(INDEX)

RM
RM photographed by Mathilde Agius, 2023

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RM,
RM photographed by Mathilde Agius, CATS, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, NAKED, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, MUSIC, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, HANGOVER, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, CLOWNS, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, FAMILY, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, BAROCCO, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, BIKERS, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, FLOWERS, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, EXTERMINATORS, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, ALIENS, ed. of the CEC, 2023
RM,
RM photographed by Mathilde Agius, ANGELS, ed. of the CEC, 2023
RM, RM photographed by Mathilde Agius, 2023, edition of 12 photographs, CATS, NAKED, MUSIC, HANGOVER, CLOWNS, FAMILY, BAROCCO, BIKERS, FLOWERS, EXTERMINATORS, ALIENS, ANGELS, silver prints, black/white, 39 x 50 cm, printed in 4 copies, 1 H.C. (framed, 37 x 48 cm) and 3 e. a., numbered, dated and signed. The photographs of the RM and the prints were made by Mathilde Agius. Edited by the Centre d’édition contemporaine, Geneva, 2023.

CHF 2’500.- (one photograph, unframed)
Price on demand (the edition of 12 photographs, unframed)

Paul Bernard
«Guy would never have done that» Debord Curator

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Paul Bernard,
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
Spread of Paul Bernard's publication, "Guy Would Never Have Done That. Debord Curator”
Paul Bernard,
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
Paul Bernard,
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
Paul Bernard,
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
Paul Bernard,
« Guy would never have done that. » Debord Curator, Before publication 9, ed. of the CEC, 2022. © Sandra Pointet
« Guy would never have done that. » Debord Curator, Before publication 9, brochure, 44 pages – single booklet, 17,2 × 23,5 cm, offset, stapled binding – published in the Before publication collection, which gathers the pre-publications of authors’ texts or artists’ inserts, which will appear regularly and as a preview before the final publication, L’Effet papillon II (second volume of L’Effet papillon, 1989 – 2007, catalogue of the Centre d’édition contemporaine published in 2008). Graphic design: Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2022. ISBN: 978-2-9701369-7-2
CHF 20.-
In 2018, the Musée d’art moderne et contemporain de Genève (MAMCO) presented Die Welt als Labyrinth, an exhibition devoted to the early years of the Situationist International (S.I) and the various movements it derived from. Conscious of the complexity of such a project, we began to work on it a year earlier, setting up a curatorial committee (composed of Lionel Bovier, Gérard Berréby, Julien Fronsacq, John M Armleder, Mai-Thu Perret, Swana Pilhatsch-Morenz and Luca Bochicchio) which enabled us to quickly get in touch with a network of specialists. For my part, I was able to travel to Paris, Albissola, Prato, Venice, Berlin, Amsterdam, Copenhagen and Silkeborg in the space of a year to meet collectors, historians, curators and artists who were more or less directly related to the S.I. Nearly all of these meetings were fascinating, supportive and even downright enjoyable. But there were a few condescending grimaces from people who found our project to be deplorable. How indeed to conceive an exhibition about the Situationists without distorting the meaning of their action? 

From the first paragraph of Paul Bernard’s text, “Guy would never have done that.”  Debord Curator, Before publication 9, ed. CEC, 2022.

Marie Angeletti
RAM

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Marie Angeletti, RAM, artist’s book, digital print, photocopies, black enamel on acrylic, silver paper, colors, 27,5 x 21 cm, 5 copies including 1 e.a., numbered. Edition of the Centre d’édition contemporaine, Geneva, 2022.
CHF 1’000.-
Marie Angeletti, RAM, fanzine, digital print, photocopies, silver paper, black/white, colors, 27,5 x 21 cm, slipped into a white paper slip cover, 100 g/m2, 20 copies including 1 e.a. and 1 H.C., numbered and signed. Edition of the Centre d’édition contemporaine, Genève, 2022.
CHF 30.-

Giulia Essyad
temple-piss19.psd, 2020

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Giulia Essyad, temple-piss19.psd, 2020, poster, offset, two colors, Algro Design glossy laminated paper 180 g/m2, 98.5 × 49 cm, 150 copies, 14 A.P. and 10 H.C., dated, numbered and signed. Edition of the Centre d’édition contemporaine, Geneva, 2022.
Edition offered to the members of the Centre d’édition contemporaine association for the year 2022.
CHF 150.-

Mai-Thu Perret
My sister’s hand in mine

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Mai-Thu Perret, My sister’s hand in mine, the edition includes a screen-printed maple box with sliding lid that contains a pair of knitted mittens with the pointed shape specific to the Latvian tradition. Each pair is unique, made of pure Shetland wool, and their patterns reproduce one of the five patterns designed by Mai-Thu Perret: four geometric designs and a foliage motif inspired by the Latvian Latgale regional tradition. Each box also contains ten screen prints reproducing the five patterns, available in two different colours, as well as a colophon, printed on rough natural Lessebo paper 400 g/m2, 45.6 x 17.5 cm. Each silkscreen is numbered (from A to J) and signed by the artist.
This edition has been produced in 12 copies, 2 A.P. and 2 H.C., numbered, dated and signed by the artist on the colophon. The mittens were knitted by Santa Leimane, Riga, the screen prints were printed by Sabrina Peerally, Madame (screen printing workshop, Geneva), the boxes were made by Atelier Casaï SA, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition by the Centre d’édition contemporaine, Geneva, 2022.
CHF 3’500.-

Liz Craft
New York & Beyond, 2017-2019

Posted on by Zsuzsanna Szabo

Liz Craft, New York & Beyond, 2017 – 2019, publication, digital printing, colours, 40 pages, 15 x 21.2 cm, 500 copies, stapled binding. Text : Paul-Aymar Mourgue d’Algue (English). Graphic design : Niels Wehrspann, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2021. ISBN 978-2-9701369-0-3
CHF 20.-

Guillaume Dénervaud
Les corps interfaces (altèrent la structure) et
(Les corps interfaces) altèrent la structure

