Alexandre Bianchini
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3 |
artist's editions |
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1 |
solo show |
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12 |
group shows |
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Artist's editions
2000
Alexandre Bianchini
Sans titre

Alexandre Bianchini, Sans titre, CEC, 2000
Alexandre Bianchini, Sans titre, silkscreen poster, colours, 176 × 120 cm, edition of 100, copyright Alexandre Bianchini and Centre genevois de gravure contemporaine. Edition of the Centre genevois de gravure contemporaine, Geneva, 2000.
Edition offered to the 2000 members of the Centre genevois de gravure contemporaine association.
Sold out
1996
Alexandre Bianchini
Detroit on Circle
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Alexandre Bianchini, Detroit on Circle, 1996
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Alexandre Bianchini, Detroit on Circle, 1996
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Alexandre Bianchini, Detroit on Circle
Alexandre Bianchini, Detroit on Circle, super 8 mm films, colours, 3’, 24 im/sec, edition of 12 plus 2 A.P. and 2 H.C., numbered. Sound: Minus, Robert Hood / Maurizio 05, basic channel / Vertical, Jeff Mills, Axis 008 / Growth, Jeff Mills, Axis 10 / Detroit on circle, Robert Hood / Internal empire, Robert Hood / Mike Inke, Studio 1 / Version, Hubert Mean / DJ Sid, MG 004 / (excerpts). Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Sold out
1994
Alexandre Bianchini
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Huber Mean
Version # 1

Alexandre Bianchini – Huber Mean, Version # 1, 1994
Alexandre Bianchini – Huber Mean, Vinyl, Version # 1, 12’’ maxi record, A and B side, sound mixing of a text and of various styles of music (jazz and acid jazz), edition of 300. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
Edition offered to the members of 1994 of the Centre genevois de gravure contemporaine association.
CHF 15.–
Solo show
1994
Alexandre Bianchini
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Hubert Mean
13 May 1994 in the evening

Alexandre Bianchini – Huber Mean, Version # 1, 1994
Presentation of the edition offered to the members of 1994 of the Centre, Version #1 (performance, music, decor and bar)
Alexandre Bianchini – Huber Mean, Vinyl, Version # 1, 12’’ maxi record, A and B side, sound mixing of a text and of various styles of music (jazz and acid jazz), edition of 300. Edition of the Centre genevois de gravure contemporaine, Geneva, 1994.
Edition offered to the members of 1994 of the Centre genevois de gravure contemporaine association.
Solo shows
2016
Artists’ Voices
Prolongation
Sound exhibition from December 11, 2015 till March 26, 2016
Opening Thursday December 10, 2015, 6 PM – 9 PM
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, CEC, 2015. Photo © Sandra Pointet
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Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, CEC, 2015. Photo © Sandra Pointet
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Tobias Kaspar, Heart-Bite Valentine’s Day Teddy, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. (more…)
2015
Artists’ Voices
Sound exhibition from December 11, 2015 till March 26, 2016
Opening Thursday December 10, 2015, 6 PM – 9 PM
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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View of the exhibition Artists’ Voices, CEC, 2015. Photo © Sandra Pointet
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Artists’ Voices assembles a group of sound pieces linked to the theme of the voice. The voice considered as a strong marker on the unconscious, a pre-language primal expression that is directly connected to emotions and is identifiable by a body of signs: tone, vibration, timbre, rhythm. The sound pieces are songs, declamations, monologues, a reading, a discourse, a dialogue, an echo, a whisper, a noise, a scream or breathing, up to the point of rupture, dysphonia, aphonia, silence, or even the return of sound and music. (more…)
2014
WINTER SALE
AND
ALPHABET EDITIONS
WINTER SALE Tuesday December 16, 2014, 6 PM – 9 PM Saturday December 20, 2014, 12 PM – 5 PM
ALPHABET EDITIONS Exhibition of CEC’s editions (1989—2014) December 12, 2014 — February 28, 2015
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
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View of the exhibition ALPHABET EDITIONS
ALPHABET EDITIONS is an alphabetical display of the CEC’s editions (1989-2014), a possibility to see again everything or to purchase a book, a print or a multiple during this “winter sale”. WINTER SALE is neither a sale nor an auction or a sale, but simply the presentation of the still available editions, a new display, a Christmas market and above all a support for the CEC. (more…)
2012
Posters
November 13th,2012 – February 1st, 2013

Jakob Kolding, Sans titre
Alexandre Bianchini, Gerard Byrne, Jeremy Deller & Karl Holmqvist, Andreas Dobler, Vidya Gastaldon & Jean-Michel Wicker, Fabrice Gygi, Klat, Jakob Kolding, Elke Krystufek, Claude Lévêque, Fabian Marti, M/M
2006
Accrochage des éditions 1995-2005
Exhibition from April 5 to May 6, 2006

