman,
Blackout, Before publication 10, ed. of the CEC, 2023 © Sandra Pointet
Yann Chateigné Tytelman,
Blackout, Before publication 10, ed. of the CEC, 2023 © Sandra Pointet
Yann Chateigné Tytelman,
Blackout, Before publication 10, ed. of the CEC, 2023 © Sandra Pointet
Yann Chateigné Tytelman,
Blackout, Before publication 10, ed. of the CEC, 2023 © Sandra Pointet
Yann Chateigné Tytelman
Yann Chateigné Tytelman, Blackout, Before publication 10, brochure, black/white, colors, 44 pages – single booklet, 17,2 x 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers several authors’ texts or artists’ inserts, which appear regularly and until the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2023. ISBN: 978-2-9701369-8-9
It all started with a letter to my father. It had been about ten years since his death, and I suddenly felt like writing to him about the silence, his silence, the silence between us. It started in 2020, as a necessity. The silence, then, was striking. It resonated with other erased voices, other voids, other emotions. I thought I would not be able to stop. Neither diary, nor essay, nor short story, Blackout is a weaving, a braid made of these lines of silence, and tells, in fragments, the story of a dispossession, of an entry into darkness.
Paul Bernard
«Guy would never have done that» Debord Curator
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, brochure, 44 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN: 978-2-9701369-7-2
CHF 20.-
Based on the exhibition Die Welt als Labyrinth, which he co-curated at the Mamco in 2018, Paul Bernard analyses the failed experiment of an exhibition of the Situationists that ought to have taken place at the Stedelijk Museum in Amsterdam in 1959. By means of writings by members of the Situationist International, this essay attempts to complement and reconstruct their ambivalent relationship with the format of the exhibition, the museum and the institution.
In 2018, the Musée d’art moderne et contemporain de Genève (MAMCO) presented Die Welt als Labyrinth, an exhibition devoted to the early years of the Situationist International (S.I) and the various movements it derived from. Conscious of the complexity of such a project, we began to work on it a year earlier, setting up a curatorial committee (composed of Lionel Bovier, Gérard Berréby, Julien Fronsacq, John M Armleder, Mai-Thu Perret, Swana Pilhatsch-Morenz and Luca Bochicchio) which enabled us to quickly get in touch with a network of specialists. For my part, I was able to travel to Paris, Albissola, Prato, Venice, Berlin, Amsterdam, Copenhagen and Silkeborg in the space of a year to meet collectors, historians, curators and artists who were more or less directly related to the S.I. Nearly all of these meetings were fascinating, supportive and even downright enjoyable. But there were a few condescending grimaces from people who found our project to be deplorable. How indeed to conceive an exhibition about the Situationists without distorting the meaning of their action?
From the first paragraph of Paul Bernard’s text, “Guy would never have done that.” Debord Curator, Before publication 9, ed. CEC, 2022.
Giulia Essyad
Blueberry Studies
Blueberry Studies, Before publication 8, ed. of the CEC, 2022. © Sandra Pointet
Blueberry Studies, Before publication 8, ed. of the CEC, 2022. © Sandra Pointet
Blueberry Studies, Before publication 8, ed. of the CEC, 2022. © Sandra Pointet
Blueberry Studies, Before publication 8, ed. of the CEC, 2022. © Sandra Pointet
Blueberry Studies, Before publication 8, ed. of the CEC, 2022. © Sandra Pointet
Giulia Essyad, Blueberry Studies, Before publication 8, brochure, colors, 32 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN : 978-2-9701369-6-5
CHF 20.-
Giulia Essyad uses her body as a raw material and a space of projection, which she immerses in a fantastic cinematic universe reminiscent of medieval legends and pop culture. She makes use of a sensibility soaked up the codes of ultra-femininity, between an uninhibited self-assertion and an invitation to the critical deconstruction of the representation of the contemporary body. Between historical hijacking and provocation, her body becomes a militant, iconic vector, which she plunges into dreamlike universes, freeing her image from the taboos and criteria that continue to confine women to the aesthetic canons which still prevail in our society. In a very free syncretism, she summons notions that extend from animism to polytheism, from the world of fairies to that of Fantasy, which is inspired by both natural and supernatural phenomena, by myths and by more traditional and ancient beliefs, in a very broad and multicultural field, or in the more contemporary field of hybrid, archaic and digital beings.