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Guillaume Dénervaud, <em>Les corps interfaces (altèrent la structure)</em> and <em>(Les corps interfaces) altèrent la structure</em>, ed. of the CEC, 2020. © Sandra Pointet
Guillaume Dénervaud, Les corps interfaces (altèrent la structure) and (Les corps interfaces) altèrent la structure, ed. of the CEC, 2020. © Sandra Pointet

Guillaume Dénervaud, Les corps interfaces (altèrent la structure), offset (green) and typographic (black) print and (Les corps interfaces) altèrent la structure, offset (violet) and typographic (black) print, diptych, 41,5 x 30 cm, 200 copies, dated and signed. Editions of the Centre d’édition contemporaine, 2020. Edition offered to the members of the Centre d’édition contemporaine association for the year 2020.
CHF 150.- the diptych

Fabian Marti
Such a Good Girl

Posted on by Zsuzsanna Szabo

Fabian Marti, Such a Good Girl, multiple, brass, handprints of the artist and paw prints of his dog, lemon juice concentrate, 1000 × 645 × 6 mm, edition of 8, 1 H.C. 1 special example (E.S.), 1 A.P and a prototype, numbered, dated and initialled FM, punched on the back of the mounting plate. Coedition Wilde and the Centre d’édition contemporaine, Geneva, 2020.
10’000.- CHF

Susan Te Kahurangi King
Selected Works 1965–1980

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Susan Te Kahurangi King, Selected Works 1965–1980, offset, colours, 20 pages, 16,5 × 23,6 cm. Coedition innen, Zurich and Centre d’édition contemporaine, Geneva, 2019. ISBN : 978-2-9701174-8-3
Edition offered to the members of the Centre d’édition contemporaine association for the year 2019.
CHF 20.-

Dorothy Iannone
Eros Paintings

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Dorothy Iannone, Eros Paintings, offset, colours, 16 pages, 16,5 x 23,6 cm. Coedition innen, Zurich and Centre d’édition contemporaine, Geneva, 2019. ISBN : 978-2-9701174-9-0
CHF 20.-

Timothée Calame
Neologisms at Macdo, with Maximage

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Timothée Calame, Neologisms at Macdo, with Maximage, poster, offset, colours, on Profimat 200g/m2, 50 × 70 cm, edition of 50, 3 E.A and 2 H.C. numbered, dated and signed by Timothée Calame and Maximage (MX). Edition of the Centre d’édition contemporaine, Geneva, 2019.
CHF 50.-

Timothée Calame
En cas de vol, with Alan Schmalz

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Timothée Calame, En cas de vol, with Alan Schmalz, poster, offset, colours, on Profimat 200g/m2, 50 × 70 cm, edition of 50, 2 E.A and 2 H.C. numbered, dated and signed by Timothée Calame and Alan Schmalz (AS). Edition of the Centre d’édition contemporaine, Geneva, 2019.
CHF 50.-

Timothée Calame
Responsabilité (Pouvoir, Parole), with Léo Bachiri Wadimoff

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Timothée Calame, Responsabilité (Pouvoir, Parole), with Léo Bachiri Wadimoff, poster, offset, colours, on Profimat 200g/m2, 50 x 70 cm, edition of 50, 3 E.A and 2 H.C, numbered, dated and signed by Timothée Calame and Léo Bachiri Wadimoff (LBW). Edition of the Centre d’édition contemporaine, Geneva, 2019.
CHF 50.-

Matthew Lutz-Kinoy
What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches ! “A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations”

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Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches ! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations », ed. of the CEC, 2019. © Sandra Pointet
Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches ! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations », ed. of the CEC, 2019. © Sandra Pointet

Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations »
Silkscreen print on raw cotton, 36 × 48 cm, safety pins, postcard, 150 copies, edition of the Centre d’édition contemporaine, Geneva, 2019. Edition offered to the members of the Centre d’édition contemporaine association for the year 2018.
CHF 80.-

Matthew Lutz-Kinoy
Scrolls in the Wind
A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad. Edited by Matthew Lutz-Kinoy

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Matthew Lutz-Kinoy, Scrolls in the Wind A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad. Edited by Matthew Lutz-Kinoy, edition of twelve color lithographs, on BFK Rives 250g/m2 paper, 42 x 29.7 cm, inside a slip case, BFK Rives 300 g/m2 paper, contained in a box covered with Wibalin Natural Burnt Orange 115 g/m2 paper.
Edition of 15, 3 A.P. and 2 H.C., each lithograph is numbered from 1 to 12 and signed, the edition is numbered from 1/15 to 15/15, A.P. 1, A.P. 2, A.P. 3 and H.C. I, H.C. II, dated and signed by the artist on the colophon. Printed by Idem, Paris. Box produced by Cartonnages Delavy, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2018.
CHF 4’500.-

Victor Man
Childhood Drawings for Rózsa

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Victor Man, Childhood Drawings for Rózsa, artist’s book, offset, 16,2 × 23 cm, 128 pages, colours, cover with a book jacket, two colours, reproduction of several children’s sketchbooks and the publication of a letter by Victor Man « My dear Rózsa », English, 500 copies. Graphic design: NORM, Zurich. Print: DZA Druckerei zu Altenburg, Altenburg. Edition of the Centre d’édition contemporaine, Geneva, 2018.
ISBN 978-2-9701174-7-6
CHF 40.-

Keren Cytter
The Furious Hamster

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Keren Cytter, The Furious Hamster, book, offset, colours, 56 pages, 15 x 15 cm, an edition of 500, text in English. Coedition Pork Salad Press, Copenhagen and Centre d’édition contemporaine, Geneva, 2018.
ISBN 978-87-91409-96-7.
Sold out

Keren Cytter
The Brutal Turtle

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Keren Cytter, The Brutal Turtle, book, offset, colours, 40 pages, 15 x 15 cm, an edition of 500, text in English. Coedition Pork Salad Press, Copenhagen and Centre d’édition contemporaine, Geneva, 2018.
ISBN 978-87-91409-97-4.
CHF 15.-

