For sale – Page 2 – Centre d’édition contemporaine Geneva

(INDEX)

Fabrice Gygi,
Sans titre

Posted on 10 November 19965 October 2022 by Véronique Bacchetta

Fabrice Gygi, <em>Sans titre</em>, 1996 — Fabrice Gygi, Sans titre, 1996

Fabrice Gygi, Sans titre, silkscreen poster, colours, 100 × 68 cm, edition of 150, numbered from 1 to 150, plus 8 A.P., dated, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

Edition offered to the members of 1996 of the Centre genevois de gravure contemporaine association.

Sold out

Heimo Zobernig
Sans titre

Posted on 4 October 19965 October 2022 by Véronique Bacchetta

Heimo Zobernig, Sans titre, 1996 — Heimo Zobernig, Sans titre, 1996

Heimo Zobernig, Sans titre, 15 lithographs, black, on BFK Rives 300 g/m² paper, 80 × 65 cm, edition of 4 plus 1 A.P. and 1 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 5’000.– each

Nicolás Fernández

Posted on 11 September 19965 October 2022 by Véronique Bacchetta

Nicolás Fernández, view of the exhibition at Centre genevois de gravure contemporaine, Genève, 1996. — Nicolás Fernández, view of the exhibition, Geneva, 1996.

Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 800.-

Nicolás Fernández, Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 800.-

Nicolás Fernández, Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 800.-

Nicolás Fernández, Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 800.-

Nicolás Fernández, Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 600.-

Nicolás Fernández, Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 400.-

Nicolás Fernández, Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 400.-

Kristin Oppenheim
Slip

Posted on 4 June 19965 October 2022 by Véronique Bacchetta

Kristin Oppenheim, <em>Slip</em>, 1996 — Kristin Oppenheim, Slip, 1996

Kristin Oppenheim, Slip, six lithographs, black/white, on BFK Rives 300 g/m² paper, 80 × 60 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.

CHF 650.– each

Olivier Mosset
Sans titre

Posted on 10 December 19955 October 2022 by Véronique Bacchetta

Olivier Mosset, <em>Sans titre</em>, 1995 — Olivier Mosset, Sans titre, 1995

Olivier Mosset, Sans titre, burin engraving, black/white, 35 × 35 cm, 150 H.C., signed and numbered from 1 to 150, and 5 H.C. signed and numbered from I to V, 1995. Edition of the Centre genevois de gravure contemporaine, Geneva, 1995.

Edition offered to the members of 1995 of the Centre genevois de gravure contemporaine association.

Thomas Hirschhorn
Les plaintifs, les bêtes, les politique

Posted on 19 January 19959 December 2022 by Zsuzsanna Szabo

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet — Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet — Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet — Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet — Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet — Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017. © Sandra Pointet

Thomas Hirschhorn, Les plaintifs, les bêtes, les politiques, offset printed brochure, CMYK color model, glossy coated paper, 80 g/m², 231 × 24 cm, 208 pages. Original edition by Centre genevois de gravure contemporaine/Centre d’édition contemporaine (CEC), Geneva, 1995 and edition of the facsimile, ed. Galerie Chantal Crousel, Paris, 2017.

Sold out (Original edition by the Centre genevois de gravure contemporaine, Geneva, 1995)

CHF 55.- (facsimile edited by the Galerie Chantal Crousel, Paris, 2017)

Olivier Mosset
Sans titre

Posted on 28 November 199412 June 2015 by Véronique Bacchetta

Olivier Mosset, Sans titre, 1994 — Olivier Mosset, Sans titre, 1994

Olivier Mosset, Sans titre, 1994 — Olivier Mosset, Sans titre, 1994

Olivier Mosset, Sans titre, 1994 — Olivier Mosset, Sans titre, 1994

Olivier Mosset, Sans titre, 1994 — Olivier Mosset, Sans titre, 1994

Olivier Mosset, Sans titre, 25 unique etchings, aquatint, monochromes, black, white, colours, Ø approx. 30 cm, plus 5 H.C., framed, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.

CHF 4’000.– each

Alexandre Bianchini
–
Huber Mean
Version # 1

Posted on 28 October 19945 October 2022 by Véronique Bacchetta

Alexandre Bianchini – Huber Mean, <em>Version # 1</em>, 1994 — Alexandre Bianchini – Huber Mean, Version # 1, 1994

Alexandre Bianchini – Huber Mean, Vinyl, Version # 1, 12’’ maxi record, A and B side, sound mixing of a text and of various styles of music (jazz and acid jazz), edition of 300. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.

Edition offered to the members of 1994 of the Centre genevois de gravure contemporaine association.