Laurence Bonvin
شالي
شالي, Before publication 7, ed. of the CEC, 2022. © Sandra Pointet
شالي, Before publication 7, ed. of the CEC, 2022. © Sandra Pointet
شالي, Before publication 7, ed. of the CEC, 2022. © Sandra Pointet
شالي, Before publication 7, ed. of the CEC, 2022. © Sandra Pointet
شالي, Before publication 7, ed. of the CEC, 2022. © Sandra Pointet
Laurence Bonvin, شالي (shali), Before publication 7, brochure, 36 pages – single booklets, 17.2 × 23.5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN : 978-2-9701369-5-8
CHF 20.-
The set of photographs Shali (house in Siwi language) was made in February 2021 – Shali, digital photographs (color originals), inkjet print on Hahnmühle paper, 74.7 x 58 cm, 2021. It’s related to the fortress of the same name, located in the center of the Siwa oasis in Egypt. The construction technique, kershef, is a mixture of clay, salt and stones. It is exemplary of Berber vernacular architecture and offers a natural protection against the heat of the desert. Severely eroded by time and the torrential rains of 1926, the fortress of Shali has been restored by the Egyptian government who wants to make Siwa an eco-tourism center.
Born in 1967 in Sierre, Laurence Bonvin is a Swiss photographer and film director. She lives between Switzerland and the city of Lisbon. Marked by the documentary, her approach has been focused for many years on landscape, architecture and the phenomena of transformation of urban and natural environments. Through her gaze, the artist reveals the social, poetic and political dimensions of intermediate places such as borders, wastelands, pre-urban and peri-urban areas, and questions their identities.
Her photographic work has been presented in solo exhibitions including: Blackrock, Dak’Art Biennale, Dakar (2022); Earth Beats, Kunsthaus Zürich (2021); See Pieces, Alfred Ehrhardt Foundation, Berlin (2021); Les lois de l’improbabilité, Centre de la photographie, Geneva (2020); Something Else 2, Biennale off, Darb 1789, Cairo (2018); Flow of Forms, Museum of Ethnology, Hamburg (2018). She has also been the subject of several publications, including On the Edges of Paradise (edition fink, Zürich, 2008), the collection of Cahiers d’artistes (Pro Helvetia, Zürich + ed. Periferia, Lucerne, 2007) or the collection Before publication of the Centre d’édition contemporaine, Geneva (شالي, Before publication 7, ed. of CEC, Geneva, 2022). She also participates in the collective exhibition, La montagne en perspective, in the Museum of Art and History, Geneva (2022-23). Laurence Bonvin has directed several short films presented in exhibitions as well as selected by international festivals: Ghost Fair Trade (2022); Aletsch Negative (2019); Avant l’envol (2016); Blikkiesdorp (2014); AfterVegas (2013). She has benefited from a Pro Helvetia Cairo workshop between 2020 and 2021.
David Hominal
Still Life / Les feuilles mortes / 2020–2021
Still Life / Les feuilles mortes / 2020–2021, Before publication 6, ed. of the CEC, 2021. © Sandra Pointet
Still Life / Les feuilles mortes / 2020–2021, Before publication 6, ed. of the CEC, 2021. © Sandra Pointet
Still Life / Les feuilles mortes / 2020–2021, Before publication 6, ed. of the CEC, 2021. © Sandra Pointet
Still Life / Les feuilles mortes / 2020–2021, Before publication 6, ed. of the CEC, 2021. © Sandra Pointet
Still Life / Les feuilles mortes / 2020–2021, Before publication 6, ed. of the CEC, 2021. © Sandra Pointet
Still Life / Les feuilles mortes / 2020–2021, Before publication 6, ed. of the CEC, 2021. © Sandra Pointet
David Hominal, Still Life / Les feuilles mortes / 2020–2021, Before publication 6, brochure, 32 pages – single booklets, 17.2 × 23.5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2021. ISBN:978-2-9701369-4-1
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For the publication Still Life/Les feuilles mortes/2020-2021, David Hominal has selected a series of dead leaves that, for him as for all of us, are memories of childhood or walks. Beyond romanticism or naturalism, these leaves represent, like the painting, a perfect flat surface and a network of veins that are organized, like David Hominal’s gesture, from the center to the edge of the canvas, in an opening movement, the color and lines invading the canvas beyond the limits of each leaf. The play of inverted meanings between the English phrase and its French translation, Still Life, literally « toujours en vie », but actually meaning « nature morte » (still life), gives clues to the essence of Hominal’s practice. He chooses the exercise of still life to give it a new lease on life. A fragile and ephemeral subject as a metaphor of his practice declined, here, in a cycle both short and infinite, oscillating eternally between death and rebirth.