Jonathan Monk
Directional Advice

Posted on by Zsuzsanna Szabo

Jonathan Monk, Directional Advice, one colour silkscreen print, clear varnish coating, Algro Screen cardboard 1260 g/m2, Ø 40 cm, edition of 150, signed and dated on the reverse, printed by Christian Humbert-Droz, Geneva, die-cut by Decoform, Geneva. Edition of the Centre d’édition contemporaine, 2017. Edition offered to the members of the Centre d’édition contemporaine association for the year 2017.
150.- CHF

 

Jean-Michel Wicker
#picturebook1

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Jean-Michel Wicker, #picturebook1, artist’s book, offset, 27 × 28.5 cm, 396 pages, including 360 pages in colour and 36 pages in black on LuxoArt Silk 150 g/m2 paper, glossy colour cover, LuxoArt Silk 350 g/m2, 10 inserts, colours, 26.5 × 28 cm, LuxoArt Silk 130 g/m2, publication of an arbre de vie produced by Jean-Michel Wicker in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker (French), English, an edition of 500. Graphic design: Maximage Société Suisse, London. Printing: DZA Druckerei zu Altenburg, Altenburg. Edition of the Centre d’édition contemporaine, Geneva, June 2017.
ISBN 978-2-9701174-0-7.
CHF 70.-

Mélanie Matranga
A : Hope open et B : Love close

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Mélanie Matranga, A : Hope open and B : Love close, two prints, diptych, digital print, inkjet, created from a photography by Christian Vandewalle, enhanced with oil pastel, colours, 190 × 140 cm, on Ultrasmooth paper, an edition of three copies, numbered and signed. Edition of the Centre d’édition contemporaine, Geneva, 2017.
CHF 3’800.- (the print)

Jean-Michel Wicker
Belle étiquette

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Jean-Michel Wicker, Belle étiquette, woven flyer taking the form of a mini carpet functioning as an advertisement object, polyester, black and white, high definition weaving, heat cut with fray out edges, 92 × 140 mm, edition of 1000, unsigned, weaving Bornemann-Etiketten GmbH, Wuppertal. Edition of the Centre d’édition contemporaine, Geneva, 2016.
This edition is accompanied by a publication bearing the same title, Belle étiquette, publication, 16 pages, black/white, colours, offset on Magno Satin 130 g/m2 paper, 26,8 × 20,5 cm, 250 copies. Graphic design : Marietta Eugster and Jean-Michel Wicker. Edition of the Centre d’édition contemporaine, Geneva, 2016.
Edition offered to the 2016 members of the Centre d’édition contemporaine association.
CHF 40.-

Mathis Gasser
In the Museum 1 2 (3),
Regulators 1 2 n

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Mathis Gasser, In the Museum 1 2 (3), Regulators 1 2 n, artists’s book, 448 pages in black and 128 pages in colour, 17 × 22,8 × 3,5 cm, offset, on Arctic Volume White 1.12 paper 100 g/m2, cover in Arctic Volume White 1.2 paper 300 g/m2, 300 copies. Graphic design: Niels Wehrspann, Lausanne with Mathis Gasser. Print : La Buona Stampa, Lugano. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2016.
ISBN 978-2-8399-1979-1.
CHF 40.-

Valentin Carron
Sunset Punta Cana

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Valentin Carron, Sunset Punta Cana, edition of the CEC, 2016, © Sandra Pointet
Valentin Carron, Sunset Punta Cana, edition of the CEC, 2016, © Sandra Pointet

Valentin Carron, Sunset Punta Cana, edition of a print, inkjet, colours, on Hahnemühle Photo Rag 308 g/m2 paper, 105,4 × 80,3 cm, an edition of 12 copies, 1 H.C. and 2 A.P., framed, numbered, dated and signed on the back. Printed by Nicolas Pirolet, Bex. Edition of the Centre d’édition contemporaine, Geneva, 2016.
CHF 4’000.- (the print)

Tobias Kaspar
Heart-Bite Valentine’s Day Teddy

Posted on by Zsuzsanna Szabo

Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, a box containing a teddy bear and an LP featuring a poem printed on the tag attached to the bear read by Karl Holmqvist on the occasion of a reception at Stefan Kalmár’s on February 14th, 2015 in New York City. Additionally a unique photograph and an invitation to the reception are included in the box. An edition of 10, 3 A.P. and 2 H.C., numbered, dated and signed. Coedition Tobias Kaspar and the Centre d’édition contemporaine, Geneva, 2015.
CHF 800.-

David Hominal
Détail

Posted on by Véronique Bacchetta

David Hominal, Détail, CEC, 2015. Photo © Sandra Pointet
David Hominal, Détail, CEC, 2015. Photo © Sandra Pointet

David Hominal, Détail, Silkscreen print, two colours, 99,6 × 75,6 cm, an edition of 120 copies, 13 A.P. and 2 H.C., numbered, dated and signed. Printed in Geneva. Edition of the Centre d’édition contemporaine, 2015.
Edition offered to the 2014 members of the Centre d’édition contemporaine association.
CHF 300.-

 

 

Jason Dodge
“what we keep doing to ourselves”
(made near Jean Calvin’s grave)

Posted on by Raphaël Rodriguez

Jason Dodge, “what we keep doing to ourselves” (made near Jean Calvin’s grave). An edition of 20 examples. Edition of the Centre d’édition contemporaine, Geneva.
CHF 500.-

Jason Dodge
Shoes made for someone
with three feet
by a master shoemaker in Berlin.

