Jean-Michel Wicker
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group shows |
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art and book fairs |
Artist's editions
2017
Jean-Michel Wicker
#picturebook1
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017. © Sandra Pointet
Jean-Michel Wicker, #picturebook1, artist’s book, offset, 27 × 28.5 cm, 396 pages, including 360 pages in colour and 36 pages in black on LuxoArt Silk 150 g/m2 paper, glossy colour cover, LuxoArt Silk 350 g/m2, 10 inserts, colours, 26.5 × 28 cm, LuxoArt Silk 130 g/m2, publication of an arbre de vie produced by Jean-Michel Wicker in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker (French), English, an edition of 500. Graphic design: Maximage Société Suisse, London. Printing: DZA Druckerei zu Altenburg, Altenburg. Edition of the Centre d’édition contemporaine, Geneva, June 2017.
ISBN 978-2-9701174-0-7.
CHF 70.-
2016
Jean-Michel Wicker
Belle étiquette
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
Jean-Michel Wicker, Belle étiquette, woven flyer taking the form of a mini carpet functioning as an advertisement object, polyester, black and white, high definition weaving, heat cut with fray out edges, 92 × 140 mm, edition of 1000, unsigned, weaving Bornemann-Etiketten GmbH, Wuppertal. Edition of the Centre d’édition contemporaine, Geneva, 2016.
This edition is accompanied by a publication bearing the same title, Belle étiquette, publication, 16 pages, black/white, colours, offset on Magno Satin 130 g/m2 paper, 26,8 × 20,5 cm, 250 copies. Graphic design : Marietta Eugster and Jean-Michel Wicker. Edition of the Centre d’édition contemporaine, Geneva, 2016.
Edition offered to the 2016 members of the Centre d’édition contemporaine association.
CHF 40.-
2000
Vidya Gastaldon
&
Jean-Michel Wicker
Chromolux Landscape
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
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Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, 2000
Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape, silkscreen prints, two colours (fluorescent pink or silver) and two patterns (landscape or crystals), 100 × 70 cm, on an unlimited series of Chromolux 250 g/m2 papers (Color or Perlmutt Iridescent or Metallic), edition of 174 plus 8 A.P. and 12 H.C., not signed, not numbered, not dated. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
CHF 250.- one print
CHF 450.- two prints
Solo shows
2017
Presentation of the edition
Jean-Michel Wicker
#picturebook1
Thursday, June 1, 2017
From 6 PM Presentation of Jean-Michel Wicker’s edition, #picturebook1, artist’s book, offset, 27 × 28.5 cm, 396 pages, including 360 pages in colour and 36 pages in black on LuxoArt Silk 150 g/m2 paper, glossy colour cover, LuxoArt Silk 350 g/m2, 10 inserts, colours, 26.5 × 28 cm, LuxoArt Silk 130 g/m2, publication of an arbre de vie produced by Jean-Michel Wicker in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker (French), English, an edition of 500. Graphic design: Maximage Société Suisse, London. Printing: DZA Druckerei zu Altenburg, Altenburg. Edition of the Centre d’édition contemporaine, Geneva, June 2017.
2017
Jean-Michel Wicker
BBiblioteca ffanafffantastica
Opening Thursday March 23, 2017 from 6 PM till 9 PM
Exhibition from March 24 to May 6, 2017
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
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Jean-Michel Wicker, view of the exhibition BBiblioteca ffanafffantastica, CEC, 2017. © Sandra Pointet
Jean-Michel Wicker’s exhibition BBiblioteca ffanafffantastica brings together several works involving the medium of print for which the artist has worked out a number of iterations, including fanzines, scrapbooks, antibooks, book-objects, and flyers. The display will also feature supports, both literal and figurative, that have something to do with books, and other elements that extend the gesture of consultation, reading and writing, even the function of storage. This includes bookcases, display stands, showcases, tables and chairs. Other objects or useful ordinary materials like electric wires, clothing, key rings, neon lights, lamps and tarps will be transformed, cobbled together, and combined with a wide range of supports in their usual and unsurprising form or reappropriated and put to other uses. Those supports include paper, cardboard, plastic, papier-mâché, and shells. (more…)
2001
Vidya Gastaldon & Jean-Michel Wicker
From February 15 until April 21, 2001

Vidya Gastaldon & Jean-Michel Wicker, Chromolux Landscape
Vidya Gastaldon (born in 1974 in Besançon, lives and works in Geneva)
Jean-Michel Wicker (born in 1970 in Mulhouse, lives and works in London)
Exhibition of a new piece and presentation of the edition Chromolux Landscape, 2000, silkscreen prints
Solo shows
2019
Open accrochage, editions
of
Timothée Calame, Keren Cytter, Dorothy Iannone, Matthew Lutz-Kinoy, Fabian Marti, Jonathan Monk, Susan Te Kahurangi King, Jean-Michel Wicker
The CEC participates in Week-end GENEVE.ART, Saturday and Sunday, November 16 and 17, 2019, 11 AM – 6 PM
Exhibition from November 16, 2019 till December 20, 2019
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Matthew Lutz-Kinoy, Scrolls in the Wind…, edition of the CEC, 2018. © Sandra Pointet
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Timothée Calame, editions of the CEC, 2019. © Sandra Pointet
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Timothée Calame, editions of the CEC, 2019. © Sandra Pointet
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Jean-Michel Wicker, #picturebook1, edition of the CEC, 2017
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Jonathan Monk, Directional Advice, edition of the CEC, 2017. © Sandra Pointet
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Keren Cytter, The Furious Hamster, coedition Pork Salad Press and CEC, 2018. © Sandra Pointet
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Keren Cytter, The Brutal Turtle, coedition Pork Salad Press and CEC, 2018. © Sandra Pointet
New edition
Harry Burke
A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson
Before publication 1
Brochure published in the Before publication collection, which will gather the pre-publications – unique notebooks of 4 to 24 pages, 17.2 x 23.5 cm, offset, black/white, stapled binding, 250 copies – of authors’ texts and artists’ inserts, which will appear regularly and in preview of their final edition in L’Effet papillon II (second volume of L’Effet papillon, 1989-2007, the catalog of the Centre d’édition contemporaine published in 2008).