Paul Viaccoz
ESPRIT ES-TU LÀ ?
ESPRIT ES-TU LÀ ? Before publication 5, ed. of the CEC, 2021. © Sandra Pointet
ESPRIT ES-TU LÀ ? Before publication 5, ed. of the CEC, 2021. © Sandra Pointet
ESPRIT ES-TU LÀ ? Before publication 5, ed. of the CEC, 2021. © Sandra Pointet
ESPRIT ES-TU LÀ ? Before publication 5, ed. of the CEC, 2021. © Sandra Pointet
ESPRIT ES-TU LÀ ? Before publication 5, ed. of the CEC, 2021. © Sandra Pointet
ESPRIT ES-TU LÀ ? Before publication 5, ed. of the CEC, 2021. © Sandra Pointet
Paul Viaccoz, ESPRIT ES-TU LÀ?, Before publication 5, brochure, 36 pages – single booklets, 17.2 × 23.5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Text: Paul Viaccoz. Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2021. ISBN: 978-2-9701369-3-4.
CHF 20.-
ESPRIT ES-TU LÀ? complements the eponymous exhibition presented by Paul Viaccoz at the Centre d’édition contemporaine, from October 1 to November 12, 2021. The publication brings together reproductions of drawings made on the walls of his garden cottage, drawings from the Paysages de guerre series, and a text by the eponymous artist. Paul, aka Damiano and ПОЛ, the central character of two previous short stories – Le responsable de l’économat est aujourd’hui indisponible (ed. FMAC, Geneva, 2012) and La censure des messages, (ed. Musée jurassien des Arts, Moutier, 2018) – mentions the experience of isolation. Viaccoz’s short text frames two quotations from Wolfgang Sofsky’s book, L’Ère de l’épouvante. Folie meurtrière, terreur, guerre (ed. Gallimard, Paris, 2002), which bears witness to the difficulties of representing cruelty, violence and war.
Guillaume Dénervaud
Fumées Sombres
Guillaume Dénervaud, Fumées Sombres, Before publication 4, brochure, 20 pages, published in the Before publication collection – single booklets, 17.2 × 23.5 cm, stapled binding, 250 copies – which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Text: Dean Kissick. Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2021. ISBN 978-2-9701369-1-0
The images contained in this publication are cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).
CHF 20.-
The images in this publication are details of Guillaume Dénervaud’s graphite drawings from the Fumées Sombres series, presented on the occasion of his exhibition, Surv’Eye, at the Centre d’édition contemporaine, from March 19 to April 23, 2021. A text by Dean Kissick, New York editor of Spike Art Magazine, accompanies the reproductions, adding a textual and narrative dimension to the abstract landscapes imagined by the artist. His drawings, a kind of celestial cartography with an almost digital rendering, are a fictional immersion in a chaotic, hostile world. A work of anticipation, Guillaume Dénervaud’s universe is one that bears the marks of man’s destructive action on his environment.
Anne Dressen/Nick Mauss
Fluidités
Anne Dressen/Nick Mauss, Fluidités, Before publication 3, brochure, 36 pages, published in the Before publication collection, which gathers the pre-publications – single booklets, 17.2 × 23.5 cm, offset, black/white, stapled binding, 250 copies – which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Editorial coordination : Eveline Notter. Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2021. ISBN 978-2-9701369-2-7
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In a series of conversations conducted between June 2018 and February 2020, Anne Dressen and Nick Mauss exchange about their respective curatorial practices, including questions about the hierarchies established by the museum institution between art and decorative arts. Anne Dressen has often mixed different medium in the exhibitions she has organized at The Museum of Modern Art of the City of Paris. Nick Mauss, for his part, has often staged multidisciplinary exhibitions for which he has created transhistorical spaces allowing for new associations and questioning, that are an intrinsic part of his research and work.