Posted on by Raphaël Rodriguez

Jason Dodge, Shoes made for someone with three feet by a master shoemaker in Berlin. An edition of 5 with 1 A.P. and 1 H.C. Edition of the Centre d’édition contemporaine, Geneva.
CHF 12’000.-

David Maljkovic
with
Konstantin Grcic
Negatives

Posted on by Raphaël Rodriguez

David Maljkovic with Konstantin Grcic, Negatives, tables composed of a linoleum table top and a pair of metallised anthracite grey steel trestles. Each table top bears traces of blade cuts which are filled with red ink, thus creating a set of lines and making each table unique. Format of the table top: 240 × 100 × 3 cm, format of the table: 240 × 100 × 74 cm. Twenty-four tables produced, of which six A.P. Six tables are reserved for the CEC. Each table is accompanied by a certificate of authenticity, dated, numbered and signed by David Maljkovic and Konstantin Grcic. The trestles were designed by Konstantin Grcic, Konstantin Grcic Industrial Design, Munich and produced by Magis Design, Milan. Coedition Sprüth Magers and the Centre d’édition contemporaine, Geneva, 2015.
CHF 15’000.-

Victor Man
untitled

Posted on by Raphaël Rodriguez

Victor Man, untitled, multiple, pocket knife, the blade and the spring mechanism are in Swedish carbon steel (UHB 15-LM), the handle is in black water buffalo horn with rivets in brass and inserts in copper, 12.5 cm (closed knife), 23 cm (open knife), edition of 7 examples, 2 A.P. and 1 H.C., handmade by Matei Campan, blacksmith, Cluj, Romania. Edition of the Centre d’édition contemporaine, Geneva, 2014.
Sold out

Raphaël Julliard
RREPTILES

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Raphaël Julliard, RREPTILES, artist’s book, 88 pages containing 55 images and the transcription of a conversation between Richard Tuttle and Raphaël Julliard, A5 paper size, composed in Chronicle Text, offset colour printing on Condat Matt Périgord 135 g/m2 paper, glued canvas binding, the front and back covers are constituted by two leporellos, red and wormwood yellow, Curious Skin 135 g/m2 paper, folded and held together by a brown satin ribbon bearing the silk-screen printed inscription RREPTILES every meter, printed in 100 copies, 10 of which contain an original drawing on cardboard paper, signed and numbered on the back, and held together by a violet satin ribbon bearing the silk-screen printed inscription RREPTILES every meter. Printer : Noir sur Noir Impression, Geneva. Binding : RS Reliure Service SA, Geneva. Graphic design : SO2, Geneva. Edition of the Centre d’édition contemporaine, Geneva, 2014. ISBN 978-2-9701174-5-2.
CHF 60.- with brown ribbon
CHF 200.- with original drawing and violet ribbon

Oriol Vilanova
ONE HUNDRED AND FIFTY

Posted on by Raphaël Rodriguez

Oriol Vilanova, ONE HUNDRED AND FIFTY, 150 different postcards representing spectacular caves from all over the world, each postcard contains the stamped inscription on the back: THE COLLECTION WILL BE COMPLETE WITH THE OTHER 149 POSTCARDS, in an envelope. Edition of Centre d’édition contemporaine, Geneva. 2014
Edition offered to the 2013 members of the Centre d’édition contemporaine association. CEC.
CHF 15.-

David Hominal
Through the Windows
silkscreen prints

Posted on by Raphaël Rodriguez

David Hominal, Through the Windows, series of four silkscreen prints, colours, on HP Mat Litho Realistic paper 270 g/m2, 73 × 130 cm, an edition of 10 copies, 2 H.C. and 3 A.P. signed, dated and numbered. Printed in Geneva. Edition of the Centre d’édition contemporaine, Geneva, 2013.
CHF 1000. – / piece (without frame)

David Hominal
Through the Windows
publication

Posted on by Raphaël Rodriguez

David Hominal, Through the Windows, publication, 52 notes on paper (app. 7 × 14cm, 2010 – 2012) and several reproductions of paintings, sculptures, collages, drawings and silkscreen prints. Digital coloured print on RecyStar paper 100 g/m2, 280 × 210 cm, 164 pages, cover in black Balacron, 350 g/m2, an edition of 270, of which 10 are numbered and signed and contain original drawings. Photography: David Hominal. Graphic design: Niels Wehrspann in collaboration with David Hominal. Printing: PCL, Lausanne. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2013.
ISBN : 978-2-9701174-4-5.
CHF 40.-
CHF 300.- with original drawings

Jonathan Monk
Soft Boiled Egg 1/10, …,
Soft Boiled Eggs 10/10

Posted on by Raphaël Rodriguez

Jonathan Monk, Soft Boiled Egg 1/10, …, Soft Boiled Eggs 10/10, CEC, 2013. Photo © David Gagnebin-de-Bons

Jonathan Monk, Soft Boiled Egg 1/10, …, Soft Boiled Eggs 10/10, 10 unique films, Super 8 and DVD, colours, duration of the films = cooking time of one egg (approx. 2 min. 45), of 2 eggs, of 3, 4, 5, 6, 7, 8, 9, 10 eggs, black cardboard box with a hand – painted pattern by Jonathan Monk on its cover, spray, colours, containing the Super 8 film and a DVD – transfer, as well as a certificate of authenticity signed by the artist, edition of 10, numbered from 1 to 10, dated, edition of the Centre d’édition contemporaine, Geneva, 2013.
CHF 3’500. –

Philippe Decrauzat,
One Second,
Notes On Replica

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Philippe Decrauzat, One second, Notes on Replica, CEC, 2013. Photo © David Gagnebin-de-Bons

Philippe Decrauzat, One second, Notes on Replica, 24 images from the 16mm film Notes on Replica by Philippe Decrauzat, reproduced 5 times each, carbon print on Hahnemühle 180 g/m2, paper, black/white, A4 size, edition of 120, numbered, signed and dated. Edition of the Centre d’édition contemporaine, Geneva, 2013.
Edition offered to the 2012 members of the Centre d’édition contemporaine association.
CHF 200.- one carbon print

