Matthew Lutz-Kinoy
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Artist's editions
2019
Matthew Lutz-Kinoy
What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches !
“A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations”

Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches ! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations », ed. of the CEC, 2019. © Sandra Pointet
Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations »
Silkscreen print on raw cotton, 36 × 48 cm, safety pins, postcard, 150 copies, edition of the Centre d’édition contemporaine, Geneva, 2019. Edition offered to the members of the Centre d’édition contemporaine association for the year 2018.
CHF 80.-
2018
Matthew Lutz-Kinoy
Scrolls in the Wind
A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad. Edited by Matthew Lutz-Kinoy
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Matthew Lutz-Kinoy, Scrolls in the Wind…, ed. of the CEC, 2018. © Sandra Pointet
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Matthew Lutz-Kinoy, Scrolls in the Wind…, ed. of the CEC, 2018. © Sandra Pointet
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Matthew Lutz-Kinoy, Scrolls in the Wind…, ed. of the CEC, 2018. © Sandra Pointet
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Matthew Lutz-Kinoy, Scrolls in the Wind…, ed. of the CEC, 2018. © Sandra Pointet
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Matthew Lutz-Kinoy, Scrolls in the Wind…, ed. of the CEC, 2018. © Sandra Pointet
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Matthew Lutz-Kinoy, Scrolls in the Wind…, ed. of the CEC, 2018. © Sandra Pointet
Matthew Lutz-Kinoy, Scrolls in the Wind A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad. Edited by Matthew Lutz-Kinoy, edition of twelve color lithographs, on BFK Rives 250g/m2 paper, 42 x 29.7 cm, inside a slip case, BFK Rives 300 g/m2 paper, contained in a box covered with Wibalin Natural Burnt Orange 115 g/m2 paper.
Edition of 15, 3 A.P. and 2 H.C., each lithograph is numbered from 1 to 12 and signed, the edition is numbered from 1/15 to 15/15, A.P. 1, A.P. 2, A.P. 3 and H.C. I, H.C. II, dated and signed by the artist on the colophon. Printed by Idem, Paris. Box produced by Cartonnages Delavy, Lausanne. Edition of the Centre d’édition contemporaine, Geneva, 2018.
CHF 4’500.-
Solo show
2018
Matthew Lutz-Kinoy
The Meadow
Exhibition from October 12 till February 8, 2019 Opening Thursday October 11, 2018 from 6 PM to 9 PM (Nuit des Bains)
Week-end Genève Art Contemporain : Saturday 17 and Sunday 18 November from 11 AM till 6 PM
Common openings of the Quartier des Bains : Thursday, January 17, 2019, from 6 PM till 9 PM
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
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View of the exhibition Matthew Lutz-Kinoy, The Meadow, CEC, 2018. © Sandra Pointet
Matthew Lutz-Kinoy’s primary medium might be painting, but it often goes beyond two-dimensional space to extend to its surroundings, becoming decor or pieces of furniture. This expansion of the pictorial space is seen both in the choice of subjects and in the enlarged and repeated stylized motifs. His large format paintings, often installed like decorative tapestries, wall panels or suspended ceilings, stages the exhibition space in which viewers are physically immersed. This highly spatial and physical approach to painting expresses Lutz-Kinoy’s special relationship with the body and gesture, and explains the extension of his work into dance and performance. For his recent exhibition at Le Consortium, Dijon, a vast system of murals, inspired by François Boucher’s painted panels that once decorated a boudoir and are now displayed at the Frick Collection in New York, entirely covered the walls of this white cube. This fascination with the refined, sophisticated and carnal painting of the 18th century brought out its erotic and transgressive nature against a backdrop of sensual and sexual liberation.
(more…)
Event
2019
Matthew Lutz-Kinoy
What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches !
“A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations”
Presentation of the edition offered to the members of the Centre d’édition contemporaine association for the year 2018
Thursday, January 17, 2019, 6 – 9 PM (Common openings of the Quartier des Bains)
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Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches ! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations », ed. of the CEC, 2019. © Sandra Pointet
Matthew Lutz-Kinoy, What to wear to a concert? Tips for concert outfits: wear your best punk jacket with the right patches! « A patch meant to be fixed to the back of your jacket depicting relevant cultural affiliations »
Silkscreen print on raw cotton, 36 × 48 cm, safety pins, postcard, 150 copies, edition of the Centre d’édition contemporaine, Geneva, 2019. Edition offered to the members of the Centre d’édition contemporaine association for the year 2018.
Art or book fairs
2019
artgenève
January 31-February 3, 2019
Preview: 30 janvier 2019
stand D4, halle 1, Palexpo, Genève
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View of the CEC’s installation
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View of the CEC’s installation
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View of the CEC’s installation
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View of the CEC’s installation
ground
(edited and curated by Harry Burke and Marlie Mul)
Khairani Barokka
Simnikiwe Buhlungu
Amy DG & Samantha Dick (Where People Sleep)
Marlie Mul
Precious Okoyomon
Kirsten Pieroth
Linda Stupart
The Gate
WAGES FOR WAGES AGAINST
Jean-Michel Wicker
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Editions of the CEC
Matthew Lutz-Kinoy
Jean-Michel Wicker
Presentation of the new edition of Matthew Lutz-Kinoy
Scrolls in the Wind
A collection of scripts and poems by Harry Burke, Cyrus Grace Dunham, Sharon Hayes, James English Leary, Sophy Naess, Amy Sillman and Emily Sundblad
Edited by Matthew Lutz-Kinoy
ground
Curators : Harry Burke and Marlie Mul
Presentation of the zine ground – first edition launched in 2018 – edited by Harry Burke (writer, critic, editor, and indepndant curator) amd Marlie Mul (artist, born in 1980 in Utrecht, lives and works in Berlin) with contributions by The Gate, Linda Stupart, Jean-Michel Wicker, Khairani Barokka, Reader’s Digestion, Sorryyoufeeluncomfortable et Marlie Mul.
“In collaboration with Centre d’edition contemporaine for artgenève, Harry Burke and Marlie Mul, the editors of ground, will curate a selection of prints and editions by artists featured in both their recently published first zine and in their forthcoming second publication. ground is an independently distributed zine that aims to look beyond institutions, in their current form, as the dominant spaces and frameworks in which to present and deal with artistic production, and instead explore grassroots political and aesthetic alternatives. The presentation at artgenève will highlight the ways that artists are using publishing and printmaking to achieve these aims, and will involve work by artists who are often underrepresented in international commercial presentations such as artgenève.” (Harry Burke)
Talk by Marlie Mul, presentation of the zine ground, art talks & performances, Saturday, February 2, 2019, artgenève 2019