Graphic design: Niels Wehrspann, Lausanne
Edition of the Centre d’édition contemporaine, Geneva, December 2019
OTHER RECENT EDITION
Susan Te Kahurangi King
Selected Works 1965–1980
Offset, colours, 20 pages, 16,5 x 23,6 cm. Coedition innen, Zurich and Centre d’édition contemporaine, Geneva, 2019.
Edition offered to the members of the Centre d’édition contemporaine association for the year 2019.
Selected Works 1965–1980 from Susan Te Kahurangi King is part of a series of three publications coedited with innen, Zurich of which Eros Paintings by Dorothy Iannone published in Spring 2019 and New York & Beyond 2017–2019 by Liz Craft (forthcoming).
2019
Spring Sale Time
From February 19 till May 4, 2019
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View of the exhibition Spring Sale Time, CEC, 2018. © Sandra Pointet
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View of the exhibition Spring Sale Time, CEC, 2018. © Sandra Pointet
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View of the exhibition Spring Sale Time, CEC, 2018. © Sandra Pointet
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View of the exhibition Spring Sale Time, CEC, 2018. © Sandra Pointet
Gerard Byrne, Valentin Carron, Marc Camille Chaimowicz, Keren Cytter, Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Matthew Lutz-Kinoy, Erik van Lieshout, Christian Lindow, David Maljkovic et Konstantin Grcic, Victor Man, Mélanie Matranga, Jonathan Monk, Olivier Mosset, Gianni Motti, Florian Pumhösl, Markus Schinwald, Oscar Tuazon, Jean-Michel Wicker, Heimo Zobernig
Cut-price
%
Thursday March 14, 2019, 6-9 PM (Quartier des Bains common openings)
and
Saturday May 4 2019, 12-5 PM
2017
Edited by the CEC!
Focus: Mélanie Matranga
Edited by the CEC!
Exhibition October 13 – November 25, 2017
Opening October 12, 2017 from 2:30 PM
Editions by Valentin Carron, Marc Camille Chaimowicz, François Curlet, Philippe Decrauzat, Jason Dodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Mélanie Matranga, Giuseppe Penone, Oscar Tuazon, Oriol Vilanova, Jean-Michel Wicker, Susanne M. Winterling, Heimo Zobernig
Focus: Mélanie Matranga
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View of the exhibition Edited by the CEC! Focus: Mélanie Matranga, CEC, 2017
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View of the exhibition Edited by the CEC! Focus: Mélanie Matranga, CEC, 2017
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View of the exhibition Edited by the CEC! Focus: Mélanie Matranga, CEC, 2017
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Mélanie Matranga’s artistic approach is crossed by stories that infiltrate a production of objects, installations, films, and even pieces of furniture and reconstructions of interiors that are loaded with signifying signs, texts and images: drawings, photographs, prints, projections. These combined elements propose “situations” that interrogate intimacy and seem to be filled with sensations and residual feelings, receptacles where real life experience and imagination, the document and the scenario meet. (more…)
2017
Presentation of the edition
Jean-Michel Wicker
Belle étiquette
Thursday January 19 2017
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
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Giulia Essyad, Salamander Said, ceramics, 2016. With Sabrina Röthlisberger, En Attendant Antarah, guerrier poète, 2015 © Sandra Pointet
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David Knuckey, Crest, 2016. John M Armleder, Sans titre, 1992. Rosemarie Trockel, Sans titre, 1996.