Sylvie Fleury
Moon Eyes

Posted on by Raphaël Rodriguez

Sylvie Fleury, Moon Eyes, CEC, 2012. Photo © David Gagnebin-de-Bons

Sylvie Fleury, Moon Eyes, edition of a multiple, vintage rear-view mirror in metal, with an engraving on the mirror YES TO ALL, wrapped in a buckskin printed in silkscreen print, colours, EASY SPIRIT, and with a cardboard label stamped and used as the colophon, edition of 15, 5 A.P., 2 H.C., numbered and signed. Coedition of Eternal Tour and Centre d’édition contemporaine, Geneva, 2012.
CHF 5000.-

Oscar Tuazon
Working Drawing

Posted on by Raphaël Rodriguez

Oscar Tuazon, Working Drawing, artist’s book, reproduction of 210 drawings and a text by Oscar Tuazon, 19 × 23 cm, 256 pages, Xerox print, on Condat matt Périgord 115 g/m2, cover front and back in clear glass 2mm, covered in linen cloth, Texlibris GTI, colour: steel 564, square spine, sewn and glued, wrapped in a sheet of ribbed Pop’Set Perle sealed with a self-adhesive strip, edition of 130, numbered and signed on the colophon, of which the 20 first copies contain one or several original drawings starting from page 229, plus 20 A.P. signed and numbered from I to XX. Design: Pierre-François Letué, Paris. Printing: Tracts, Paris. Binding: Atelier Philippe Martial, Paris. Edition of the Centre d’édition contemporaine, Geneva, 2012. ISBN 978-2-9701174-3-8.
CHF 600.-
CHF 1’800.- with original drawings

Jeffrey Vallance
The Vallance Bible

Posted on by Raphaël Rodriguez

Jeffrey Vallance, The Vallance Bible, book, offset on « Gold East » mat 157 g/m2 paper, endpapers in black Woodfree 120 g/m2, case in greyboard 3 mm covered in Kivar 7 (Black 049-PS), with goldfoil stamping on front and spine, 32 pages, 16 × 21 cm, casebound, section sewn, endpapered, square backed, gold gilded edges, foil stamped bookmark, edition of 2000 bibles and 100 bibles bound in leather, of which 20 bibles specially customized by Jeffrey Vallance for the CEC with an original drawing and a relic signed and numbered. Co-edition of the Grand Central Press, Santa Ana, and the Centre d’édition contemporaine, Geneva, 2011. ISBN 978-0-9817987-7-6.
CHF 20. –
CHF 800. – with original drawings

Aaron Flint Jamison
BLOCK 2

Posted on by Raphaël Rodriguez

Aaron Flint Jamison, BLOCK 2, artist’s book, texts and images, colours, printed in offset and typography on different types of paper, 112 pages, 7 quires, format 12 × 21 cm, hardcover, bound in linen, square spine, glued and sewn, foil on the cover, colophon printed on a card inserted between the last page and the endsheet, edition of 250. Edition of the Centre d’édition contemporaine, Geneva, 2011.
Edition offered to the 2011 members of the Centre d’édition contemporaine association.
Sold out

Philippe Decrauzat
Trois films photographiés
– A Change of Speed,
a Change of Style,
a Change of Scene
– After Birds
– Screen O Scope

Posted on by Raphaël Rodriguez

Philippe Decrauzat, Trois films photographiés – A Change of Speed, a Change of Style, a Change of Scene – After Birds – Screen O Scope, artist’s book, 288 pages, 181 × 248 mm, offset on LuxoArt Samt extra white 135 g/m2 and on Mega silk semi-mat superwhite 350 g/m2 for the cover, 143 images black/white and 1 colour image, sewn. This book is an edition of 400. Each copy is composed of 18 quires, bound together following a random repartition system. Each book is unique and numbered with an adjustable rubber stamp. Photography: David Gagnebin-de Bons, Lausanne. Graphic design: Schönherwehrs, Geneva. Photolithography: Bombie, Geneva. Printed by: Imprimerie Genevoise, Geneva. Bookbinder: Schumacher, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2011. ISBN 978-2-9701174-2-1.
CHF 70.-

Gerard Byrne
For example; a sketch of “Five Elevations”, 1971-72

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Gerard Byrne, For example; a sketch of « Five Elevations », 1971-72, CEC, 2011. Photo © Sandra Pointet

Gerard Byrne, For example; a sketch of « Five Elevations », 1971-72, HD video, loop, colours, mute, media player (full HD), edition of 20 copies plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre d’édition contemporaine, Geneva, 2011.
CHF 6’000.-

Susanne M. Winterling
Dynamique de réflexion

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Susanne M. Winterling, Dynamique de réflexion, CEC, 2010. Photo © Olivier Pasqual

Susanne M. Winterling, Dynamique de réflexion, photomontage, C-print, 40 × 30 cm, 52 × 43 cm framed, edition of 3 plus 1 A.P. and 1 H.C., numbered, dated and signed on the back of the frame. Edition of the Centre d’édition contemporaine, Geneva, 2010.
CHF 3’000.- (with frame)

Pierre Bismuth
Something Less,
Something More – DIY

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Pierre Bismuth, Something Less, Something More – DIY, CEC, 2009. Photo © Annik Wetter

Pierre Bismuth, Something Less, Something More – DIY, triple groove corrugated cardboard plate with seven pre-cut discs, 37 × 50 cm, a metal stick and instructions for use, offset, black and one colour, front and back, French/English, 74 × 50 cm, on Keaykolour nature quartz mat 150 g/m2 paper, folded in two, all elements in a coloured plastic envelope (green, blue, yellow or clear) closed by a folded cardboard as colophon, digital print, one colour, 180 copies. Edition of the Centre d’édition contemporaine, Geneva, 2009.
Edition offered to the 2009 members of the Centre d’édition contemporaine association.
CHF 300.-