CHF 15.–

Alex Hanimann
235.604 – 1789

Posted on 4 January 19945 October 2022 by Véronique Bacchetta

Alex Hanimann, <em>235.604 - 1789</em>, 1994 — Alex Hanimann, 235.604 – 1789, 1994

Alex Hanimann, 235.604 – 1789, 112 lino engravings on ivory satin cardboard 240 g/m², black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.

CHF 800.–

Simon Lamunière, Sans titre

Posted on 28 November 19935 October 2022 by Véronique Bacchetta

Simon Lamunière, <em>Sans titre</em>, 1993 — Simon Lamunière, Sans titre, 1993

Simon Lamunière, Sans titre, silkscreen print, black/white, colours, on Arches 88 300 g/m² paper, 23 × 47 cm, edition of 130 plus 5 A.P. and 5 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

Edition offered to the members of 1993 of the Centre genevois de gravure contemporaine association.

CHF 50.–

Ian Anüll
O.T.

Posted on 11 October 19932 April 2015 by Véronique Bacchetta

Ian Anüll, O.T. — Ian Anüll, O.T., 1993

Ian Anüll, O.T. — Ian Anüll, O.T., 1993

Ian Anüll, O.T. — Ian Anüll, O.T., 1993

Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 1’000.–

Ian Anüll, O.T., silkscreen print on canvas, black/white, 130 × 89 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 1’000.–

Ian Anüll, O.T., radiance of a real and of an artificial pearl, two silkscreen prints on marble, black/white, 13 × 13 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

Sold out

Ian Anüll, O.T., silkscreen print on aluminium, black/white, 30 × 49 cm, edition of 6 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 500.–

Ian Anüll, O.T., silkscreen print on plywood panel, black/white, 130 × 82 cm, edition of 8 plus 1 A.P. and 1 H.C., numbered and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 1’000.–

Sigurdur Arni Sigurdsson
Réserve

Posted on 20 April 19935 October 2022 by Raphaël Rodriguez

Sigurdur Arni Sigurdsson, <em>Réserve</em>, 1993 — Sigurdur Arni Sigurdsson, Réserve, 1993

Sigurdur Arni Sigurdsson, Réserve, artist’s book, 6 double pages, etching on BFK Rives and japanese style paper, 22 × 17 cm, edition of 60 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 500.–

Sigurdur Arni Sigurdsson
Corrections

Posted on 20 March 19935 October 2022 by Raphaël Rodriguez

Sigurdur Arni Sigurdsson, <em>Corrections</em>, 1993 — Sigurdur Arni Sigurdsson, Corrections, 1993

Sigurdur Arni Sigurdsson, Corrections, series of 6 collotypes, black/white, on collotype paper, 30 × 30 cm, edition of 60 plus 2 A.P. and 4 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 300.–

Claude Gaçon
Sans cible

Posted on 11 February 19935 October 2022 by Véronique Bacchetta

Claude Gaçon, <em>Sans cible</em>, 1993 — Claude Gaçon, Sans cible, 1993

Claude Gaçon, Sans cible, series of 6 engravings, etching and offset, black/white, on Vélin BFK Rives 280 g/m², 50 × 50 cm, edition of 8 plus 2 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1993.

CHF 800.-

Stephan Landry
Esquive

Posted on 20 March 19925 October 2022 by Raphaël Rodriguez

Stephan Landry, <em>Esquive</em>, 1992 — Stephan Landry, Esquive, 1992

Stephan Landry, Esquive, artist’s book made up of 14 colour lithographs on Vélin BFK Rives 250 g/m2 paper, 14.5 × 24 cm, edition of 50 plus 3 A.P. and 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1992.

CHF 100.–

Laurence Pittet
Sans titre

Posted on 20 March 19915 October 2022 by Raphaël Rodriguez

Laurence Pittet, <em>Sans titre</em>, 1991 — Laurence Pittet, Sans titre, 1991

Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 black, 1 red, 1 blue), on Arches paper, 50 × 65 cm, edition of 9 for each colour plus 1 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.

CHF 200.– per lithograph

Laurence Pittet, Sans titre, series of 3 lithographs, colour (1 red, 1 blue, 1 yellow), on newspaper, 64.5 × 94 cm, edition of 9 for each colour plus 3 H.C., numbered, signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.

CHF 200.– per lithograph

Laurence Pittet, Sans titre, colour lithography on Arches paper, 38 × 46.5 cm, edition of 20 plus 1 H.C., signed and numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.