KLAT, EVIL TALK, 1999
Editions from 1995 to 2005 for the members of Cec
Olivier Mosset (1995) : Sans titre, engraving chisel, black / white;
Fabrice Gygi (1996) : Sans titre, displays, screen color;
Elena Montesinos (1997) : Love it, blotter, plastic bag;
Elke Krystufek (1998) : Economical Love, poster, offset color;
Klat (1999) : EVIL TALK, affiche, sérigraphie noir/blanc;
Alexandre Bianchini (2000) : Sans titre, displays, serigraphy black / white;
Jakob Kolding (2001) : Sans titre, displays, offset black / white;
Karl Holmqvist (2002) : CECI N’EST QU’UNE ILLUSION, plastic bag, screen;
Mai-Thu Perrret (2003) : Sculptures of Pure Self-Expression, series of five ceramics;
No More Lights on My Starguitar (2004) : compilation rock ‘n’ roll performed by Bruno Dürr, vinyl, 33 rpm;
et Christophe Rey (2005) : Washington, color photography.
2001
Affiches/Livres
From November 20, 2001 until January 12, 2002

View of the exhibition Affiches/Livres
Posters: Jakob Kolding, Alexandre Bianchini, Vidya Gastaldon & Jean-Michel Wicker, KLAT, Elke Krystufek, Fabrice Gygi, Claude Lévêque
Books: Elke Krystufek, Alex Baladi, Thomas Hirschhorn, Claude Closky, Sigurdur Arni Sigurdsson, Stephan Landry, Marie Sacconi, Anne Pesce, Emmett Williams
2000
Editions 2000
From September 28 until December 23, 2000