Angela Marzullo
Les Pisseuses

Posted on by Raphaël Rodriguez

Angela Marzullo, Les Pisseuses, three figurines, plaster, urine, 14 × 6.5 × 5 cm, inside a cardboard box, printed on its six sides in beetroot juice with a lace curtain pattern, flap lid on the top of the box, oval Plexiglas “window”, pink embossing on the back of the lid, edition of 10 plus 1 H.C. and 1 A.P., numbered, dated and signed. Edition of the Centre d’édition contemporaine, Geneva, 2009.
CHF 550. –

Jeffrey Vallance
500th Anniversary of the Birth of John Calvin (1509-2009)

Posted on by Raphaël Rodriguez

Jeffrey Vallance
500th Anniversary of the Birth of John Calvin (1509-2009), CEC, 2009. Photo © Sandra Pointet

Jeffrey Vallance, 500th Anniversary of the Birth of John Calvin (1509-2009), wooden stamp, small plate in brushed brass, 12 × 8.1 × 10 cm, edition of 5 plus 1 A.P. and 1 H.C., numbered and dated. Edition of the Centre d’édition contemporaine, Geneva, 2009.
CHF 800.-

Erik van Lieshout
The Assistant

Posted on by Raphaël Rodriguez

Erik van Lieshout, The Assistant, box, inkjet print on glossy paper and on photocopy paper, colour and black&white, 4 originals, 1 text/letter by Erik van Lieshout, 19 colour photocopies on glossy paper, A4, 2 black/white photocopies, A3 folded in two, 1 index folded in two and 1 colophon, cardboard box, 30.5 × 21 × 2.8 cm, design: Carla Ammerlaan, production: Suzanne Weenink, edition of 10 uniques plus 1 H.C., numbered, dated and signed on the top and inside the box lid. Co-edition of Erik van Lieshout and the Centre d’édition contemporaine, Geneva, 2009.
CHF 2’000.-

Erik van Lieshout
Animation book

Posted on by Raphaël Rodriguez

Erik van Lieshout, Animation book, “Animation sheets” book (August – November 2008, Cologne) for Sex is Sentimental (video, colour, sound, 21’, 2009), inkjet print, colours, 32 pages, original drawings and collages on the cover and the back, cardboard, 21 × 29.8 cm, edition of 20 unique, numbered, dated and signed, design: Carla Ammerlaan, production: Suzanne Weenink. Co-edition of Erik van Lieshout and the Centre d’édition contemporaine, Geneva, 2009.
CHF 600.-

Angela Marzullo
Les Pisseuses

Posted on by Raphaël Rodriguez

Angela Marzullo, Les Pisseuses, figurine, plaster, urine, 14 x 6.5 x 5 cm, edition of 120, numbered and dated, offered to the 2008 members of the association. Edition of the Centre d’édition contemporaine, Geneva, 2008.
Edition offered to the 2008 members of the Centre d’édition contemporaine association.
CHF 100. –

Olivier Bardin
You belong to me I belong to you

Posted on by Raphaël Rodriguez

Olivier Bardin, You Belong to me I belong to you, edition of 64 colour photographs, 22.3 × 30 cm, mounted between two acrylic slabs, transparent on the front and opal on the back, edition of 1 each, dated and signed. Co-edition of the centre d’édition contemporaine and gallery blancpain art contemporain, Geneva, 2008.
CHF 500.- per photography

Jérôme Leuba
battlefield#39

Posted on by Raphaël Rodriguez

Jérôme Leuba, battlefield#39, CEC, 2007. Photo © Sandra Pointet

Jérôme Leuba, battlefield#39,one side poster, offset, glossy laid paper 135 g/m2, colours, 70 × 50 cm, rolled and held by a strap of newspaper, b#39 noted on a golden sticker, edition of 300 of which 150 reserved for the 2007 members of the association, 150 reserved for sale, 15 A.P. and 5 H.C., numbered, dated and signed, printed by Rochat/Baumann Imprimerie Nationale, Geneva. Edition of the Centre d’édition contemporaine, 2007.
Edition offered to the 2007 members of the Centre d’édition contemporaine association.
CHF 70.-

François Curlet
PUB-UP

Posted on by Raphaël Rodriguez

François Curlet, PUB-UP, CEC, 2007. Photo © Sandra Pointet

François Curlet, PUB-UP, mini portfolio of five facsimile, offset, Idem Superior CF yellow 60 g/m2 paper, pique-note, edition of 120 including 20 numbered, dated and signed editions reserved for sale, 92 reserved for the 2006 members of the association, 6 A.P. and 2 H.C., numbered and dated on a label with turquoise-blue stamp, glued under the base of the pique-note. The five facsimile were printed by Josef Huber, Noir sur Noir Impression, Geneva. Edition of the Centre d’édition contemporaine, 2007.
Edition offered to the 2006 members of the Centre d’édition contemporaine association.
CHF 500.-

Anne-Julie Raccoursier
Remote Viewer 2 and 3

Posted on by Raphaël Rodriguez

Anne-Julie Raccoursier, Remote Viewer 2, 2007
Anne-Julie Raccoursier, Remote Viewer 2, CEC, 2007

Anne-Julie Raccoursier, Remote Viewer 2, colour photography, 121 × 200 cm, edition of 3 plus 1 A.P. and 1 H.C., numbered, dated and signed. Edited by the Centre d’édition contemporaine, Geneva, 2007.
Sold out

 

Anne-Julie Raccoursier, Remote Viewer 3, CEC, 2007

Anne-Julie Raccoursier, Remote Viewer 3, colour photography, 121 × 200 cm, edition of 3 plus 1 A.P. and 1 H.C., numbered, dated and signed. Edited by the Centre d’édition contemporaine, Geneva, 2007.
Sold out

Markus Schinwald
Les Boîtes

Posted on by Raphaël Rodriguez

Markus Schinwald, Les Boîtes, series of ten wooden boxes, 25 × 25 × 25 cm, the inside covered with a touched up image, Iris print, black/white, and lighted by a lamp; the outside of each box is covered with a different wallpaper and presents a peephole on its top; edition of 10 plus 2 H.C. and 2 A.P., dated, numbered and signed. Edition of the Centre d’édition contemporaine, 2007.
CHF 3’000. – each