Paul Paillet
BRUME BOURGEON BRISE SOLEIL
Paul Paillet, BRUME BOURGEON BRISE SOLEIL, Before publication 2, brochure, 12 pages, published in the Before publication collection – single booklet from 4 to 24 pages, 17.2 × 23.5 cm, offset, black/white, stapled binding, 250 copies – which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2020.
This publication was inspired by the novel Les Météores by Michel Tournier and by the song, Coimbra (1930) by José Galhardo, whose French version, April in Portugal (1947) was written by Jacques Larue and the English version April in Portugal (1947) by Jimmy Kennedy.
CHF 20.-
BRUME BOURGEON BRISE SOLEIL has been published as part of the exhibition fascination for fire at the Centre d’édition contemporaine, from September 18 to December 12, 2020. Paul Paillet examines the injunction to happiness, synonymous of absolute love and self-fulfillment, whose obsessive quest has become a consumer good in contemporary society. The artist drew inspiration from Michel Tournier’s novel Les Météores and José Galhardo’s song Coimbra (1930). Some verses from the French version, Avril au Portugal (1947), written by Jacques Larue, and from the English version, April in Portugal (1947), by Jimmy Kennedy, are published in BRUME BOURGEON BRISE SOLEIL.
Harry Burke
A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson
Harry Burke, A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson. Before publication 1, brochure published in the Before Publication collection, which will gather the pre-publications — single booklet of 4 to 24 pages, 17.2 x 23.5 cm, offset, black/white, stapled binding, 250 copies — of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, December 2019.
CHF 20.-
A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson is a text by Harry Burke about the immersive videos of American artist Rindon Johnson. It combines notes, quotations, recasts and even strikethroughs in a fragmentary, indirect response to Johnson’s work, video production, legacy and position in relation to expanded cinema, multimedia culture, the place of computers in creation and virtual reality. Harry Burke also offers a reflection on the opening up of media in the digital age, while evoking the political and personal aspirations of a new generation of artists and critics.
Artists’ Voices
Artists’ Voices, triple LP with sound pieces by Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim, 3 picture discs in a two-piece box, 310 x 310 x 15/15 mm, 350 copies. Sound engineer: Ladislav Agabekov, Caduceus Mastering, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2016. ISBN 978-2-9701174-6-9.
CHF 50.-
Valentin Carron, Tropico Psalm, 2’ 11’’, 2015
Sgrafo vs Fat Lava
Sgrafo vs Fat Lava
(1) Book, French, bound, 105 x 165 mm, 64 pages, 22 colour pictures. Summ ary : Nicolas Trembley (ed.), Madeleine de Proust et Fat Lava (introduction); text by Horst Makus, Formes, couleurs et décors. Un survol ; Interview of Ronan Bouroullec by Nicolas Trembley. Graphic design : Gavillet & Rust / Eigenheer, Geneva. Publisher : JRP|Ringier (Hapax collection), Zurich, 2011. ISBN 978-3-03764-163-7
(2) Book, English, bound, 105 x 165 mm, 64 pages, 22 colour pictures. Summary : Nicolas Trembley (ed.), Proust’s Madeleine and Fat Lava (introduction); text by Horst Makus, Form, Color, and Decoration: An Overview ; Interview with Ronan Bouroullec by Nicolas Trembley. Graphic design : Gavillet & Rust / Eigenheer, Geneva. Publisher : JRP|Ringier (Hapax collection), Zurich, 2012. ISBN 978-3-03764-277-1
Edition offered to the 2010 members of the Centre d’édition contemporaine association.
CHF 20.-
L’Effet papillon, 1989-2007
L’Effet papillon, 1989-2007, catalogue, in French, introduction by Véronique Bacchetta, texts by Véronique Bacchetta, Sylvie Boulanger, Lionel Bovier, Brian D. Butler (English and French), Philippe Cuenat, Thomas Hirschhorn, Christoph Keller (German and French), Hans Ulrich Obrist and Alexis Vaillant. 432 pages, 17,5 × 23,5 cm, offset printing on Munken Print Premium White paper, 115 g/m2 , offset printing and hot gold foil stamping on Munken Print White paper, 300g/m2 , for the cover, 61 color ill., 278 b/w ill. Graphic design : Schönwehrs, Geneva. Printing : Musumeci S.p.A., Quart (Aosta Valley), Italy. Publisher : Centre d’édition contemporaine, Geneva, June 2008. Distribution : JRP|Ringier, Zurich, ISBN 978-3-905829-77-8.