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David Hominal, Through the Windows, 2013. David Knuckey, Crest, 2016. Andreas Dobler, Under Fire, 2007.
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Jean-Michel Wicker, Belle étiquette, edition of the CEC, 2016. © Sandra Pointet
From 6 PM Presentation of Jean-Michel Wicker’s edition, Belle étiquette, woven flyer taking the form of a mini carpet functioning as an advertisement object, polyester, black and white, high definition weaving, heat cut with fray out edges, 92 × 140 mm, edition of 1000, unsigned, weaving Bornemann-Etiketten GmbH, Wuppertal. Edition of the Centre d’édition contemporaine, Geneva, 2016.
This edition is accompanied by a publication bearing the same title, Belle étiquette, publication, 16 pages, black/white, colours, offset on Magno Satin 130 g/m2 paper, 26,8 × 20,5 cm, 250 copies. Graphic design : Marietta Eugster and Jean-Michel Wicker. Edition of the Centre d’édition contemporaine, Geneva, 2016.
Edition offered to the 2016 members of the Centre d’édition contemporaine association.
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Mathis Gasser
In the Museum 1 2 (3), Regulators 1 2 n, artist’s book, 448 pages in black and 128 pages in colour, 17 × 22,8 × 3,5 cm, offset, on Arctic Volume White 1.12 paper 100 g/m2, cover in Arctic Volume White 1.2 paper 300 g/m2, 300 copies. Graphic design: Niels Wehrspann, Lausanne with Mathis Gasser. Print : La Buona Stampa, Lugano. Binding: Schumacher AG, Schmitten. Edition of the Centre d’édition contemporaine, Geneva, 2016.
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Artists’ Voices
Triple LP with sound pieces by Rita Ackermann, Gerard Byrne, Valentin Carron, Claire Fontaine, Jason Dodge, Giulia Essyad, Sylvie Fleury, Gilles Furtwängler, Mathis Gasser, Marcus Geiger / Heimo Zobernig, Vivienne Griffin & Kaspars Groshevs, Thomas Hirschhorn, Tobias Kaspar and Jan Vorisek, Anne Le Troter, Beat Lippert, Tobias Madison, Fabian Marti, Jonathan Monk, Damián Navarro, James Richards, Emanuel Rossetti, Ryan Conrad Sawyer, Ramaya Tegegne and Ricardo Valentim, 3 picture discs in a two-piece box, 310 × 310 × 15/15 mm, 350 copies. Sound engineer: Ladislav Agabekov, Caduceus Mastering, Geneva. Graphic design: Niels Wehrspann, Lausanne. Edition du Centre d’édition contemporaine, 2016.
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John M Armleder, Valentin Carron, Marc Camille Chaimovicz, Claude Closky, Andreas Dobler, David Hominal, Rosemarie Trockel and Heimo Zobernig (editions CEC), Giulia Essyad (ceramic) and Sabrina Röthlisberger (bench and book), Solar Lice (double LP, Power Station, Dallas, 2013) and David Knuckey (sculptures)
Until March 11, 2017
2016
Artists’ Voices
Prolongation
Sound exhibition from December 11, 2015 till March 26, 2016
Opening Thursday December 10, 2015, 6 PM – 9 PM
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, CEC, 2015. Photo © Sandra Pointet
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Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, CEC, 2015. Photo © Sandra Pointet
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Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. (more…)
2015
Artists’ Voices
Sound exhibition from December 11, 2015 till March 26, 2016
Opening Thursday December 10, 2015, 6 PM – 9 PM
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. (more…)
2014
WINTER SALE
AND
ALPHABET EDITIONS
WINTER SALE Tuesday December 16, 2014, 6 PM – 9 PM Saturday December 20, 2014, 12 PM – 5 PM
ALPHABET EDITIONS Exhibition of CEC’s editions (1989—2014) December 12, 2014 — February 28, 2015
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
ALPHABET EDITIONS is an alphabetical display of the CEC’s editions (1989-2014), a possibility to see again everything or to purchase a book, a print or a multiple during this “winter sale”. WINTER SALE is neither a sale nor an auction or a sale, but simply the presentation of the still available editions, a new display, a Christmas market and above all a support for the CEC. (more…)
2012
Posters
November 13th,2012 – February 1st, 2013

Jakob Kolding, Sans titre
Alexandre Bianchini, Gerard Byrne, Jeremy Deller & Karl Holmqvist, Andreas Dobler, Vidya Gastaldon & Jean-Michel Wicker, Fabrice Gygi, Klat, Jakob Kolding, Elke Krystufek, Claude Lévêque, Fabian Marti, M/M
2001
Affiches/Livres
From November 20, 2001 until January 12, 2002

View of the exhibition Affiches/Livres
Posters: Jakob Kolding, Alexandre Bianchini, Vidya Gastaldon & Jean-Michel Wicker, KLAT, Elke Krystufek, Fabrice Gygi, Claude Lévêque