Gianni Motti
CMS, Compact Muon Solenoid experiment,
Cern

Posted on by Raphaël Rodriguez

Gianni Motti, CMS, Compact Muon Solenoid experiment, Cern, ed. of the CEC, 2006. © Centre d’édition contemporaine, Geneva

Gianni Motti, CMS, Compact Muon Solenoid experiment, photography, 39.7 × 46.5 cm, edition of 15 mounted on aluminium plus 4 H.C. and 4 A.P. not mounted on aluminium, numbered, dated and signed. Edition of the Centre d’édition contemporaine, 2006.
CHF 2’000.-

Christophe Rey
Dragon bec verseur,
108 fragments à propos d’un voyage dans l’Est des Etats-Unis

Posted on by Raphaël Rodriguez

Christophe Rey, Dragon bec verseur, 108 fragments à propos d’un voyage dans l’Est des Etats-Unis, handmade typography print, 13 × 18 cm closed, 120 pages, edition of 350, stitched and glued. Co-edition of the Centre d’édition contemporaine and the API-TypoPharMaCie, Geneva, 2005. (ISBN-10 2-8399-0116-1 et ISBN-13 978-2-8399-0116-1)
CHF 30.-

Florian Pumhösl
Etudes abstraites

Posted on by Raphaël Rodriguez

 

 

Florian Pumhösl, Etudes abstraites, series of five heliogravures, black/white, on Zerkall Bütten 270 g/m2. paper, 50.5 × 60 cm, gathered in a portfolio covered with grey linen, embrossed on the top, 62 × 52 cm, edition of 10 (portfolios) in which each heliogravure is numbered from 1 to 10, plus 2 H.C. and 2 A.P., dated and signed, printed by Kurt Zein, Vienna, portfolio created by the binding workshop Johanna Koch GmbH, Vienna. Edition of the Centre d’édition contemporaine, Geneva, 2004.
CHF 4’600.- per portfolio
CHF 1’000.- per heliogravure (from portfolio no 5/10)
CHF 1’180.- per framed heliogravure (from portfolio no 6/10)

M/M (Paris)
Pour hoM/Me, Printemps-Eté 2004

Posted on by Raphaël Rodriguez

M/M (Paris) Pour hoM/Me, Printemps-Eté 2004, 6 posters, colour silkscreen prints, 120 × 176 cm, edition of 25. Co-edition of the Cneai, Chatou/Paris, and Centre d’édition Contemporaine, Geneva, 2004.
CHF 300.- per poster
CHF 1’600.- 6 posters

Mai-Thu Perret
5 Sculptures of Pure Self-Expression

Posted on by Raphaël Rodriguez

 

Mai-Thu Perret, 5 Sculptures Of Pure Self-Expression, edition of a series of five objects (the dead, the spider, the gallow and two cristals), red enamel ceramics, Ø approx 20 cm., edition of 160 from which 10 H.C., 10 A.P., 40 editions reserved for sale and 100 editions offered to the 2003 members of the Centre d’édition contemporaine, 2004. The 40 editions reserved for sale, the 10 H.C. and the 10 A.P. are split in 12 sets of the five different ceramics gathered in a cardboard box with red print on top, numbered, signed and dated. Edition of the Centre d’édition contemporaine, Geneva, 2004.
Edition offered to the 2003 members of the Centre d’édition contemporaine association.
Sold out

Katie Holten
Procumbent Notions

Posted on by Raphaël Rodriguez

Katie Holten, Procumbent Notions, brochure with a text by James Gleick, « The Butterfly Effect » from Chaos (1988), Xerox photocopies, 26 pages, 14.8 × 21 cm, photocopy, black/white, both-sided, blue cover, English, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
CHF 15.-

Céline Duval
Trois bons amis, à vous tous, pour vous mesdames!…

Posted on by Raphaël Rodriguez

Céline Duval, Trois bons amis, à vous tous, pour vous mesdames!…, CEC, 2003.
Céline Duval, Trois bons amis, à vous tous, pour vous mesdames!…, CEC, 2003.

Céline Duval, Trois bons amis, à vous tous, pour vous mesdames!…, brochure, Xerox photocopies, 20 pages including the 4 cover and back pages, 13.3 × 17.7 cm, photocopy, black/white, both-sided, French, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
Sold out

Mads Ranch Kornum
Dark Matter / Two Great “Works” by Mads Ranch Kornum

Posted on by Raphaël Rodriguez

Mads Ranch Kornum, Dark Matter / Two Great « Works » by Mads Ranch Kornum, CEC, 2003

Mads Ranch Kornum, Dark Matter / Two Great « Works » by Mads Ranch Kornum, brochure, Xerox photocopies, 16 pages including the 4 cover and back pages, 14.8 × 21 cm, photocopy, black/white, both-sided, English, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
CHF 15.-

Roman Ondák
Good Feelings in Good Times

Posted on by Raphaël Rodriguez

Roman Ondák, Good Feelings in Good Times, CEC, 2003

Roman Ondák, Good Feelings in Good Times, brochure, Xerox photocopies, 32 pages including the 4 cover pages, 14.8 × 21 cm, photocopy, black/white, both-sided, edition of 200. Edition of the Centre d’édition contemporaine, Geneva, and Jacob Fabricius, Pork Salad Press, Copenhagen, 2003.
Sold out

Jakob Kolding
Posters

Posted on by Raphaël Rodriguez

Jakob Kolding, Posters, artist’s publication, document file containing 18 folded prints: reproductions of posters, of photographs of in situ posters, several texts in English/French as well as an introduction by the artist, a selection of texts on three previous projects in Denmark, Geneva and Los Angeles, a text by Doreen Massey (geographer), English translations of texts on selected posters, 21 × 29.7 cm, offset print, black/white, on semi-mat laid paper 115 g/m2, document file on mat and laid paper Invercote G-Print 280 g/m2, 21.5 x 30.2 cm, edition of 700. Edition of the Centre d’édition contemporaine, Geneva, 2003. ISBN 978-2-9701174-1-4.
CHF 28.-