CHF 48.-
HABITAT/VARIATIONS
HABITAT/VARIATIONS, booklet edited on the occasion of the Habitat/variations exhibition at the Bac – Bâtiment d’art contemporain, Geneva, from June 23 to September 2nd, 2007 ; project by María Inés Rodríguez, with the collaboration of Juan Herreros and Pablo León de la Barra, on invitation of the Centre d’édition contemporaine and the Centre d’Art Contemporain, Geneva. With Pablo León de la Barra, cover ; Juan Herreros, «Logement public + Espace public, un manifeste» ; Pablo León de la Barra, «Wanted Jo sé Ivanildo» ; Leandro da Silva, «Une interview : José Ivanildo» ; Colectivo Tercer un Quinto, «Sculpture publique à Monterrey» ; Pierre Bal – Blanc, «Un paysage habitable : A propos de Hans – Walter Müller» ; Jakob Kolding, «Two Case Studies of Spatial Planni ng and Local Initiatives» ; María Inés Rodríguez, «Habitat/variations» ; Raúl Cárdenas, «Architecture d’urgence (S.O.S)» ; Santiago Cirugeda, «L’illégalité nécessaire» ; Josep – María Martín et Raphaël Nussbaumer, «La maison digestive» ; Véronique Bacchetta, « Sur le chemin de l’école : A propos de Pia Rönicke » ; Andrés Jaque, « Espumas Democráticas et troismerveilleux superpouvoirs du Pop». Stapled paper, 320 x 220 cm, 33 pages. Publication director : María Inés Rodriguez ; graphic design concept : Base ; t ranslations : Sophie Gewinner and Pedro Jiménez Morras, June 2007.
CHF 5.-
PACEMAKER #4
PACEMAKER #4, free newspaper, fourth number, with Markus Schinwald (cover), Antek Walczak « Out of Bounds », Eric Troncy, « Le facteur cheval », Daniel Baumann, « The Visitor », Ben Kinmont, « Hard core cozy and warm state of mind organic all natural lemonade espresso mate tea chai soy milk apple cider smoothies », Melissa Longenecker, « Love Letter », Carole Sabas, « Le point à jour », Michael Roy, « Roman », Lawrence Weiner & Kathryn Bigelow, « Rationalization », « WSIS », Pablo León de la Barra, « To be political it has to look nice », Noëllie Roussel, « Quousque tandem, dracula, abutere aesthetica nostra ? » and Annie Waterman, « Bles s n°20 », doctor : Pascale Dauman, astrology : Yuki Kimura. Offset on alsaprint 70gm2 paper, A2 format, 148 x 210 cm, folded in three cross fold points, one colour black, edition of 7000, English and French, photo – journalist : Bruno Serralongue, graphic de sign : Gilles Poplin, Paris appointed by Sylvia Tournerie, direction of the publication: Eva Svennung and Alexis Vaillant/Toasting Agency, Paris, co – produced by the Centre d’édition contemporaine, Geneva, February 2004.
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PACEMAKER #3
PACEMAKER #3, free newspaper, third number, with Richard Hertz, « Jack Goldstein and the Calarts Mafia », anthology of discussions with and about Jack Goldstein, Philipe Par reno, « The underground Man (After a short Story by Gabriel Tarde) », Matthieu Orléan, « Grey Gardens », Jean – Michel Wicker, « Horses in my Dreams », Susanne Bürner, « 13 Steps towards the Uncanny », Carissa Rodriguez, « Arts & Leisure », Jacob Fabricius, « Patrick ‘The Critter’ », Olaf Breuning, « Sheep and Sun », Michael Roy, « Roman », Karl Holmqvist, « Sitting position, Basic Positions for sitting on the Ground », doctor : Melvin Moti, horoscope : Petra Mrzyk & Jean – François Moriceau. Offset, A2 format , 148 x 210 cm folded, one colour, edition of 7000, English or French, photo – journalist : Bruno Serralongue, graphic design : Sylvia Tournerie – 3 points, Paris, direction of the publication: Eva Svennung and Alexis Vaillant/Toasting Agency, Paris, co – prod uced by the Centre d’édition contemporaine, Geneva, October 2003.