Books: Elke Krystufek, Alex Baladi, Thomas Hirschhorn, Claude Closky, Sigurdur Arni Sigurdsson, Stephan Landry, Marie Sacconi, Anne Pesce, Emmett Williams
1998
One Step Backwards: Books,
prints, videos, 1998
LISTE 98, The Young Art Fair,
Usine Warteck, Bâle
Exhibition from 10 to 14 June 1998
Opening June 9, 1998
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Alexandre Bianchini et Yves Levasseur, Sans titre, 1998
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Luc Tuymans, Le Verdict, Alex Baladi, Une fille et un être qui n’existent pas, Thomas Hirschhorn, Über Katalog. Text, Edition, 1998
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Vidya Gastaldon & Jean-Michel Wicker, Détail, Luc Tuymans, Le Verdict, Elena Montesinos, Sincerly Yours, 1998
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Claude Closky, 12 heures = 10 heures, Jakob Gautel, Rendez-vous !, Thomas Hirschhorn, Über Katalog. Text, Edition, 1998
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One Step Backwards: Books, prints, videos, 1998
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One Step Backwards: Books, prints, videos, 1998
Collective manifestation – exhibition with works , editions , installations , performances and video screenings or dias from Alex Baladi, Alexandre Bianchini, Cosima von Bonin, Mourad Cheraït, Claude Closky, Adam Dant, Alain Declercq, Jeremy Deller, Andreas Exner, Nicolás Fernández, Claude Gaçon, Vidya Gastaldon & Jean-Michel Wicker, Jakob Gautel, Fabrice Gygi, Mathilde ter Heijne, Thomas Hirschhorn, Laurence Huber, Klat, Koo Jeong-A, Elke Krystufek, Yves Levasseur, Claude Lévêque, Elena Montesinos, Gianni Motti, Honoré d’O, Kristin Oppenheim, Anne Pesce, Christophe Rey, Allen Ruppersberg, Alain Séchas, Luc Tuymans, Heimo Zobernig.
Art and book fairs
2021
Printed Matter’s Virtual Art Book Fair (PMVABF)
Monica Bonvicini, Harry Burke, Guillaume Dénervaud, Anne Dressen and Nick Mauss, Liz Craft, Keren Cytter, Mathis Gasser, Dorothy Iannone, Matthew Lutz-Kinoy, Victor Man, Paul Paillet, Susan Te Kahurangi King, Oscar Tuazon, Jeffrey Vallance, Jean-Michel Wicker and Artists’ Voices
Opening Wednesday February 24, 2021
from February 25 till February 28, 2021
3 PM – 6 PM (CET)
pmvabf.org
2019
artgenève
January 31-February 3, 2019
Preview: 30 janvier 2019
stand D4, halle 1, Palexpo, Genève
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View of the CEC’s installation
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View of the CEC’s installation
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View of the CEC’s installation
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View of the CEC’s installation
ground
(edited and curated by Harry Burke and Marlie Mul)
Khairani Barokka
Simnikiwe Buhlungu
Amy DG & Samantha Dick (Where People Sleep)
Marlie Mul
Precious Okoyomon
Kirsten Pieroth
Linda Stupart
The Gate
WAGES FOR WAGES AGAINST
Jean-Michel Wicker
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Editions of the CEC
Matthew Lutz-Kinoy
Jean-Michel Wicker
Presentation of the new edition of Matthew Lutz-Kinoy
Scrolls in the Wind
A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad
Edited by Matthew Lutz-Kinoy
ground
Curators : Harry Burke and Marlie Mul
Presentation of the zine ground – first edition launched in 2018 – edited by Harry Burke (writer, critic, editor, and indepndant curator) amd Marlie Mul (artist, born in 1980 in Utrecht, lives and works in Berlin) with contributions by The Gate, Linda Stupart, Jean-Michel Wicker, Khairani Barokka, Reader’s Digestion, Sorryyoufeeluncomfortable et Marlie Mul.
“In collaboration with Centre d’edition contemporaine for artgenève, Harry Burke and Marlie Mul, the editors of ground, will curate a selection of prints and editions by artists featured in both their recently published first zine and in their forthcoming second publication. ground is an independently distributed zine that aims to look beyond institutions, in their current form, as the dominant spaces and frameworks in which to present and deal with artistic production, and instead explore grassroots political and aesthetic alternatives. The presentation at artgenève will highlight the ways that artists are using publishing and printmaking to achieve these aims, and will involve work by artists who are often underrepresented in international commercial presentations such as artgenève.” (Harry Burke)
Talk by Marlie Mul, presentation of the zine ground, art talks & performances, Saturday, February 2, 2019, artgenève 2019