Karl Holmqvist
CECI N’EST QU’UNE ILLUSION

Posted on by Raphaël Rodriguez

Karl Holmqvist, CECI N’EST QU’UNE ILLUSION, CEC, 2002

Karl Holmqvist, CECI N’EST QU’UNE ILLUSION, silkscreen printed plastic bag, black/white, 34.5 × 46.5 cm, unlimited edition. Edition of the Centre d’édition contemporaine, Geneva, 2002.
Edition offered to the 2002 members of the Centre d’édition contemporaine association.
Free

Monica Bonvicini
ETERNMALE

Posted on by Raphaël Rodriguez

Monica Bonvicini, ETERNMALE, publication with 13 reproductions of collages from the series Drawings for Eternmale (2000) and an interview of Monica Bonvicini by Beatrix Ruf, offset print on white opaque Patinata paper 200 g/m2, colours, 14 pages bound together by a metal spiral, 50 × 60 cm (same size as Pirelli calendars), edition of 1000. Coedition of the Kunsthaus Glarus and the Centre d’édition contemporaine, Geneva, 2002.
CHF 150.-

Alexandre Bianchini
Sans titre

Posted on by Raphaël Rodriguez

Alexandre Bianchini, Sans titre, CEC, 2000

Alexandre Bianchini, Sans titre, silkscreen poster, colours, 176 × 120 cm, edition of 100, copyright Alexandre Bianchini and Centre genevois de gravure contemporaine. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
Edition offered to the 2000 members of the Centre genevois de gravure contemporaine association.
Sold out

Vidya Gastaldon
&
Jean-Michel Wicker
Chromolux Landscape

Posted on by Raphaël Rodriguez

Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, silkscreen prints, two colours (fluorescent pink or silver) and two patterns (landscape or crystals), 100 × 70 cm, on an unlimited series of Chromolux 250 g/m2 papers (Color or Perlmutt Iridescent or Metallic), edition of 174 plus 8 A.P. and 12 H.C., not signed, not numbered, not dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
CHF 250.- one print
CHF 450.- two prints

KLAT
EVIL TALK

Posted on by Véronique Bacchetta

KLAT, EVIL TALK, poster, silkscreen print, black/white phosphorescent on poster paper, 50 × 100 cm, edition of 300. Coedition of the Centre genevois de gravure contemporaine and Forde, espace d’art contemporain, Geneva, 2000.
Edition offered to the members of 1999 of the Centre genevois de gravure contemporaine association.
CHF 50.-

Elke Krystufek
In the Arms of Luck

Posted on by Véronique Bacchetta

 

Elke Krystufek, In the Arms of Luck, book, offset print, black/white, colours, on Centaure white 170 g/m2 paper, 29 × 21,5 cm, 56 pages, full cardboard binding, edition of 800. Coedition of the Centre genevois de gravure contemporaine, Geneva, and the Maison Levanneur / Centre National de l’Estampe et de l’Art Imprimé, Chatou, 1999. ISBN 2-912483-03-4.
CHF 40.–

Elke Krystufek
Economical Love

Posted on by Véronique Bacchetta

Elke Krystufek, <em>Economical Love</em>, 1998
Elke Krystufek, Economical Love, 1998

Elke Krystufek, Economical Love, poster, offset print, colours, 70 × 50 cm, edition of 160 dated and signed and approx. 60 not signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Edition offered to the members of 1998 of the Centre genevois de gravure contemporaine association.
CHF 30.– not signed
CHF 50.– dated and signed

Alex Baladi

Posted on by Véronique Bacchetta

Alex Baladi
Alex Baladi

Alex Baladi, Tous mutants, publication, comics, Xerox copies, edition of 100, 21 × 15 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
 
Alex Baladi, De toutes petites choses un petit peu personnelles, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Sold out
 
Alex Baladi, Pourquoi, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
CHF 1.–
 
Alex Baladi, Chicas, publication, comics, Xerox copies, edition of 100, 15 × 10 cm. Edition of the Centre genevois de gravure contemporaine, Geneva, 1998.
Sold out

Jérôme Hentsch and Alain Julliard

Posted on by Véronique Bacchetta

Jérôme Hentsch and Alain Julliard, Fond de commerce
Jérôme Hentsch and Alain Julliard, Un bateau en papier, 1996

Jérôme Hentsch and Alain Julliard, Un bateau en papier, offset print on Zerkall-Bütten Ingres champagne vergé 90 g/m2 paper, 29.7 × 21 cm, in a cardboard jacket Invercote GX white 340 g/m2, 29.8 × 21.1 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–
 

Alain Julliard et Jérôme Hentsch, <em>Fond de commerce</em>, 1996
Alain Julliard et Jérôme Hentsch, Fond de commerce, 1996

Alain Julliard and Jérôme Hentsch, Fond de commerce, silkscreen print on acetate, 45.5 × 21 cm, in a cardboard jacket Invercote GX blanc 340 g/m2, 46.5 × 42.4 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 80.–

Fabrice Gygi,
Sans titre

Posted on by Véronique Bacchetta

Fabrice Gygi, <em>Sans titre</em>, 1996
Fabrice Gygi, Sans titre, 1996

Fabrice Gygi, Sans titre, silkscreen poster, colours, 100 × 68 cm, edition of 150, numbered from 1 to 150, plus 8 A.P., dated, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Edition offered to the members of 1996 of the Centre genevois de gravure contemporaine association.
Sold out

Nicolás Fernández

Posted on by Véronique Bacchetta

Nicolás Fernández, view of the exhibition at Centre genevois de gravure contemporaine, Genève, 1996.
Nicolás Fernández, view of the exhibition, Geneva, 1996.

Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 800.-
 
Nicolás Fernández, Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 600.-
Nicolás Fernández, Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-
 
Nicolás Fernández, Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
CHF 400.-