CHF 100.– per lithograph

Marie Sacconi
Madame B. a ri

Posted on 20 February 199120 February 2015 by Raphaël Rodriguez

Marie Sacconi, <em>Madame B.a ri</em>, 1991 — Marie Sacconi, Madame B.a ri, 1991

Marie Sacconi, Madame B. a ri, artist’s book, offset, 96 pages, on Bible paper 40 g/m2, 15.2 × 11.4 cm, edition of 150 plus 20 H.C., numbered, signed and dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.

CHF 60.–

Marie Sacconi
Sans titre

Posted on 20 January 199120 February 2015 by Raphaël Rodriguez

Marie Sacconi, Sans titre, 3 embossed patterns on Arches and Rives paper, 180 × 110 cm, edition of 3 for each pattern plus 1 H.C., numbered, signed and dated on the back. Edition of the Centre genevois de gravure contemporaine, Geneva, 1991.

CHF 900.– each

Andreas Hofer
Sans titre

Posted on 20 March 19905 June 2015 by Raphaël Rodriguez

Andreas Hofer, Sans titre, 1990 — Andreas Hofer, Sans titre, 1990

Andreas Hofer, Sans titre, 1990 — Andreas Hofer, Sans titre, 1990

Andreas Hofer, Sans titre, box containing 6 perforated discs, covered with enamel front and back, on aluminium, colour and black/white, with an impressum on cardboard in a tracing paper envelope. With two colour photographs of the installation. 52.5 × 52.5 cm, edition of 20, numbered and marked with a dry stamp « H » at the bottom of the box. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.

CHF 1’800.–

Anne Pesce
Pêcheur, c’est lui qui devient un poisson

Posted on 20 February 19905 October 2022 by Raphaël Rodriguez

Anne Pesce, <em>Pêcheur, c'est lui qui devient un poisson</em>, 1990 — Anne Pesce, Pêcheur, c’est lui qui devient un poisson, 1990

Anne Pesce, Pêcheur, c’est lui qui devient un poisson, artist’s book with a text by the artist, offset on laid paper Conqueror 100 g/m2 and 220 g/m2, 21 × 19 cm, edition of 150 plus 20 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1990.

CHF 50.–

Emmett Williams
La dernière pomme frite et autres poèmes des fifties et sixties

Posted on 4 December 19895 October 2022 by Véronique Bacchetta

Emmett Williams, <em>La dernière pomme frite et autres poèmes des fifties et sixties</em>, 1989 — Emmett Williams, La dernière pomme frite et autres poèmes des fifties et sixties, 1989

Emmett Williams, La dernière pomme frite et autres poèmes des fifties et sixties, 112 lino engravings on ivory satin cardboard 240 g/m², black and red, presented in a black box, 32.5 × 24 cm, edition of 20 plus 2 A.P. and 2 H.C., numbered, dated and signed. Edition of the Centre genevois de gravure contemporaine, Geneva, 1989.

CHF 800.–

Henri Michaux

Posted on 9 April 19895 October 2022 by Raphaël Rodriguez

<em>Henri Michaux</em>, 1989 — Henri Michaux, 1989

Henri Michaux, catalogue with texts by : Anne Patry and Paul Viaccoz, Jean Starobinski, Alfred Pacquement, Alain Jouffroy, René Micha, Raymond Bellour, 1989. 32 x 24 cm, 18 illustrations, black&white and colour, 52 pages

CHF 32.-

Christian Lindow

Posted on 10 October 198710 March 2021 by Véronique Bacchetta

Christian Lindow, NATURE MORTE AVEC POISSON I, 1987 — Christian Lindow, NATURE MORTE AVEC POISSON I, 1987

Christian Lindow, BAIGNEUSE IV, 1987 — Christian Lindow, BAIGNEUSE IV, 1987

Christian Lindow, PUTTI, 1987 — Christian Lindow, PUTTI, 1987

Christian Lindow, NATURE MORTE AVEC POISSON I, edition of the Centre genevois de gravure contemporaine, 1987.

CHF 500.-

Christian Lindow, BAIGNEUSE IV, edition of the Centre genevois de gravure contemporaine, 1987.

CHF 500.-

Christian Lindow, PUTTI, Edition of the Centre genevois de gravure contemporaine, 1987.