Free
PACEMAKER #2
PACEMAKER #2, free newspaper, second number, with Jean – Luc Blanc, « Before and after », paintings, 2003 (cover), Arnaud Maguet, « Pushing Too Hard on Mind, The spatial dynamic trajectory of Sky « Sun light » Saxon », Gardar Eide Einarsson & Matias Faldbakken, « Usk for you », a conversation between Sture Johannesson and Johnny Rotten, « When we are dead », Gigiotto Del Vecchio/Supporticolopez, « Supporticolopez Storyboard », Laetita Raynaud, Aby Warbur g, « Astrologer », excerpt from « A Lecture on Serpent Ritual », 1923, Pascale Cassagnau « Site of the Month », Bennett Simpson, « Letter from Philadelphia », Bernadette Corporation, « Chapters 3 and 1 (excerpts from a collective novel) », Brigitte Bardot vs Marcel Broodthaers, « V, M.B. vs the city of P. and B.B », «Carlos Depot opens in June », Michael Roy, Ed Ruscha, « A Daydream by Ed Ruscha » excerpt from « my books End Up In the Trash », doctor : Jean – Luc Verna, astrology : Sylvie Fleury « Astro signe ». Offset, A2 format, 148 x 210 cm folded, one colour black, 9 edition of 7000, English and French, photo – journalist : Bruno Serralongue, artistic director : Valentin Carron, direction of the publication: Eva Svennung and Alexis Vaillant/Toasting Agency, Paris, co – produced by the Centre d’édition contemporaine, Geneva, June 2003.
Free
PACEMAKER #1
PACEMAKER #1, free newspaper, first number, texts by Jens Hoffman, « Plus jamais d’expos emmerdantes », Carissa Rodriguez, «Philippines, Tristes tropiques», Daniel and Alexandre Costanzo, « Charles Bronson&sons », Richard Prince, «Eleven Conversations», Michael Roy, « Roman », Eric Troncy, « la Logique du Projet », Elvis Presley, Bri ce Dellsperger, « Shelley Michelle, Body Double Xtraordinaire », Rob Pruitt & Jonathan Horowitz, « Peacock Hill, haunted mansion for Sale », Theodor W. Adorno, « Astrologie », V/VM, « Bienvenue à l’asile musical », Jonathan Monk, Una Szeeman, « Un plâtre à la mode de Los Angeles. Un témoignage de Joël Rane », Marquis de Bièvre, editorial, «Lettre à la Comtesse Tation», doctor : Bernadette Van – Huy, astrology : Elena Montesinos. Offset on alsaprint 70gm2 paper, open : A2 format, 148 x 210 cm, folded in three cross fold points, one colour black, edition of 7000, English and French, photo – journalist : Bruno Serralongue, graphic design : deValence, Paris, direction of the publication: Eva Svennung and Alexis Vaillant/Toasting Agency, Paris, co – produced by the Centre d’édition contemporaine, Geneva, May 2003.