Sidney Stucki, Prototype 1
First exhibition in the new venue: Presentation of older and new editions, of which the 2000 editions:
– Alexandre Bianchini
– Laurence Huber and Marie-José Blanquet
– Sidney Stucki
And the older ones: Claude Closky – Jérôme Hentsch and Alain Julliard – Elke Krystufek – Stephan Landry – Elena Montesinos – Giuseppe Penone – Anne Pesce – Marie Sacconi – Roman Signer – Sigurdur Arni Sigurdsson – Rosemarie Trockel – …
1999
Editions
Exhibition from May 3 to September 3, 1999
Exhibition of the Centre genevois de gravure contemporaine editions 1986 – 1998
The CGGC artistic program reflects the CGGC productions from 1986 to 1998: engraving, lithography, offset, multiple and artist book. Among the artists who previously collaborated with the Centre and whose works were exhibited on this occasion, particularly be mentioned the names of Ian Anüll, John M. Armleder, Alex Baladi, Alexandre Bianchini, Marcel Broodthaers, Stéphane Brunner, Mourad Cheraït, Claude Closky, Philippe Favier, Nicolas Fernandez, Claude Gaçon, Fabrice Gygi, Alex Hanimann, Jérôme Hentsch et Alain Julliard, Thomas Hirschhorn, Andreas Hofer, Karen Kilimnik, Elke Krystufek, Simon Lamunière, Stephan Landry, Claude Lévêque, Christian Lindow, Henri Michaux*, Elena Montesinos, Olivier Mosset, Kristin Oppenheim, Giuseppe Penone, Anne Pesce, Marie Sacconi, Roman Signer, Sigurdur Arni Sigurdsson, Rosemarie Trockel, Emmett Williams, Heimo Zobernig.
1998
One Step Backwards: Books,
prints, videos, 1998
LISTE 98, The Young Art Fair,
Usine Warteck, Bâle
Exhibition from 10 to 14 June 1998
Opening June 9, 1998
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Alexandre Bianchini et Yves Levasseur, Sans titre, 1998
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Luc Tuymans, Le Verdict, Alex Baladi, Une fille et un être qui n’existent pas, Thomas Hirschhorn, Über Katalog. Text, Edition, 1998
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Vidya Gastaldon & Jean-Michel Wicker, Détail, Luc Tuymans, Le Verdict, Elena Montesinos, Sincerly Yours, 1998
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Claude Closky, 12 heures = 10 heures, Jakob Gautel, Rendez-vous !, Thomas Hirschhorn, Über Katalog. Text, Edition, 1998
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One Step Backwards: Books, prints, videos, 1998
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One Step Backwards: Books, prints, videos, 1998
Collective manifestation – exhibition with works , editions , installations , performances and video screenings or dias from Alex Baladi, Alexandre Bianchini, Cosima von Bonin, Mourad Cheraït, Claude Closky, Adam Dant, Alain Declercq, Jeremy Deller, Andreas Exner, Nicolás Fernández, Claude Gaçon, Vidya Gastaldon & Jean-Michel Wicker, Jakob Gautel, Fabrice Gygi, Mathilde ter Heijne, Thomas Hirschhorn, Laurence Huber, Klat, Koo Jeong-A, Elke Krystufek, Yves Levasseur, Claude Lévêque, Elena Montesinos, Gianni Motti, Honoré d’O, Kristin Oppenheim, Anne Pesce, Christophe Rey, Allen Ruppersberg, Alain Séchas, Luc Tuymans, Heimo Zobernig.
1997
Eté 97
Exhibition from September 26 to December 13, 1997
Opening September 26, 27, 28 during the day and evening
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Urs Fischer, Sans titre, Marie Sacconi, Emplois du troisième type et jours fériés, 1997
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Olafur Eliasson, By Means of Your Sudden Feature, 1997
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Olafur Eliasson, By Means of Your Sudden Feature, 1997
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Thomas Hirschhorn, Mondrian-Autel, 1997
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Mathilde Ter Heijne, You Still Haunt Me, 1997
Continuously event over three days and exhibition of works, installations, performances and video projections and films. With Alexandre Bianchini, Henry Bond, Mourad Cheraït, Claude Closky, Jeanne Dunning, Olafur Eliasson, Andreas Exner, Urs Fischer, Mathilde ter Heijne, Jérôme Hentsch, Thomas Hirschhorn, Laurence Huber, Fabio Jaramillo et Sidney Stucki, Karen Kilimnik, Elke Krystufek, Yves Levasseur, Aernout Mik, Kristin Oppenheim, Alix Pearlstein, Lisa May Post, Marie Sacconi, Hinrich Sachs et Marylène Negro (as surprise guest), Rosemarie Trockel, Carl Emanuel Wolff, Heimo Zobernig. Video on request : Jeanne Dunning, Nicolás Fernández, Gianni Motti, Jean-Michel Othoniel, Alix Pearlstein, Christophe Rey, B. Toguo Tamokoué, Luc Tuymans, Anne Pesce.
1997
Gravures et Multiples
Exhibition from January 25 to March 29, 1997
Opening January 25, 1997
Presentation of the editions of Alexandre Bianchini, Claude Closky , Nicolás Fernández, Fabrice Gygi , Alex Hanimann Jérôme Hentsch and Alain Julliard, Thomas Hirschhorn, Karen Kilimnik , Stephan Landry, Claude Leveque, Olivier Mosset , Kristin Oppenheim, Jean- Michel Othoniel , Giuseppe Penone Anne Pesce , Marie Sacconi, Roman Signer , Sigurdur Arni Sigurdsson , Rosemarie Trockel , Luc Tuymans , Emmett Williams.
1996
Alexandre Bianchini,
Nicolás Fernández,
Jérôme Hentsch
et
Alain Julliard
Exhibition from June 21 to September 21, 1996
On 20 June 1996 , on the occasion of the opening,
projection of super 8 film of Alexander Bianchini,
Detroit is Circle in one of artist workshops of the Centre.
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Jerome Hentesch et Alain Julliard, view of the exhibition, 1996
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Alexandre Bianchini, view of the exhibition, 1996
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Nicolas Fernandez, view of the exhibition, 1996
If Alexandre Bianchini, Nicolás Fernández, Jérôme Hentsch and Alain Julliard are not part of a group, they participate in a joint discussion where the questioning of art and function play an important part. (Véronique Bacchetta , extract from the press release)
Alexandre Bianchini, Le Théâtre de la nature d’Oklahoma, installation.
Nicolás Fernández, Ils nous ont vendu,Table, Tu es entré et tu es sorti. Maman, Ils nous ont vendu, Ils nous ont acheté, Ils nous ont donné, Tu m’as donné, Je t’ai donné, Vos mères se souviendront de vous, Banc, Embrasure and Ils nous ont écrit, installation with woodcuts, cardboard and other materials.
Jérôme Hentsch et Alain Julliard, Conte d’auteurs, two projections Super 8 films ,facing and show on a loop in a specially space made for that purpose, objects and text.
On the occasion of this exhibition, each artist has produced an edition :
Alexandre Bianchini, Detroit on Circle, super 8 mm films, colour, 3’, 24 im/sec, edition of 12 plus 2 A.P. and 2 H.C., numbered. Sound: Minus, Robert Hood / Maurizio 05, basic channel / Vertical, Jeff Mills, Axis 008 / Growth, Jeff Mills, Axis 10 / Detroit on circle, Robert Hood / Internal empire, Robert Hood / Mike Inke, Studio 1 / Version, Hubert Mean / DJ Sid, MG 004 / (excerpts). Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Nicolás Fernández, Tu es entré et tu es sorti. Maman, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Ils nous ont donné, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Ils nous ont vendu, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Ils nous ont acheté, woodcut, protection paper, 240 × 150 cm, edition of 4 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Vos mères se souviendront de vous, woodcut, protection paper, 101 × 76 cm, edition of 6 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Je t’ai donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Tu m’as donné, woodcut, protection paper, 96 × 73 cm, edition of 8 plus 2 A.P. and 2 H.C., numbered, dated and signed.
Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Jérôme Hentsch and Alain Julliard, Un bateau en papier, offset print on Zerkall-Bütten Ingres champagne vergé 90 g/m2 paper, 29.7 × 21 cm, in a cardboard jacket Invercote GX white 340 g/m2, 29.8 × 21.1 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.
Alain Julliard and Jérôme Hentsch, Fond de commerce, silkscreen print on acetate, 45.5 × 21 cm, in a cardboard jacket Invercote GX blanc 340 g/m2, 46.5 × 42.4 cm, edition of 60, numbered. Edition of the Centre genevois de gravure contemporaine, Geneva, 1996.