Sold out

Cinq pièces avec vue

Posted on 9 April 19874 November 2022 by Raphaël Rodriguez

Cinq pièces avec vue, 1987 — «Cinq pièces avec vue», 1987

Cinq pièces avec vue, Gerd Belz, Silvie and Chérif Defraoui, Gary Hill, Jacques-Louis Nyst and Marcel Odenbach. Texts by : Véronique Bacchetta, Bel Veder, Heike Melba-Fendel, Denys Zacharopoulos, Raymond Bellour, Eric de Moffarts, Anne-Marie Duguet. Edited in collaboration with Saint-Gervais for the second « Semaine Internationale de Vidéo », 1987. 28 x 21 cm, 15 illustrations, black&white, 32 pages

CHF 20.-

Ian Anüll
Pile-Face

Posted on 11 December 19865 October 2022 by Véronique Bacchetta

Ian Anüll, <em>Pile-Face</em> — Ian Anüll, Pile-Face, 1986

Ian Anüll, Pile-Face, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’800.-

Marc Camille Chaimowicz

Posted on 4 December 198628 September 2022 by Véronique Bacchetta

Marc Camille Chaimowicz, Les soeurs folles, diptych (1/2), 1986. © Sandra Pointet — Marc Camille Chaimowicz, Les soeurs folles, diptych (1/2), 1986. © Sandra Pointet

Marc Camille Chaimowicz, Les soeurs folles, diptych (2/2), 1986. © Sandra Pointet — Marc Camille Chaimowicz, Les soeurs folles, diptych (2/2), 1986. © Sandra Pointet

Marc Camille Chaimowicz, Pour Balthazar, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Pour Balthazar, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide I, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide I, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide II, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide II, 1986. © Sandra Pointet

Marc Camille Chaimowicz, La première des deux sœurs, 1986. © Sandra Pointet — Marc Camille Chaimowicz, La première des deux sœurs, 1986. © Sandra Pointet

Marc Camille Chaimowicz, La deuxième des deux sœurs, 1986. © Sandra Pointet — Marc Camille Chaimowicz, La deuxième des deux sœurs, 1986. © Sandra Pointet

Marc Camille Chaimowicz, La première aquatinte, 1986. © Sandra Pointet — Marc Camille Chaimowicz, La première aquatinte, 1986. © Sandra Pointet

Marc Camille Chaimowicz, La grande fenêtre, 1986. © Sandra Pointet — Marc Camille Chaimowicz, La grande fenêtre, 1986. © Sandra Pointet

Marc Camille Chaimowicz, La fin de l’été, 1986. © Sandra Pointet — Marc Camille Chaimowicz, La fin de l’été, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Les enfants prodigues I, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Les enfants prodigues I, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Les enfants prodigues II, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Les enfants prodigues II, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Cuivre-Zinc, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Cuivre-Zinc, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Après, 1986. © Sandra Pointet — Marc Camille Chaimowicz, Après, 1986. © Sandra Pointet

Marc Camille Chaimowicz, A Search, 1986. © Sandra Pointet — Marc Camille Chaimowicz, A Search, 1986. © Sandra Pointet

Marc Camille Chaimowicz, Haunted, 1986 — Marc Camille Chaimowicz, Haunted, 1986

Marc Camille Chaimowicz, Perhaps, 1986 — Marc Camille Chaimowicz, Perhaps, 1986

Marc Camille Chaimowicz, regrets, 1986 — Marc Camille Chaimowicz, regrets, 1986

Marc Camille Chaimowicz, Sometimes, 1986 — Marc Camille Chaimowicz, Sometimes, 1986

Marc Camille Chaimowicz, Haunted Sometimes * Regrets * Perhaps*, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

Sold out

Marc Camille Chaimowicz, Les soeurs folles, edition du Centre genevois de gravure contemporaine, Genève, 1986.

CHF. 3’000.- the two prints

Marc Camille Chaimowicz, La grande fenêtre, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’200.– per print

Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide I, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’500.– per print

Marc Camille Chaimowicz, Les jardins botaniques d’Adelaide II, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’500.– per print

Marc Camille Chaimowicz, Les enfants prodigues I, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 900.– per print

Marc Camille Chaimowicz, Les enfants prodigues II, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 900.– per print

Marc Camille Chaimowicz, Après, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 900.– per print

Marc Camille Chaimowicz, Cuivre-Zinc, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’200.– per print

Marc Camille Chaimowicz, La première des deux sœurs, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’000.– per print

Marc Camille Chaimowicz, La deuxième des deux sœurs, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 1’000.– per print

Marc Camille Chaimowicz, Pour Balthazar, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 800.– per print

Marc Camille Chaimowicz, A Search, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 800.– per print

Marc Camille Chaimowicz, La première aquatinte, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 800.– per print

Marc Camille Chaimowicz, La fin de l’été, edition of the Centre genevois de gravure contemporaine, Geneva, 1986.

CHF 500.– per print