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VALDEZ #5
Valdez de oro-anthologie des révolutions
VALDEZ #5 – Valdez de oro-anthologie des révolutions
Part I ; a flipbook, fragments from the film El Día que me quieras by Leandro Katz, 30 min. colour, Digi Beta, 1998 / Giorgio Agamben, « Frenhofer y su doble » / Pedro Manrique Figueroa , « Cinco collages americanos » / Mauricio Cruz, « La dimensión orname ntal » / Jennifer Gonzalez, « Preliminary problems in constructing a situation » / Alberto Baraya , « Expédition dans l’ancienne Europe » / Katya Sander and Ashley Hunt, « Revolutions pr. Minute » / Dan Graham, « Mis trabajos para páginas de revista: ‘Una historia del Arte Conceptual’ » / Elías Canetti, « ¿Porqué no escribo como Karl Kraus? » / M.I.R., « Entrevista a Pablo León de la Barra » / Gregory Whitehead, « The Bottom of the mind » / « The Best 5000 Colombian Contemporary Artist » / Tanya Leighton, « Tempo – Time » / Alain de Beaufort, « By: Alain de Beaufort » / B.O. , « Lo autobiográfico en Heidegger » / Luis Ospina, « El Crepúsculo de los (a)Dioses » / Saul Anton, « The One and the Other (Ten Chiasmata after Documenta) » / Pablo Batelli, « Contra el a rte mercantil » / Jeffrey Skoller, « Memories of the Revolution » / Jaime Iregui, « Estados Alterados » / Alex Villar, « Freirean Detours » / Juan Manuel Cuartas, « Antonin Artaud, la rebelión, el nervio, la escritura » / Rafael López, « A quien pueda inte resar » / Patricia Aristizábal Montes, « Locura mujer escritura: la locura en tres escritoras colombianas » / Saskia Sassen, « Entrapments Rich Countries cannot escape: Governance Hotspots » / Will Bradley, «‘Ranters’» / Victor Manuel Rodríguez, « On Sta ge: Pedro Manrique Figueroa and the Rethoric of Modernist Art History » / Galia Ospina Villalba, « Born Yesterday » / F.B., « Íconos » / Leandro Katz, « POL: A Different Light on the International Debt Problem » / Camilo Vega, « Pórtico/Cada época tiene s u propio Stalin/Lenin/Principios de la estética proletaria/Tengo Miedo » / F.B., « Contribución a la Antología de Revoluciones » / Victor Manuel Rodríguez, « Entrevista a Antonio Caro » / F.B., « Imagining this piece » / Mariangela Méndez, « vive y trabaja en Bogotà » / Carlos Enrique Lozano, « Brecht para insectos » / François Bucher, « Editorial ». Part II , Christopher Ho and Hilda Daniel, « Orbit 2001 » / José Tomas Giraldo, « Casa en Bogotà » / Véronique Bacchetta, « Jakob Kolding » / Pavel Buchler, « s ans titre » / Pablo Batelli, « Los dados del azar absoluto / Concurso Valdez: I). What is Switzerland? II). Qué es Suiza? » / Angeline Scherf, « Anne Marie Schneider » / Marie Oresanz, « Questo foglio puoi prenderlo e portartelo a casa » / Carlos Basuald o, « To all Art Curators in the World: Our Duty » / Veran Matic and Drazen Pantic « War of Words, When the bombs came, Serbia’s B92 hit the Net. » / Michelle Marchaux « Guerraeterna » / F.B. « La Escuela Manrique/The Manrique School » / Christopher Ho «Reprinted Speech from Saturday 15, 2001 » / F.B. y L.O. « Entrevista » / a conversation between Cédric Price and Hans Ulrich Obrist « Cities, Museums, Cybernetics ».
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FINGER #12
FINGER#12, free issue published by the Centre d’édition contemporaine and the Finger group, in collaboration with Aurélien Gamboni, Sloane Huguenin and M arion Ronca, with French, English and German texts, from Sloane Huguenin «L’histoire d’une brigade, « C’est vrai qu’il déménage souvent… », an interview of Stéphane Monbaron (French, with English summary), Claudia Hummel « The Give – Away Books » (English ), Florian Haas « Lew, ein Spezialist für Monumentalplastik und die Darstellung von Karl Marx » (German, with English summary), Marion Ronca « CIRA , the international center for research on anarchism » (English), Die Sportsfreunde Rüsselsheim « Das Noizemo bil 2000, ein Urlaubsbericht » (German, with English summary), Aurélien Gamboni, « Petit voyage dans le monde des normes » (French, with English summary), Martin Brandt, « Match it if you can » (English), offset, black, on light green paper, 16 stapled pag es, 21 x 29,7 cm, edition of 5000
Marcel Broodthaers, l’oeuvre graphique, essais
Marcel Broodthaers, l’oeuvre graphique, essais. Texts by: Rainer Borgermeister, Johannes Cladders, Michael Compton, Philippe Cuenat, Yves Gevaert, Alain Jouffroy, Anne Rorimer and Dieter Schwarz, 1991. 24 × 17 cm, 62 illustrations, black/white, 140 pages
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Henri Michaux
Henri Michaux, catalogue with texts by : Anne Patry and Paul Viaccoz, Jean Starobinski, Alfred Pacquement, Alain Jouffroy, René Micha, Raymond Bellour, 1989. 32 x 24 cm, 18 illustrations, black&white and colour, 52 pages
CHF 32.-
Cinq pièces avec vue
